On display in the Library Rotunda June 7 – August 7, 2024
Curated by Riya Suthar ‘24, Psychology and Gender, Women’s, and Sexuality Studies, and Lindsey Loeper, Reference and Instruction Archivist.
The Alternative Press Center (APC), a resource library for non-mainstream and independent journals, magazines, newspapers, newsletters, and other periodical publications, was founded in 1969 – the same year as the Stonewall riots in New York City. Since its founding the APC has collected, indexed, and made accessible hundreds of publications produced by LGTBQ+ authors, activists, organizations, and communities.
Researchers can trace the continued growth, support, conflict, and language from within, and without, the queer community from 1969 to the present day. What rights and freedoms were they fighting for, how were they describing themselves and their communities, and what push back and violence did they experience from adversaries, politicians, or even their own friends and families? The publications in the APC show first hand how LGBTQ+ activists, authors, and artists wrote about themselves and how their priorities have developed over time. These publications also show the vocal history of a community that is often silenced.
View historical LGBTQ+ selections from the Alternative Press Center Collection all summer in the Library Rotunda or request specific titles in the Special Collections reading room.
The Special Collections department at UMBC includes the Edward L. Bafford Photography Book Collection; researchers can access historical technical manuals, pamphlets, exhibition catalogs, and photography books that show to development of photography from the 19th century to today. Photobooks as a distinct publication type – typically highlighting photographs with supplemental text as opposed to using photographs as illustration for the main text and with an emphasis on design elements – accelerated in production in the early 20th century with increased publication and distribution methods. Women photographers, and especially women of color, were not given the same access to publication as their male counterparts, and it is not until after secondwave feminism in the 1970s that we see a larger number of photobooks by women.
The examples currently on display through May 10, 2023, were all published in the 1930s and 1940s. These early photobooks show the wide range of photographic style and methods used by women photographers, from pictorialist in the early 1900s to photomontage, documentary style, and even action shots for dance photography. The photographers on display include:
Exhibit case with Anne Brigman photobooks
Berenice Abbott (1898-1991)
Margaret Bourke-White (1904-1971)
Anne Brigman (1869-1950)
Claude Cahun (1894-1954) and Marcel Moore (1892-1972)
Dorothea Lange (1895-1965)
Barbara Brooks Morgan (1900-1992)
Join Special Collections librarians on Wednesday May 10 from 12-2pm for a hands-on tour of the photobooks. Or visit the Special Collections reading room to work directly with UMBC’s photobook collection!
This month Special Collections is debuting a new exhibit in the rotunda of the Albin O. Kuhn Library & Gallery. The five cases that sit outside the elevators and stairway will feature a sample of Special Collections’ new acquisitions since fall of 2020. Since the COVID 19 outbreak and safety protocols closed campus during this period, we felt this was a great opportunity to highlight what you may have missed from our collection.
Concert flier from the Famous Ballroom, 1973, Left Bank Jazz Society Inc. Collection, Collection 312, Special Collections, University of Maryland, Baltimore County (Baltimore, MD)
Case 1 highlights the Left Bank Jazz Society, a Baltimore, Maryland-based organization formed in 1964, which hosted a series of concerts featuring nationally acclaimed performers such as Dizzy Gillespie, Duke Ellington, and Count Basie. The Left Bank Jazz Society Inc. collection (Coll 312) contains the Society Constitution, news releases, concert programs, flyers, photos and many more items. The Left Bank Jazz Society sought to bring the country’s top jazz performers to Baltimore, as many had skipped the city en route from New York to Washington D.C. The founders successfully managed to not only book contemporary jazz greats, but they maintained steady performances in Baltimore clubs for nearly thirty years. Included in this case are the original 1964 Constitution, four concert tickets from various Baltimore venues, four concert flyers for The Famous Ballroom, a 10 year anniversary calendar/flier from 1974, an oversized bumper sticker featuring the Jazzline phone number and a news release statement from 1969 which highlights the incorporation of the Left Bank Jazz Society #954, a Maryland penitentiary treatment program which sought to rehabilitate inmates through a sense of civic and social awareness through music.
Left Bank Jazz Society Oversize Bumper Sticker, Left Bank Jazz Society Inc. Collection, Collection 312, Special Collections, University of Maryland, Baltimore County (Baltimore, MD)
Cover Art: Oesterheld, Héctor Germán and Francisco Solano López. The Eternaut. Seattle: Fantagraphics Books, 2015. Rosenfeld (Science fiction) PN6790.A73 O4513 2015
Case 2 features new items that add to our extensive Science Fiction collection. Intersectionality was a driving force in our collection development this year, focusing on representing underrepresented voices and the themes and identities that intersect through science fiction works. These include notable works by Indigenous, Black, Asian, Latine, and members of the LGBTQ+ community. These books and graphic novels feature amazing artwork by some of the most influential and talented illustrators, including Manuele Fior, Jon J Muth, Francisco Solano López, Stacey Robinson, and John Jennings.
Materials from the Bafford Photography Book Collection displayed in Case 3
Case 3 includes books and serials from our Bafford Photography Book Collection which feature the history and development of photography. This selection of recent additions to this collection features contemporary photography books in unconventional formats. Ranging from a cigarette-shaped book which examines the role smoking plays at some Chinese weddings to an exhibition book in nine accordion-folded series of prints which can be ordered and displayed in a variety of combinations, these photography books capture the imagination, diversity, and creativity of each individual artist as well as the scope of our collection.
Day, Susie. The Brother You Choose: Paul Coates and Eddie Conway Talk about Life, Politics, and the Revolution. Chicago: Haymarket Books, 2020. Arnold (Maryland History) HV9956.B35 D39 2020
Skotnes, Andor. A New Deal for All?: Race and Class Struggles in Depression-Era Baltimore. Durham: Duke University Press, 2013. Arnold (Maryland History) F189.B19 N475 2012
Case 4 documents the history and culture of Maryland’s people and communities. Our new Maryland history book acquisitions feature numerous publications highlighting the often scandalous histories of Baltimore’s law enforcement, including Baltimore’s Gun Trace Task Force, whose members robbed drug dealers and sold their product back on the streets for half a decade, as well as differing historical chapters in the fight for racial equality that touch on incarceration, resistance protests, and the black power movement.
Case 5 highlights the Fluxus art movement in the 1960s from our Dick Higgins collection (Coll043). Co-founded by Dick Higgins, Fluxus embraced the fluidity and boundary-crossing nature of art and introduced the concept of “intermedia,” a collaboration of different artistic genres. This artform incorporated musical composition, design, poetry, painting, performance art, and theoretical writings. Many avant-garde artists took part in this movement including Dick Higgins, Ken Friedman, and Mieko Shiomi.
Materials from the Dick Higgins Collection displayed in Case 5
The new accessions exhibit will be on display in the Library Rotunda until March 17, 2023.
Post by Mark Breeding, Special Collections graduate assistant, with assistance from Kayla Brooks, an intern with Special Collections. Mark and Kayla are both currently enrolled in UMBC’s historical studies graduate program.
