People from all demographics in society were the subject of satire, ridicule, and critique. This includes minority identities such as Black people, Irish Celts, Jewish people, and other racial and ethnic identities. The illustrations present in this collection showcase beliefs that are disparaging and harmful towards racial, ethnic, and religious minority groups in Cruikshank’s Britain, and serve as an important reminder that minority stereotypes were cultivated in visual arts.
These visual stereotypes circulated and promoted dehumanizing imagery of minority groups and particularly reflect the medicalization of race, intolerance for non-Christian religions, and a general desire among dominant racial and social groups within British society for control over individuals considered “other.” In the era of Pax Britannica, those who did not look, sound, believe, and live the Anglo-Saxon way were subordinated. As the sketches in this collection make clear, white supremacist ideology was aided by pseudo-scientific movements like phrenology which would later spur the popularization of eugenics near the century’s end.
Click on the images below to learn more about each sketch