Categories

Ghosts in the Archives

What do an airship crash, a talking mongoose, and the most haunted house in England have in common? They are all topics addressed in the Eileen J. Garrett Parapsychology Foundation Collection held in UMBC Special Collections. 

This remarkable collection of more than 12,000 books and over 100 periodicals, including rare books on and early journals devoted to psychical research, was compiled by the Parapsychology Foundation. Founded in 1951 by trance medium and research advocate Eileen J. Garrett and congressional representative Hon. Frances P. Bolton, The Parapsychology Foundation is a non-profit organization that encourages and supports impartial scientific inquiry into psychical aspects of human nature such as telepathy, clairvoyance, precognition, and psychokinesis. It provides a worldwide forum supporting the academic and scientific investigation of psychic phenomena. In 2022, the Parapsychology Foundation donated its extensive library to UMBC. 

The collection emphasizes the literature of contemporary parapsychology and publications that approach the subject from objective and analytical points of view. Strengths include: the history of psychical research and parapsychology, including early Spiritualism, mysticism and relevant philosophical works, as well as mediumship, apparitions, hauntings, poltergeists, near-death and out-of-body experiences, and experimental research on extrasensory perception (ESP), psychokinesis, and precognition. 

Hand holding a rare book in front of a row of bookshelves.
A volume from the Eileen J. Garrett Parapsychology Foundation Collection. (Image courtesy of Shannon Taggart)

Among the rare books in the collection are Girolamo Cardano’s Somniorum Synesiorum omnis generis insomnia explicantes (1562) on the interpretation of Dreams, the three-volume collected works of physician and alchemist Paracelsus, Opera omnia : medico-chemico-chirurgica (1658), astrologer to Queen Elizabeth I, John Dee’s A true and faithful relation of what passed for many yeers between Dr. John Dee (a mathematician of great fame in Queen Elizabeth and King James their reignes) and some spirits (1659), and the first English translation of scientist and mystic Emmanuel Swedenborg’s treatise on the plurality of worlds, De telluribus in mundo nostro solari (Concerning Earths in our Solar System, 1787.)

The accompanying archival collection comprises the history and proceedings of the Parapsychology Foundation and its annual conferences and publications, as well as fieldwork, research notes, and manuscripts from prominent parapsychologists. Audio-visual materials include over 600 audio and video recordings of conferences and lectures, spirit photographs, glass slides, target images, objects used in psychokinesis experiments (moving objects with the mind), and an ESP testing machine. Among the people and topics included in the collection are: the Bindelof séance phenomena, research files of psychic researcher Hereward Carrington, Montague Ullman and Stanley Krippner’s dream telepathy research, the poltergeist investigations and personal scrapbook of Nandor Fodor, scrapbooks compiled by Eileen J. Garrett, and spirit audio recordings captured by Hans Holzer. The collection also features original manuscripts by psychical researcher Harry Price and others pertaining to the infamous Borley Rectory case, popularly known as the most haunted house in England. 

Front page of Daily Express newspaper.
Daily Express Newspaper reprint, October 6, 1930. R-101 Airship files, Eileen J. Garrett Parapsychology Foundation collection, Collection 331, Special Collections, University of Maryland, Baltimore County (Baltimore, MD).

Of particular interest are original case files related to the R-101 Airship crash, a disaster that occurred on October 5, 1930 when a British airship on its maiden voyage to India plummeted into the French countryside, killing 48 of 54 passengers and crew. That month, Garrett, who had demonstrated paranormal abilities since her childhood in Ireland and had already become a well-known medium, took part in a séance with Price. The purpose of the gathering was for Garrett to contact Sir Arthur Conan Doyle—author of Sherlock Holmes and an avid Spiritualist—who had recently died. Instead, Garrett channeled the voice of Airship R-101 Flight Lieutenant H. Carmichael Irwin, who reported on the technical failures that had precipitated the Airship’s fateful crash. Garrett also channeled the voices of several crash victims at another séance. The specificity of these communications, including technical details that were not public, convinced many that Garrett was indeed making contact with the dead. Files related to this incident at UMBC include news clippings and original manuscripts pertaining to this sensational story. 

Now, about that talking Mongoose… 

Small animal on fencepost.
James Irving, Gef the Mongoose, 1930s. Gelatin silver print. Nandor Fodor papers, Eileen J. Garrett Parapsychology Foundation collection, Collection 331, Special Collections, University of Maryland, Baltimore County (Baltimore, MD).

In 1931, a family living on the Isle of Man claimed that their farmhouse was haunted by a spectral talking mongoose named Gef. Also known as the Dalby Spook, Gef—who could speak several languages—told the Irvings that he was 83 and from India. Initially, they saw him as a nuisance, but soon Gef became something like a family member. He hunted rabbits for them and read the newspaper over Mr. Irving’s shoulder. The story became a sensation and psychic investigators Price and Fodor studied the case, though Gef never made an appearance in front of these outsiders. If the Dalby Spook was an elaborate hoax, it was never definitively disproved. Researchers can sift through the evidence (including first-hand accounts, clippings, and photographs) in the Garrett Collection at UMBC and draw their own conclusions about Gef. 

Although the archival collection is currently being processed, researchers may consult these materials in our reading room. A box-level inventory is available by request and we are happy to assist users in locating materials relevant to their research. We are also working with our colleagues in the Library’s Technical Services department to catalog the books and serials. You can view the holdings that have already been added to the library catalog by narrowing your search location to Special Collections and the named collection to “Eileen J. Garrett Parapsychology Foundation Collection.” Please reach out to speccoll@umbc.edu for further assistance. We hope you will visit and explore these fascinating materials! 

View of seance circle from behind a man's head.
[Séance with ectoplasm viewed from behind man’s head.]Gelatin silver print from glass transparency. Nandor Fodor papers, Eileen J. Garrett Parapsychology Foundation collection, Collection 331, Special Collections, University of Maryland, Baltimore County (Baltimore, MD).
Categories

Library Rotunda Exhibit: Underground Comix

The Underground Comix scene was born out of the 1960’s counterculture movement amid the anti-establishment feeling of the day. Political scandal, the Vietnam war, drugs and psychedelic music all played a part in bringing together a collection of avant-garde artists to redefine what the comic book was. The initial cartoonists who began this venture, did it without funding and without approval, skirting the restrictive censorship of the Comic Code Authority. They followed, and set a precedent for, a long tradition of DIY attitude that served their own creative outlet and pushed the boundaries of good taste in the process. Some may say they even set it back irrevocably. 

The Comic Code Authority is a relic of the golden era of comics in the 1950s. If the Code did not approve your comic, it would not be published or stocked in stores. It held strict rules that included: no sex, no drugs, no profanity. Underground Comix was a reactionary movement that quickly became a beacon of anti-censorship, creating a community of artists and ideas that explored topics deemed taboo or infringing on public decency.

Wertham, Fredric M.D. Seduction of the innocent. New York: Rinehart & Company, 1954.

Artists like Robert Crumb and S. Clay Wilson defined the anarchist nature of the Underground Comix scene. Crumb and Wilson were prolific artists who produced numerous comics and influential characters. These artists defended their explicit, often racist and sexist imagery as satire that others sometimes failed to see. 

Crumb, Robert. Hup no. 1. San Francisco: Last Gasp, 1986.
Wilson, S. Clay. The Checkered Demon no. 2. San Francisco: Last Gasp, 1977.

While some thought that Underground Comix were meant to explore and exaggerate controversial topics, other artists saw an opportunity to have their voices heard, often for the first time. Feminist and LGBTQ+ artists tackled subjects like abortion, lesbianism, menstruation, AIDS, and childhood sexual abuse.

Fuller, Larry, ed. Gay Heart Throbs no. 2. San Francisco: Ful-Horn Productions, 1979.
Chevely, Lyn and Joyce Sutton, eds. Abortion Eve. Laguna Beach: Nanny Goat Productions, 1973.
Gebbie, Melinda. Wimmen’s Comix no. 7. San Francisco: Last Gasp, 1976.

The 1970s were a time of tremendous outlet for African American creativity, freedom, and agency through the Underground Comix scene. Black artists created superheroes and characters that wrestled with socio-political issues while entertaining readers with violence, humor, and sex appeal. 

Green, Richard “Grass.” Super Soul Comix no. 1. Princeton: Kitchen Sink Press, 1972.

The Underground Comix remain a tour de force of counterculture artistic expression. Not only were the artists and writers successful in rebelling against what they perceived to be an outdated and repressive authority mandate, but they managed to challenge societal standards and acceptance of decency and get away with it, allowing for more inclusivity and freedom of expression. 

The Underground Comix Collection Exhibit can be seen in the Albin O. Kuhn Library Rotunda from April 10 to May 20, 2024. All comics featured are available for research use in the UMBC Special Collections Underground Comix collection. Special Collections is open M-W 12-4pm and Thursday 12-7pm. The exhibit was curated by Special Collections graduate assistants Mark Breeding, M.A. ’24, history and Finny Rocca, M.A. ’20, history, and this blog post was written by Mark Breeding.

Categories

Jerry Lee Harlowe collection

Struggling to find a topic to research for upcoming papers? Maybe you just have a curiosity for military history in Asia, or early photographs depicting trans-Pacific exchanges that took place throughout the late 19th and early 20th centuries? In any case, the newly described Jerry Lee Harlowe collection housed in Special Collections is a must see!

Yung Hsing, Untitled [International Troops, Toasting], circa 1900. Cabinet cards, 6.5 in. x 4.25 in. Jerry Lee Harlowe Collection, P2014-11-012.

The Harlowe collection features an array of often rare cabinet cards, cartes-de-visite, and other photographs and memorabilia that acted as windows for Americans into what was then distant Asian cultures. The majority of these photographs were saved and collected as a result of the U.S. Naval operations, in both China and Japan, when servicemen sent them home, or collected them for albums. Other sources include the prominent missionaries working throughout these areas. Missions produced various images in support of their cause, and as teaching aids for conversion.

For military families, such photographs may have been their first time viewing traditional Asian clothing, modes of transportation, and cityscapes with temples, pagodas and elaborate gardens. Other photographs document the loss of family members, ship mates, and friends.

Elias G. E Dorge, Untitled [Missionary Family in China], circa 1860s – 1920s. Cabinet cards, 6.5 in. x 4.25 in. Jerry Lee Harlowe Collection, P2012-03-010.

Images of missionary workers may have been sent back to their congregations and used to document their work. Many images depicted Bible verses and allegorical scenes, as well as studio portraits showing members dressed in traditional clothing of the area.

The Harlowe collection is rich in memorabilia documenting the aspects of naval life including the Boxer Rebellion, and Naval tours in Asia and Cuba. Some of the personal items included are postcards sent home for Christmas and other cards that highlight the various ships on which sailors were stationed. There is even a rare pamphlet for the Smoker Program. A “Smoker” was an informal gathering for men, and in this situation was for the men of the U.S. Fleet at Tsingtao, China. The event offered wrestling, boxing, and music.

“Marble Boat”, circa 1930s. Color photograph, 15.25 in. x 11 in. Jerry Lee Harlowe Collection, P2012-09-093.

This is only the beginning as the collection also includes snippets of Asian life, industry, and various methods of corporal punishment, as well as controversial racist political satire indicating the period’s instability. Even pirates make an appearance.

“Cochin Chinese Pirates”, circa 1850s. Carte-de-visite, 4 X 2.5 in. Jerry Lee Harlowe Collection, P2017-14-001.

Having spent the majority of 2020 creating metadata and description for this collection, I can attest to the ease in which I’d fall down that rabbit hole I like to call research. These images leave you with a sense of wanting to know more. For example, the photograph of the “Cochin Chinese Pirates” was my favorite photograph. Why, when the very word pirate has illegal, even violent connotations, would they pose for a photograph? As they look towards each other, is that fear in the one man’s eyes or companionship? Other compelling images are the group portraits of troop members from different countries toasting together as comrades, and those of headstones and military cemeteries that no longer exist today. Many of these short clips of memory, precious enough to be recorded, exhibit a sense of humanity we tend to forget as they help to tell a more global history through the photographic record.

“Weihaiwei Cemetery,” circa 1898 to 1930s. Gelatin silver print, 5.5 in x 3.5 in. Jerry Lee Harlowe Collection, P2012-19-109.

Jerry Lee Harlowe is a local historian, writer, and avid collector of historical photographs. He has written and edited several books and articles pertaining to his various historic and local interests including: Monitors: The Men, Machines, and Mystique, which tells the story of this innovative warship, and Vietnam Without a Dream, tales and memories of his time serving in Vietnam. Jerry Harlowe served with the U.S. Air Force at Pleiku Air Base in the Central Highlands of Vietnam. He continues to support groups for orphans of the Central Highlands, and has returned to the area numerous times over the years since in an effort to find his companion’s friends from their tour of duty.  In the collection inventories, Harlowe has included brief notations for most photographs from his private research along with links for future researchers.

If this has sparked your interest, all of the photographs, records, and memorabilia in the Jerry Lee Harlowe collection can be viewed in the Special Collections reading room. The photographs can also be searched using the Special Collections Search bar on our homepage.

This post was written by Special Collections specialist Robin Martin ’08, ancient studies, and M.A. ’17, historical studies. Thank you, Robin!

Categories

Special Collections Open House

Join Special Collections faculty, staff, and students on Tuesday December 12 to celebrate our 50th anniversary! Our Reading Room will be open from 1-3pm – see collection highlights, new accessions, and staff favorites. Stop in the Library Gallery to have a slice of birthday cake and pick out a commemorative button. It’s also your chance to view the current exhibition, Lost Boys: Amos Badertscher’s Baltimore, before it closes on December 15.

The Special Collections Reading Room is located on the first floor of the Library, in the back of the Library Gallery (to your left as you enter the Library). Everyone is welcome – hope to see you there!

Categories

New digital collections in the Maryland Traditions Archives

The Edwin Remsberg and Human Being Productions collections document Maryland folklife

What do stuffed ham, Brazilian cavaco music, and blacksmithing have in common? All are examples of living cultural traditions in Maryland that have been recognized in recent years by the Maryland Traditions program of the Maryland State Arts Council. Maryland Traditions hires photographers to document these and hundreds of other traditions in vivid detail every year. 

Shelley Ensor, singer and choir director, leads students in the gospel choir at McDaniel College in Westminster, Maryland. Ensor was a 2022 Heritage Award winner. Photo by Human Being Productions.

You can now find digital photographs and recordings documenting Folklife Apprenticeships, Heritage Award winners, and other performances, people, places, and art works, from 2007 to the present in two new collections in the Maryland Traditions Archives: Collection 309: Edwin Remsberg collection and Collection 332: Human Being Productions collection.

Edwin Remsberg served as the official photographer of Maryland Traditions from 2007 to 2021. In addition to photographs and audio recordings, Remsberg produced “sound books” combining still images and audio for each Folklife Apprenticeship team. The following sound book showcases a 2017-2018 Cambodian pin peat music apprenticeship with Chum Ngek and Suteera Nagavajara.

Human Being Productions has served as the official photographer of Maryland Traditions since 2021. When the Waterfowl Festival in Easton, Maryland was named a Heritage Award winner in 2022, Human Being Productions photographers captured the festival’s competitions and demonstrations. You can see a selection of those images below. Contact us for information about viewing the full collection!

Post by Acadia Roher, Maryland Traditions Archivist