{"id":96,"date":"2023-06-20T14:08:29","date_gmt":"2023-06-20T14:08:29","guid":{"rendered":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/?page_id=96"},"modified":"2023-06-26T17:42:19","modified_gmt":"2023-06-26T17:42:19","slug":"discography","status":"publish","type":"page","link":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/discography\/","title":{"rendered":"Discography"},"content":{"rendered":"\n<p><strong>Left Bank Jazz Society \u2013 Discographical Information<\/strong><\/p>\n\n\n\n<p><strong><br>Jimmy Heath\/Freddie Hubbard: Jazz Gems (1965)<\/strong><br>All Members (Jimmy Heath)<br>Bluesville (Sylvester &#8216;Sonny Red&#8217; Kyner)<br>Lover Man (Jimmy Davis\/Roger &#8216;Ram&#8217; Ramirez\/Jimmy Sherman)<br>What Is This Thing Called Love? (Cole Porter)<br>Autumn Leaves (Les Feuilles Mortes) (Joseph Kosma\/Johnny Mercer\/Jacques Pr\u00e9vert)<br>Madison Club, 6\/13\/65<br>Freddie Hubbard: trumpet<br>Jimmy Heath: tenor sax<br>Gus Simms: piano<br>Wilbur Little: bass<br>Bertell Knox: drums<\/p>\n\n\n\n<p><br><strong>Walter Namuth\/Mickey Fields: Left Bank \u201866 (1966)<\/strong><br>Unit 7 (Sam Jones)<br>The Gypsy (Billy Reid)<br>Well You Needn&#8217;t (Thelonious Monk)<br>Pfrancing (No Blues) (Miles Davis)<br>The Theme (N.Y. Theme) (Kenny Dorham)<br>Stablemates (Benny Golson)<br>The Shadow Of Your Smile (Johnny Mandel\/Paul Francis Webster)<br>A La Mode (Curis Fuller)<br>Blues Jam (Walter Namuth\/Mickey Fields)<br>Madison Club, 1\/9\/66<br>Walter Namuth: guitar<br>Mickey Fields: tenor sax<br>Claude Hubbard: piano<br>Phil Harris, bass<br>Purnell Rice, drums<\/p>\n\n\n\n<p><br><strong>Blue Mitchell: Baltimore 1966 (1966)<\/strong><br>If I Should Lose You (Leo Robin\/Ralph Rainger)<br>All Members (Jimmy Heath)<br>Fungii Mama (Richard \u2018Blue\u2019 Mitchell)<br>Blue Spring Variation (Shitfing Down &#8211; Blue Spring &#8211; Blue Spring Shuffle)<br>(Kenny Dorham)<br>I Can&#8217;t Get Started (Ira Gershwin\/Vernon Duke)<\/p>\n\n\n\n<p>A Portrait Of Jenny (Gordon Burdge\/J. Russell Robinson)<br>Crystal Ballroom, 3\/20\/66<br>Blue Mitchell: trumpet<br>Sonny Red: alto sax<br>John Hick: piano<br>Gene Taylor: bass<br>Joe Chambers: drums<\/p>\n\n\n\n<p><br><strong>Coleman Hawkins: Supreme (1966)<\/strong><br>Lover Come Back To Me (Sigmund Romberg\/Oscar Hammerstein II)<br>Body And Soul (Johnny Green\/Robert Sour\/Edward Heyman\/Frank Eyton)<br>In Walked Bud (Thelonious Monk)<br>Quintessence (Quincy Jones)<br>Fine And Dandy (Paul James\/Kay Swift<br>Ow! (Dizzy Gillespie)<br>Madison Club, 9\/25\/66<br>Coleman Hawkins: tenor sax<br>Barry Harris: piano<br>Gene Taylor: bass<br>Roy Brooks: drums<\/p>\n\n\n\n<p><br><strong>Jackie McLean: Dr. Jackle\/Tune Up (1966)<\/strong><br>Minor March (Minor Apprehension) (Jackie McLean)<br>Melody For Melonae (Melanie) (Jackie McLean)<br>Jossa Bossa (Don Moore)<br>Little Melonae (Jackie McLean)<br>Closing (Jackie McLean)<br>Tune Up (Eddie &#8216;Cleanhead&#8217; Vinson)<br>I Remember You (Johnny Mercer\/Victor Schertzinger)<br>Closing (Jackie McLean)<br>Jack&#8217;s Tune (Blue Fable) (Jackie McLean)<br>Smile (Charlie Chaplin\/John Turner\/Geoff Parsons)<br>Closing (Jackie McLean)<br>Famous Ballroom, 12\/18\/66<br>Jackie McLean: alto sax<br>Lamont Johnson: piano<br>Scotty Holt: bass<br>Billy Higgins: drums<\/p>\n\n\n\n<p><strong>Freddie Hubbard: Fastball (1967)<\/strong><br>Pensativa (Clare Fischer)<br>Echoes Of Blue (Bob Cunningham)<br>Crisis (Freddie Hubbard)<br>Willow Weep For Me (Ann Ronell)<br>Bob&#8217;s Place (Freddie Hubbard)<br>Famous Ballroom, 4\/23\/67<br>Freddie Hubbard: trumpet<br>Bennie Maupin tenor sax<br>Kenny Barron: piano<br>Herbie Lewis: bass<br>Freddie Waits: drums<\/p>\n\n\n\n<p><br><strong>Wynton Kelly\/Hank Mobley (1967)<\/strong><br>On A Clear Day You Can See Forever (Alan Jay Lerner\/Burton Lane)<br>Hackensack (Rifftide) (Thelonious Monk)<br>On Green Dolphin Street (Bronislau Kaper\/Ned Washington)<br>Milestones (Miles) (Miles Davis)<br>If You Could See Me Now (Tadd Dameron\/Carl Sigman)<br>Speak Low (Kurt Weill\/Ogden Nash)<br>Famous Ballroom, 11\/12\/67<br>Hank Mobley (tenor sax)<br>Wynton Kelly (piano)<br>Cecil McBee (bass)<br>Jimmy Cobb (drums)<\/p>\n\n\n\n<p><br><strong>Joe Henderson (1968)<\/strong><br>Autumn Leaves (Les Feuilles Mortes)<br>Four<br>On The Trail<br>Medley (Stardust &#8211; Old Folks)<br>On Green Dolphin Street<br>The Theme (N.Y. Theme)<br>Straight, No Chaser<br>Days Of Wine And Roses<br>What Is This thing Called Love?<br>If You Could See Me Now<br>On A Clear Day You Can See Forever<\/p>\n\n\n\n<p>Limehouse Blues<br>Pfrancing (No Blues)<br>The Theme (N.Y. Theme)<br>Famous Ballroom, 4\/21\/68<\/p>\n\n\n\n<p><br><strong>Wynton Kelly\/George Coleman (1968)<\/strong><br>Announcements<br>Unit 7<br>Surrey With The Fringe On Top<br>On The Trail<br>Mr. P.C.<br>On A Clear Day You Can See Forever<br>Here&#8217;s That Rainy Day<br>The Theme (N.Y. Theme)<br>Famous Ballroom, 9\/22\/68<\/p>\n\n\n\n<p><br><strong>Al Cohn\/Zoot Sims: Easy As Pie (1968)<\/strong><br>Famous Ballroom, 10\/27\/68<\/p>\n\n\n\n<p><br><strong>Mickey Fields (1968)<\/strong><br>Straight, No Chaser (Thelonious Monk)<br>Lover Man (Jimmy Davis\/Roger &#8216;Ram&#8217; Ramirez\/Jimmy Sherman)<br>Left Bank Cookout (Mickey Fields)<br>Little Green Apples (Bobby Russell)<br>Light My Fire (Jim Morrison)<br>Famous Ballroom, 1968 <br>Mickey Fields: tenor sax<br>Richard \u2018Groove\u2019 Holmes: organ (1-3)<br>George Freeman: guitar (1-3)<br>Billy Jackson: drums (1-3)<br>Calvin Vaughn: organ (4-5)<br>Don Bowie: drums (4-5)<\/p>\n\n\n\n<p><br><strong>Gary Bartz: Home! (1969<\/strong>)<br>B.A.M. (Gary Bartz)<br>Love (Gary Bartz)<br>Rise (Gary Bartz)<\/p>\n\n\n\n<p>Amal (Gary Bartz)<br>It Don&#8217;t Mean a Thing (If It Ain\u2019t Got That Swing) (Duke Ellington\/Irving Mills)<\/p>\n\n\n\n<p><br>Famous Ballroom, 3\/30\/69<br>Gary Bartz: alto sax<br>Woody Shaw: trumpet<br>Albert Dailey: piano<br>Bob Cunningham: bass<br>Rashied Ali: drums<\/p>\n\n\n\n<p><br><strong>Duke Pearson (1969)<\/strong><br>Hi-Fly (Randy Weston)<br>New Girl (Duke Pearson)<br>Eldorado (Mitch Farber)<br>In The Still Of The Night (Cole Porter)<br>Tones For Joan&#8217;s Bones (Chick Corea)<br>Straight Up And Down (Chick Corea)<br>Ready When You Are C.B. (Duke Pearson)<br>Night Song (Theme From Golden Boy) (Charles Strouse\/Lee Adams)<\/p>\n\n\n\n<p><br>Famous Ballroom, 4\/27\/69<\/p>\n\n\n\n<p><br>Jerry Dodgion: alto sax, flute<br>Al Gibbons: alto sax, flute<br>Frank Foster: tenor sax<br>Lew Tabackin: tenor sax<br>Pepper Adams: baritone sax<br>Jim Bossy: trumpet, flugelhorn<br>Donald Byrd: trumpet, flugelhorn<br>Burt Collins: trumpet, flugelhorn<br>Joe Shepley: trumpet, flugelhorn<br>Eddie Bert: trombone<br>Joe Forst: trombone<br>Julian Priester: trombone<br>Kenny Rupp: bass trombone<br>Duke Pearson: piano<br>Bob Cranshaw: bass, electric bass<br>Mickey Roker: drums<\/p>\n\n\n\n<p><br><strong>Dexter Gordon (1969)<\/strong><br>Broadway<br>Boston Bernie<br>In A Sentimental Mood<\/p>\n\n\n\n<p>Blues Up And Down<br>Rhythm-a-ning<br>Misty<br>Love For Sale<br>Famous Ballroom, 5\/4\/69<\/p>\n\n\n\n<p><br><strong>Roy Brooks (1970)<\/strong><br>The Free Slave (Roy Brooks)<br>Understanding (Roy Brooks)<br>Wilpan&#8217;s Walk (Wilpan&#8217;s) (Cecil McBee)<br>Five For Max (Roy Brooks)<\/p>\n\n\n\n<p><br>Famous Ballroom, 4\/26\/70<br>Woody Shaw: trumpet<br>George Coleman: tenor sax<br>Hugh Lawson: piano<br>Cecil McBee: bass<br>Roy Brooks: drums<\/p>\n\n\n\n<p><br><strong>Roy Brooks (1970)<\/strong><br>Introduction (Vernon Welsh)<br>Prelude to Understanding (Roy Brooks)<br>Understanding (Roy Brooks)<br>Billie&#8217;s Bounce (Charlie Parker)<br>Zoltan (Theme from Zoltan) (Woody Shaw)<br>Taurus Woman (Carlos Garnett)<br>The Theme (N.Y. Theme) (Kenny Dorham)<\/p>\n\n\n\n<p><br>Famous Ballroom, 11\/1\/70<\/p>\n\n\n\n<p><br>Woody Shaw: trumpet<br>Carlos Garnett: tenor sax<br>Harold Mabern: piano<br>Cecil McBee: bass<br>Roy Brooks: drums<\/p>\n\n\n\n<p><br><strong>Sonny Stitt (1971)<\/strong><br>Deuces Wild<br>Samba De Orpheus (Samba De Orfeu)<br>Who Can I Turn To (When Nobody Needs Me)?<br>Cry Me A River<\/p>\n\n\n\n<p>John Brown&#8217;s Body<br>The Shadow Of Your Smile<br>Blues Up And Down<\/p>\n\n\n\n<p><br>Famous Ballroom, 3\/21\/71<\/p>\n\n\n\n<p><strong><br>George Coleman (1971)<\/strong><br>Afternoon In Paris (John Lewis)<br>Sandu (Clifford Brown)<br>I Got Rhythm (George Gershwin\/Ira Gershwin)<br>Body And Soul (Johnny Green\/Robert Sour\/Edward Heyman\/Frank Eyton)<br>Joy Spring (Clifford Brown)<\/p>\n\n\n\n<p><br>Famous Ballroom, 5\/23\/71<br>George Coleman: tenor sax<br>Danny Moore: trumpet<br>Albert Dailey: piano<br>Larry Ridley: bass<br>Harold White: drums<\/p>\n\n\n\n<p><br><strong>Cedar Walton (1971)<\/strong><\/p>\n\n\n\n<p><br><strong>Etta Jones (1972)<\/strong><\/p>\n\n\n\n<p><br><strong>Gene Ammons\/Sonny Stitt (1973)<\/strong><br>Blue &#8216;n&#8217; Boogie<br>Stringin&#8217; The Jug<br>God Bless The Child<br>Autumn In New York<br>Ugetsu<br>Bye Bye Blackbird<br>Just In Time<br>They Can&#8217;t Take That Away From Me<br>Theme From &#8216;Love Story&#8217;<br>Exactly Like You<br>Don&#8217;t Go To Strangers<br>Autumn Leaves (Les Feuilles Mortes)<br>Blues Up And Down<\/p>\n\n\n\n<p><br>Famous Ballroom, 6\/24\/73<\/p>\n\n\n\n<p><br><strong>Cedar Walton (1974)<\/strong><\/p>\n\n\n\n<p><strong>Stan Getz (1975)<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Left Bank Jazz Society \u2013 Not Commercially Available<\/strong><\/p>\n\n\n\n<p><br><strong>Jimmy Heath (1965)<\/strong><br>Gingerbread Boy<br>Medley (Be My Love &#8211; When Sunny Gets Blue)<br>Project S.<br>Morgan State, 4\/25\/65<\/p>\n\n\n\n<p><br><strong>John Coltrane (1967)<\/strong><br>No known recording<br>According to a review, the set list included:<br>Resolution (John Coltrane)<br>My Favorite Things (Richard Rodgers\/Oscar Hammerstein II)<br>Nature Boy (Eden Ahbez)<br>(possibly) I Want To Talk About You (Billy Eckstine)<\/p>\n\n\n\n<p><br>Famous Ballroom, 5\/7\/67<\/p>\n\n\n\n<p><br>John Coltrane: tenor sax, soprano sax<br>Pharoah Sanders: tenor sax, piccolo<br>Jimmy Garrison: bass<br>Rashied Ali: drums<br>Algie DeWitt: bata drums<\/p>\n\n\n\n<p><br><strong>Lee Morgan (1968)<\/strong><br>Note: This concert took place in Hyattsville, MD and was sponsored by the D.C.<br>Chapter of the Left Bank Jazz Society<br>Introduction<br>Straight, No Chaser<br>Like Someone In Love<br>Solar (Sonny)<br>Chain Reaction<br>The Theme (N.Y. Theme)<br>The Sidewinder<br>You Go To My Head<br>A Night In Tunisia<\/p>\n\n\n\n<p><br><strong>Richard Williams\/Pepper Adams (1969)<\/strong><br>Billie&#8217;s Bounce<\/p>\n\n\n\n<p>How Deep Is The Ocean?<br>What Is This Thing Called Love?<br>Stella By Starlight<br>Famous Ballroom, 9\/28\/69<\/p>\n\n\n\n<p><br><strong>Elvin Jones (1971)<\/strong><br>Announcement (Vernon Welsh)<br>Simone (Frank Foster)<br>Here&#8217;s That Rainy Day (Johnny Burke\/Jimmy Van Heusen)<br>Shinjitu (Keiko Jones)<br>Fancy Free (Donald Byrd)<br>My Ship (Kurt Weill\/Ira Gershwin)<br>A Circle In The Square (Joe Farrell)<br>Raunchy Rita (Frank Foster)<br>For All The Other Times (Gene Perla)<\/p>\n\n\n\n<p><br>Famous Ballroom, 3\/28\/71<\/p>\n\n\n\n<p><br>Frank Foster: tenor sax<br>Joe Farrell: tenor sax<br>Gene Perla: bass<br>Elvin Jones: drums<\/p>\n\n\n\n<p><br><strong>Elvin Jones (1973)<\/strong><br>Announcement (Vernon Welsh)<br>Simone (Frank Foster)<br>Soultrane (Tadd Dameron)<br>Yesterdays (Jerome Kern\/Otto A. Harbach)<br>Three Card Molly (Elvin Jones)<br>Fancy Free (Donald Byrd)<br>In A Sentimental Mood (Duke Ellington\/Irving Mills\/Manny Kurtz)<br>The Children, Save The Children (Don Garcia)<br>For All The Other Times (Gene Perla)<br>New Moon (Steve Grossman)<br>Keiko&#8217;s Birthday March (Elvin Jones)<\/p>\n\n\n\n<p><br>Famous Ballroom, 4\/1\/73<br>Azar Lawrence: tenor sax, soprano sax<br>Steve Grossman: tenor sax, soprano sax<br>Hank Jones: piano<br>Gene Perla: bass<br>Elvin Jones: drums<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Left Bank Jazz Society \u2013 Discographical Information Jimmy Heath\/Freddie Hubbard: Jazz Gems (1965)All Members (Jimmy Heath)Bluesville (Sylvester &#8216;Sonny Red&#8217; Kyner)Lover Man (Jimmy Davis\/Roger &#8216;Ram&#8217; Ramirez\/Jimmy Sherman)What Is This Thing Called&hellip;<\/p>\n","protected":false},"author":10,"featured_media":250,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/pages\/96"}],"collection":[{"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/comments?post=96"}],"version-history":[{"count":3,"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/pages\/96\/revisions"}],"predecessor-version":[{"id":173,"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/pages\/96\/revisions\/173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/media\/250"}],"wp:attachment":[{"href":"https:\/\/library.umbc.edu\/specialcollections\/leftbankjazz\/wp-json\/wp\/v2\/media?parent=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}