Overview

Administrative/Biographical Note

Born in New York City, New York, November 20, 1908, Jule Eisenbud was heavily involved with psychoanalysis and psychology throughout the early stages of his professional career and opened his own private practice in 1938. Eisenbud was a clinical faculty member at the University of Colorado, and an honored member of the American Society for Physical Research and Parapsychology Foundation.

Eisenbud met his main subject, Ted Serios, in 1961 in Chicago. At the time, Serios was an unemployed bellhop who claimed that he had the ability to put images on film with his mind. Although initially skeptical of Serios, a significant number of successful experiments under tightly controlled conditions convinced Eisenbud that Serios’s talent was legitimate. Ted Serios’s ability, which came to be known as “thoughtography”, gained national attention with his appearance on “The Tonight Show” with Johnny Carson and an ongoing challenge between Serios and renowned magician “The Amazing Randi.” Eisenbud offered a large sum of money to any magicians who claimed they could duplicate Serios’s actions under the same conditions, but he never received a challenge.

The actual process of producing a thoughtograph was fascinating to watch, as Serios often required vast amounts of liquor to get going and became very restless before he could produce an image. Once he was “hot”, or ready to produce, Serios placed a paper tube, or “gizmo” on his head (supposedly to channel the paranormal energy), and has a photograph taken of his face from very close range. These ‘gizmos’, were tube like constructions of varying length, width, and diameter improvized from paper, plastic, or other materials available at the site of the experiment. The fact that Serios uses a “gizmo” in many of his thoughtographs is one of the most criticized parts of the experiment, as many have accused him of placing some sort of micro-lens in the gizmo while the observers looked away. Eisenbud has often countered by ensuring constant close observation of Serios, and examining the gizmo for such a lens before and after shots. The debate and skepticism of the experiments is detailed greatly throughout much of his correspondence, and witness statements as well.

The images that are produced consist of “whities”, blackies”, and various forms of images, often buildings of various sorts. These images are supposed to relate to randomly selected “target images” chosen without Serios’s knowledge beforehand, of which he is asked to determine on his own and create. While some of his thoughtographs have corresponded to the target photos or verbal requests of the observers, the success rate in this regard is generally very low. For example, following a selected target photo of an iron, Serios produced an automobile that was mysteriously shaped like the same iron. In one of his more spectacular feats, Serios produced a clearly distinguishable image of Eisenbud’s ranch right on the spot, after Eisenbud’s wife Molly suggested that they take a trip there. The majority of the results are “whities” or all white images, and “blackies” or all black images, which are abnormal themselves, as the image produced should have always been Serios. The majority of Serios’s successful thoughtographs are of various buildings or landmarks, to which similar photos could often be found in travel books. The images are in various degrees of focus, with many in a “zoomed” in appearance of a small part of a larger image. In addition, many of the images have abnormalities, such as being slightly skewed, turned side-ways, or slight alterations from the corresponding image that could be found to match the thoughtograph.

Serios continued to produce thoughtographs until the late 1960s, at which point, Serios seems to have “lost his ability” to produce. At the peak of Serios’s success, Eisenbud published his first book on Ted Serios, titled “The World of Ted Serios,” in 1967. Although Serios lost his ability to produce photographs, Eisenbud stood by his conviction that Serios’s thoughtography was real, groundbreaking, and deserving of much more attention than it was given. Furthermore, Eisenbud asserted that the Serios thoughtographs were not replicated under the same conditions by any magician or scientist. To this day, whether or not Serios was a fraud is still unclear. However, no one has been able to successfully demonstrate how Serios could have produced such images through any method other than Eisenbud’s theory of psychic energy, or ‘thoughtography’.

Eisenbud also worked with several other research subjects, including a man who claimed he could bend spoons with his mind, a woman who claimed she could predict cards before they were chosen at random, and another woman who claimed her hand was “possessed” and wrote things on its own. However, Eisenbud’s main focus remained on his work with Ted Serios, on which he actively gave speeches, promoted, and defended until his death in March 1999.

Serios’s photographs continue to be displayed in various photographic conventions to this day, and at the publishing of this finding aid in 2005, scriptwriter Chris Carter (of X-Files fame) was working on a script for a movie documenting the relationship between Ted Serios and Jule Eisenbud.

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Scope & Content

Arrangement

Organized into 11 series: Series I. Correspondence, 1931-1999. Series II. Medical and Legal Documents, 1942-1999. Series III. Financial Documents, 1966-1998. Series IV. Experiments, 1964-1988. Series V. Eisenbud Writings, 1937-1995. Series VI. Non-Eisenbud Writings, 1935-1987. Series VII. Awards, 1941-1972. Series VIII. Session Notes, 1936. Series IX. Artwork, 1967, n.d. Series X. Multimedia, 1964-2001. Series XI. Photographs, 1964-1989. Series XII. Artifacts, n.d.

Series I. Correspondence

Series II. Medical and Legal Documents

Series III. Financial Documents

Series IV. Experiments
1. Experiment Files
2. Experimental Data

Series V. Eisenbud Writings

Series VI. Non-Eisenbud Writings

Series VII. Awards

Series VIII. Session Notes

Series IX. Artwork

Series X. Multimedia
1. Films
2. Video
3. Digital Media

Series XI. Photographs
1. Experimental Photographs
2. Thoughtographs
3. Numbered Photographs
4. Eisenbud’s Private Collection
5. Ted Serios, Personal Photos

Series XII. Artifacts

Note

The Jule Eisenbud collection on Ted Serios and thoughtographic photography contains Jule Eisenbud’s collection of documents from his lifetime of research on a variety of subjects, with the bulk of material relating to his work on Ted Serios. Although the various documents span from as early as the late 1930s until his death in 1999, the bulk of the material is from the 1960s, the years of his most intensive work with Ted Serios. The series have been organized by document type, including impressive numbers of correspondence, legal and medical documents, financial documents, experimental data, Eisenbud’s clippings, Non-Eisenbud clippings, multimedia, and photographs.

The first series, Correspondence, is indicative of Eisenbud’s dedication as a correspondent. The colleagues he communicated with most include Steven Braude, R.A. McConnell, Emilio Servadio, and Ian Stevenson. This correspondence in particular contains a great deal about Eisenbud’s work with Serios and his work in parapsychology. The correspondence between Serios and Eisenbud illustrates the unique relationship between the two, and the tension created by Serios’s constant disappearances, periods of inability to produce, alcoholism, and frequent trouble with the law. “Doc”, as Serios liked to call Eisenbud, spent a lifetime attempting to keep Serios in line, often bailing him out of tight financial situations and unpleasant circumstances.

The second and third series contain medical, legal, and financial documents relating to both Serios and Eisenbud. Particularly interesting is the legal documentation surrounding Serios, including his frequent arrests and medical expenses. A complete trust fund agreement belonging to Serios is included in the financial documents.

The fourth series contains a vast number of documents pertaining to Eisenbud’s experiments, which have been divided between Ted Serios, and all other experiments. These other research projects include work on Susie Cottrell, a woman who believed she could predict cards before they were selected, Masuaki Kiyota, a man who claimed the ability to bend spoons with his mind, and the “handwriting experiments” conducted by a woman who felt her hand was “possessed” and wrote its own poetry, songs, and drawings. Also included is a large number of witness statements pertaining to the experiments with Serios.

Series five and six include Eisenbud’s various clippings, and clippings of those of his colleagues. Eisenbud’s book “The World of Ted Serios,” is included in series five, along with conversation transcripts involving Carl Sagan and the House of Un-American Activities Committee (HUAAC). Also of interest is a screenplay, with the experimentation with Serios as the main plot, created by an unidentified author. Series seven contains Eisenbud’s various awards and certificates accumulated throughout his professional career. Series eight contains a set of session notes from the 1930s, apparently created by Eisenbud during one of his psychoanalytic sessions with an unnamed patient. Series nine contains artwork, including unidentifiable drawings, advertisements, and cartoons.

Series ten contains most of the multimedia in the collection, including over 100 filmstrips of various formats, a number of VHS tapes, and DVDs, some of which are not duplicated in the other formats. There are several interviews with Dr. Eisenbud, including one during the last years of his life, discussing his lifetime of research and touching a good deal on his work with Ted Serios. There is also a VHS with coverage of Ted Serios in action creating thoughtographs, which is wonderful in illustrating precisely how the process worked. Experiments with Susie Cottrell (the psychic card reader) fill the majority of the cassettes, with the same experiment continuing over several cassettes. Filmstrips are of various sizes and formats, and may require special projectors to view them.

The final and largest series of the collection, photographs, is divided into five subseries: experimental, thoughtographs, numbered, Eisenbud’s private collection, and Ted Serios’ personal photographs. The experimental sub-series contains large numbers of photographs produced during the experimental process; the thoughtographs sub-series differs in that it contains selections from the experimental photographs and contains only thoughtographs. The photo binders put together by Jule Eisenbud are of particular interest, as they include captions and dates for a large number of successful thoughtographs. Mounted “thoughtographs” include some of his most famous photos, including those which are often put on display. The numbered sub-series contains photographs included in the two editions of Eisenbud’s book, “The World of Ted Serios”; the container list specifies which edition contains the picture. Those photographs listed under Eisenbud’s Private Collection are mainly pictures of fertility symbols and statues, an apparent interest of Eisenbud. Photographs labeled as Ted’s personal photos show Ted in later years, and include shots of him with family members.

At this time, the only item in the twelfth and final series is Eisenbud’s Polaroid camera.

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Provenance Information

Provenance and Acquisition Information

The collection was donated by Eric Eisenbud, son of Jule Eisenbud, arriving in three separate accessions. The first came from Denver Public Library on November 5, 2002, consisting of 14 boxes, including several boxes of books on various subjects in psychology. The second donation was delivered from the home of Eric Eisenbud, arriving in March of 2003 in 10 additional boxes. In August 2008 Eric Eisenbud sent the camera that Eisenbud and Serios used during the experiments as well as 16 DVDs created from film and BetaSP masters. Portraits of Jule Eisenbud, requested by a researcher and located in Series XI.4, were donated by Eric Eisenbud in May 2010; both digital files and prints were provided.

Processing Note

This collection was processed under the supervision of Marcia Peri and completed in October 2005. The Jule Eisenbud Collection on Ted Serios and Thoughtographic Photography arrived with varying degrees of organization. Some correspondence, photographs, and experimental data was kept neatly organized, while the bulk was largely disordered. Whenever possible, original organization was maintained, and documents were simply transferred to archival folders. Due to the large amount of correspondence, only those contacts with at least 15 letters were given their own folder and organized alphabetically. The remainder was organized chronologically.

In the case of photographs, all original negatives and contact prints were kept with the actual shots, and left largely in the organizational manner they arrived in. The images have been arranged alphabetically by subject matter, with the majority of the images pertaining to some aspect of experimentation with Ted. These photographs were left in their original organization with the same titles, and simply transferred to archival folders. The photographs were reprocessed in March 2008 by Lindsey Loeper, Visiting Librarian; this phase of processing addressed preservation concerns and increased access to the numbered photographs used to illustrate Eisenbud’s book, The World of Ted Serios.

Offprints have been organized by date, with no more than two copies of each offprint. Any duplicates beyond a second were deaccessioned. Films have been assigned the original title whenever possible, which is indicated by quotation marks. When the film could not be viewed, or was an audio or video track, and had no title, it was labeled as unidentified. The majority of films were placed in archival film boxes, although those with metal tins in good condition were left in their original containers. Boxes 12 and 13 contain large films, and boxes 13-18 contain smaller films. The remaining containers that could not fit in boxes are notated as “Loose Film Canisters”. The oversized VHS cassettes could not be played in a standard VCR, and as a result, the original titles have been maintained whenever available. The set of ‘session notes’ arrived in a mixed box in one large pile, and as a result of their peculiarity, have been placed in their own series.

Descriptive Rules Used

Describing Archives: a Content Standard (DACS)

Archives Processing Manual: Description (2015)

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Access & Use

Finding Aids

Finding aid available.

Finding Aid: /specialcollections/finding-aids/coll023/

Access Conditions

No restrictions.

Conditions Governing Reproductions and Use

Reproductions allowed for research purposes. Copyright maintained by the creator.

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Subject Headings

Creators

Eisenbud, Jule

Serios, Ted

Subjects

Eisenbud, Eric

Cottrell, Susie

Kiyota, Masuaki

Randi, James

Eisenbud, Jule — Archives

Parapsychology

Photography

Psychology

Spirit photography

Series Description & Container List

Series I. Correspondence

Folder Title/Description	Date	Box #	Folder #	Additional Info.
General Corresp. 1931-1959		1	1
General Corresp. 1961-1966		1	2
General Corresp. 1967		1	3
General Corresp. 1968		1	4
General Corresp. 1969-1970		1	5
General Corresp. 1971-1976		1	6
General Corresp. 1977-1982		1	7
General Corresp. 1983-1987		1	8
General Corresp. 1988-1997		2	1
General Corresp. No Dates		2	2
American Society for Physical Research		2	3
Beloff, John		2	4
Braude, Steven		2	5
Die Zeit		2	6
Fuller, Curtis G.		2	7
Giles, Robin		2	8
Goldney, Mollie		2	9
Grattan Guiness, Ivor		2	10
Hongegger, Barbara		2	11
Inglis, Brian		3	1
Kasahara, Toshio		3	2
Kiyota, Masuaki		3	3
Long, Joseph K.		3	4
McConnell, R.A.		3	5
Morris, Freda		3	6
Osis, Karlis		3	7
Parapsychology Foundation Conference		3	8
Phillips, Peter R.		3	9
Pratt, J.G.		3	10
Randi, James and Morton Schulman		4	1
Rhine, J.B.		4	2
Rinaldi-Servadio, (R.A.I. TV Affair)		4	3
Roll, William G.		4	4
Rushton, W.A.H.		4	5
Schlesinger, Andrew		4	6
Schmeidler, Gertrude		4	7
Serios, Ted (8/18/64- 8/21/72)		4	8
Serios, Ted (12/1/84- 2/16/99)		4	9
Serios, Ted (undated)		4	10
Servadio, Emilio		4	11
Stevenson, Ian		4	12
Stillings, Dennis		5	1
Sugleris, Peter		5	2
Tart, Charles		5	3
Tenhaeff and Croiset		5	4
Ullman, Montague		5	5
White, Rhea		5	6

Series II. Medical and Legal Documents

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Jule Eisenbud, Misc.		5	7
Ted Serios, Misc.		5	8

Series III. Financial Documents

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Jule Eisenbud, Misc.		5	9
Ted Serios, Misc.		5	10
Ted Serios, Trust Agreement		5	11

Series IV. Experiments

Subseries IV.A. Experiment Files

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Croiset Chair Test		6	1
Gold Foil, Butterfly Exp.		6	2
Handwriting Experiments		6	3
Masuaki Kiyota’s Spoonbending		6	4
Susie Cottrell		6	5
Ted Serios, 1/21/67		6	6
Ted Serios, 2/3/67		6	7
Ted Serios, 2/10/67		6	8
Ted Serios, Audio Experiment/ “Phone Test” ( tape cassette)		6	9
Ted Serios, 2/25/67		7	1
Ted Serios, 5/13/67		7	2
Ted Serios, 5/10/68		7	3

Subseries IV.B. Experimental Data

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Misc. Data		7	4
Misc. Data		7	5
Notarized Materials		7	6
Witness Statements		7	7
Experiment Proposal		7	8

Series V. Eisenbud Writings

Subseries V.A. Offprints

Folder Title/Description	Date	Box #	Folder #	Additional Info.
1937-1944		8	1
1946-1949		8	2
1954-1969		8	3
1970-1982		8	4
Undated Offprints		8	5
The World of Ted Serios (Published Book)		8

Subseries V.B. Clippings

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Bibliographies		9	1
Book Reviews		9	2
Conversation Transcripts		9	3
Essays		9	4
Int. Parapsychology Conference		9	5
Lectures		9	6
Manuscripts		9	7
Meeting Minutes		9	8
Miscellaneous		9	9
Research Briefs		9	10

Series VI. Non- Eisenbud Writings

Folder Title/Description	Date	Box #	Folder #	Additional Info.
“Cagliostro”		10	1
Miscellaneous		10	2
Miscellaneous		10	3
Servadio		10	4
Screenplays		11	1

Series VII. Awards

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Awards, Certificates		11	2

Series VIII. Session Notes

Series IX. Artwork

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Session Notes		11	3
Advertisements, Cartoons, Drawings		11	4

Series X. Multimedia

Subseries X.A. Films

Folder Title/Description	Date	Box #	Folder #	Additional Info.
KOA Neg Part II		Film 01
Museum- Film Backwards		Film 02
Eisenbud-Serios, Museum Original		Film 03
Museum Broadcast, Neg.		Film 04
An Experiment with Croiset, Mag Track		Film 05
Paley’s Uncut (with Ted) (See also Series X.2 Box 20)		Film 06
Ted in Auditorium		Film 07
Stoelen Proef, Audio Reel		Film 08
Interview with Eisenbud		Film 09
Jule Eisenbud and Others with Credits (3 Reels)		Film 10
German TV and “Experiment With Ted Serios” Audio Track		Film 11
Bill Barker, 1/21/1969, Jule Eisenbud, and Dan Logan		Film 12
Copy II of KOA Part II, No Intro		Film 13
Eisenbud Lecture at U.C. Davis, Feb. 1971		Film 14
Stoelen Proef, Roll #2″ Audio Track		Film 15
Interview with James Galvin” and “Ted, 11/7/1964” (2 Reels)		Film 16
Serios in Action (2 Reels)		Film 17
Interview with Jule Eisenbud (2 Reels)		Film 18
Interview with Eisenbud, Bad’		Film 19
Serios, Master Film		Film 20
Stills, Ted’s Photos		Film 21
Stills, Ted in Action		Film 22
Ted at KOA, 9/5/1967		Film 23
Ted, 1/26/1965		Film 24
Auditorium, 10/19/1964		Film 25
Recording of Croiset Experiment		Film 26
KOA Film Clips (3 Reels)		Film 27
Serios Stills (2 Reels)		Film 28
An Experiment With Croiset, “Merrill with Ted”, and “JE trials” (3 Reels)		Film 29
Walter Uphoff w/ Jule Eisenbud, at his home, July 6th		Film 30
Craig Hearing, 8/10/1972		Film 31
Masuaki Kiyota		Film 32
KOA Audio reel		Film 33
Camera Clicks (2 Reels)		Film 34
Landsburg Throw Outs, Masuaki Kiyota		Film 35
KOA Part II, Optical Track Only”		Film 36
KOA Reels” (3 Reels)		Film 37
KOA Part II		Film 38
Trials, Ted, ’24 before 16′		Film 39
At Paley’s, Experiment With Ted, 3/16/1965 (See also Series X.2 Box 20)		Film 40
Masuaki Kiyota, Roll #2		Film 41
Psychophysical Research Foundation, Masuaki Kiyota		Film 42
Unidentified Audio Reel, Lecture		Film 43
Unidentified Audio Reel		Film 44
Unidentified Video Track		Film 45
Unidentified Video Tracks (2 Reels)		Film 46
Unidentified Audio and Video Reels (2 Reels)		Film 47
Unidentified Audio Reel		Film 48
Unidentified Video Track		Film 49
Unidentified Film		Film 50
Magnetic KOA, Part II		Film 51
Museum View/ Eisenbud Trials		Film 52
TV Interview with Jule Eisenbud, 11/16/1964 and 12/08/1964		Film 53
Shots of Pics and Personnel – NG		Film 54
Gimmick Experiment at KOA- Positive		Film 55
KOA Slow Motion		Film 56
Eisenbud at Paley’s- Orig. #14		Film 57
Dr. Eisenbud Experiment- Gimmicks, 08/25/1967		Film 58
Croiset- Orig Interview at House		Film 59
Trials #20		Film 60
Kulagina		Film 61
TV Silent and Reversed		Film 62
1938 Experiment		Film 63
NBC Today Show with Randi, 1 of 2 (2 Reels)		Film 64
NBC Today Show with Randi, 2 of 2		Film 65
Horizon, the Serios Phenomenon, 12/19/1967		Film 66
BBC TV		Film 67
KOA II Negative Sound Compl		Film 68
Serios, Small Rolls (8 Reels)		Film 69
Serios, A & B Tracks and Mix Log (2 Reels)		Film 70
An Experiment with Croiset		Film 71
Music/ Voice Track, “Experiment With Croiset”		Film 72
An Experiment with Croiset, Video Track		Film 73
Randi, The Today Show		Film 74
Randi, The Today Show, 11/28/1967		Film 75
Trials with Serios, Good		Film 76
Experiments with Ted Serios, Music Track		Film 77
German Museum and KOA Video		Film 78
German Museum and KOA Video, Part II		Film 79
Kulagina, Poor film but much action		Film 80
German Museum and KOA Video		Film 81
Dr. Eisenbud Experiment #12573		Film 82
Croiset- Amsterdam		Film 83
Oliver and Tuck Interviews (2 Reels)		Film 84
Experiments, Serios		Film 85
Dr. Eisenbud, Complete Interviewing		Film 86
Eisenbud Croiset #40150		Film 87
KOA Neg. #39200		Film 88
Experiments with Ted Serios		Film 89
Croiset III		Film 90
Croiset II		Film 91
Experiments with Ted Serios -KOA II		Film 92
The Strange World of Ted Serios, KOA #1		Film 93
The Strange World of Ted Serios, KOA #3		Film 94
The Strange World of Ted Serios, KOA		Film 95
Rhine, Bender, Osis, Jordan, Jung- Serios 2/3 way through		Film 96
Bender, Miamonides, Dean, FRNM, Schmeidler- Grenzen der Vernunft, APC		Film 97
Experiments with Ted Serios, Master Mag Mix and Workprint		Film 98
KOA II		Film 99

Subseries X.B. Video

Folder Title/Description	Date	Box #	Folder #	Additional Info.
John Updike Story ‘The Music School’, taped from PBS		19
Experiments with Ted, hosted by J.E.		19
Suzie Cottrell with JE, bad tracking		19
Suzie with JE, Exp. #15, 1/21/79, C.P.H., better quality		19
Suzie Cottrell, Exp. #1-15, 1/21/79		19
Suzie Cottrell, from mid 15, 1/21/79		19
Suzie, #1-39, 3/11/79		19
3/11/79-3/15/79, #30-75		19
3/15/79, #76-82 and “3/17/79, #83-102”		19
3/17/79, #102 and “3/18/79, #143”		19
Dr. Eisenbud Full Frame Transfer of 16mm		20
Experiments with Ted Serios, Legacy VHS		20
Experiments with Ted Serios, Demo Legacy VHS		20
Experiments with Ted Serios, 33 min” Legacy VHS (white case)		20
Masuaki [Kiyota]” Legacy VHS		20
“Paley’s Uncut (with Ted)” Digital Betacam reproduction (See original, Film Box 6)		20
“At Paley’s, Experiment with Ted” Digital Betacam reproduction (See original, Film Box 40)		20

Subseries X.C. Digital Media

Folder Title/Description	Date	Box #	Folder #	Additional Info.
NBC Today Show with Dr. Jule Eisenbud, Ted Serios, and James Randi [1967]		20	Disc 1
Experiments with Ted Serios [1967]		20	Disc 2
KOA-TV (Denver, CO), The Strange World of Ted Serios: The Man with the Camera Brain. From Scope, hosted by Bob Palmer, 1967		20	Disc 3
Toronto 2-25-82 and “Randi 2-8-83”		20	Disc 4
Jule Eisenbud, Esalen June 1984 (Disc 1 of 2) audio only		20	Disc 5
Jule Eisenbud, Esalen June 1984 (Disc 2 of 2) audio only		20	Disc 6
Eisenbud on Eisenbud, Lightburn, December 14, 1989		20	Disc 7
Interview with Dr. Jule Eisenbud. Filmed at his home in Denver, CO, June 26, 1991, by Patrice Keane and Nancy Sondow.		20	Disc 8
Interview with Dr. Eisenbud, June 26, 1991 (duplicate)		20	Disc 9
PSI & Psychology, Onward and Outward with Jule Eisenbud M.D.		20	Disc 10
Ted Serios, January 14, 2001 (from BetaSP masters)		20	Disc 11
8-tape set produced by direct-edit, Reel 1, Cameras A and B (Disc 1 of 4)		20	Disc 12
8-tape set produced by direct-edit, Reel 2, Cameras A and B (Disc 2 of 4)		20	Disc 13
8-tape set produced by direct-edit, Reel 3, Cameras A and B (Disc 3 of 4)		20	Disc 14
8-tape set produced by direct-edit, Reel 4, Cameras A and B (Disc 4 of 4)		20	Disc 15
Miramax Films, Dr. Eisenbud, tapes 1-3 from a 6-tape set (Disc 1 of 2)		20	Disc 16
Miramax Films, Dr. Eisenbud, tapes 4-6 from a 6-tape set (Disc 2 of 2)		20	Disc 17
Portraits of Jule Eisenbud (See also (See also Box 33, Folder 170)		20	Disc 18

Series XI. Photographs

Subseries XI.A. Experimental Photographs

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Alexander, 2/16/66 (1 of 2)		21	1
Alexander, 2/16/66 (2 of 2)		21	2
Alexander, Flatiron, Auto, Anagram, 2/16/66 (1 of2)		21	3
Alexander, Flatiron, Auto, Anagram, 2/16/66 (2 of2)		21	4
At Home, 10/17/65 (1 of 3)		21	5
At Home, 10/17/65 (2 of 3)		21	6
At Home, 10/17/65 (3 of 3)		21	7
At Rose, 11/05/65		21	8
Audio Experiment, Phone Photos (1 of 5)		21	9
Audio Experiment, Phone Photos (2 of 5)		21	10
Audio Experiment, Phone Photos (3 of 5)		21	11
Audio Experiment, Phone Photos (4 of 5)		21	12
Audio Experiment, Phone Photos (5 of 5)		21	13
Barbato, 3/6/65 (1 of 9)		21	14
Barbato, 3/6/65 (2 of 9)		21	15
Barbato, 3/6/65 (3 of 9)		21	16
Barbato, 3/6/65 (4 of 9)		21	17
Barbato, 3/6/65 (5 of 9)		21	18
Barbato, 3/6/65 (6 of 9)		21	19
Barbato, 3/6/65 (7 of 9)		21	20
Barbato, 3/6/65 (8 of 9)		21	21
Barbato, 3/6/65 (9 of 9)		21	22
Before Prendergast, 4/19/66		21	23
Blackies (1 of 5)		21	24
Blackies (2 of 5)		21	25
Blackies (3 of 5)		21	26
Blackies (4 of 5)		21	27
Blackies (5 of 5)		21	28
Bradley, 11/20/64 (1 of 2)		21	29
Bradley, 11/20/64 (2 of 2)		21	30
Bradley, 12/1/64 (1 of 2)		21	31
Bradley, 12/1/64 (2 of 2)		21	32
Bus and Video Prints, 2/25/67 (See Also Oversized Box 33, Folder 1)		21	33
Candy Kappmann, 8/8/89 (1 of 2)		21	34
Candy Kappmann, 8/8/89 (2 of 2)		21	35
Candy, Original Copies, Misc. (1 of 2)		21	36
Candy, Original Copies, Misc. (2 of 2)		21	37
Chapin, 3/9/65 (1 of 3)		21	38
Chapin, 3/9/65 (2 of 3)		21	39
Chapin, 3/9/65 (3 of 3)		21	40
Cox’s Target, Ted’s Sketch, 10/20/66 (1 of 3)		21	41
Cox’s Target, Ted’s Sketch, 10/20/66 (2 of 3)		21	42
Cox’s Target, Ted’s Sketch, 10/20/66 (3 of 3)		21	43
C.P.H. Audit, 10/4/64 (1 of 7)		21	44
C.P.H. Audit, 10/4/64 (2 of 7)		21	45
C.P.H. Audit, 10/4/64 (3 of 7)		21	46
C.P.H. Audit, 10/4/64 (4 of 7)		21	47
C.P.H. Audit, 10/4/64 (5 of 7)		21	48
C.P.H. Audit, 10/4/64 (6 of 7)		21	49
C.P.H. Audit, 10/4/64 (7 of 7)		21	50
C.P.H. Audit, 1/26/65 (1 of 3)		21	51
C.P.H. Audit, 1/26/65 (2 of 3)		21	52
C.P.H. Audit, 1/26/65 (3 of 3)		21	53
Crouching Man		21	54
Curtain, 6/15/67		21	55
Dennis de Beau, ‘Free’, 5/13/67 (See Oversized Box 33, Folder 2)		21	56
Denver University, 5/13/67		21	57
Denver University, Evans Lab, 2/10/67		21	58
Denver University, Evans Lab, 2/31/67		21	59
Eisenbud, Museum Group (See Oversized Box 33, Folder 3)		21	60
Eisenbud, Water Tower Negative (1 of 4)		21	61
Eisenbud, Water Tower Negative (2 of 4)		21	62
Eisenbud, Water Tower Negative (3 of 4)		21	63
Eisenbud, Water Tower Negative (4 of 4)		21	64
Eisenbud/Metcalf, EEG Lab, 4/12-14/65 (1 of 2)		21	65
Eisenbud/Metcalf, EEG Lab, 4/12-14/65 (2 of 2)		21	66
Eisenbud Ranch, 1/30/65		21	67
Eller-Liddon, Cent. City, 12/9/66 (1 of 2)		21	68
Eller-Liddon, Cent. City, 12/9/66 (1 of 2)		21	69
Elrick and Hlad, 4/20/65 (1 of 8)		21	70
Elrick and Hlad, 4/20/65 (2 of 8)		21	71
Elrick and Hlad, 4/20/65 (3 of 8)		21	72
Elrick and Hlad, 4/20/65 (4 of 8)		21	73
Elrick and Hlad, 4/20/65 (5 of 8)		21	74
Elrick and Hlad, 4/20/65 (6 of 8)		21	75
Elrick and Hlad, 4/20/65 (7 of 8)		21	76
Elrick and Hlad, 4/20/65 (8 of 8)		21	77
Experiment (Description Included), 9/6/67 (See Oversized Box 23, Folder 4-)		21	78
Frey, 2/1/65 (1 of 2)		21	79
Frey, 2/1/65 (2 of 2)		21	80
Frey, Marx, Starrett		21	81
Frey, Rose Hosp. Rad., 11/29/65		21	82
Galvin, 4/16/65 (1 of 6)		21	83
Galvin, 4/16/65 (2 of 6)		21	84
Galvin, 4/16/65 (3 of 6)		21	85
Galvin, 4/16/65 (4 of 6)		21	86
Galvin, 4/16/65 (5 of 6)		21	87
Galvin, 4/16/65 (6 of 6)		21	88
Ganymede, At Ranch, 7/3/65		21	89
Gersten, 3/13/65 (1 of 18)		21	90
Gersten, 3/13/65 (2 of 18)		21	91
Gersten, 3/13/65 (3 of 18)		21	92
Gersten, 3/13/65 (4 of 18)		21	93
Gersten, 3/13/65 (5 of 18)		21	94
Gersten, 3/13/65 (6 of 18)		21	95
Gersten, 3/13/65 (7 of 18)		21	96
Gersten, 3/13/65 (8 of 18)		21	97
Gersten, 3/13/65 (9 of 18)		21	98
Gersten, 3/13/65 (10 of 18)		21	99
Gersten, 3/13/65 (11 of 18)		21	100
Gersten, 3/13/65 (12 of 18)		21	101
Gersten, 3/13/65 (13 of 18)		21	102
Gersten, 3/13/65 (14 of 18)		21	103
Gersten, 3/13/65 (15 of 18)		21	104
Gersten, 3/13/65 (16 of 18)		21	105
Gersten, 3/13/65 (17 of 18)		21	106
Gersten, 3/13/65 (18 of 18)		21	107
Hall, 3/10/65 (1 of 20)		21	108
Hall, 3/10/65 (2 of 20)		21	109
Hall, 3/10/65 (3 of 20)		21	110
Hall, 3/10/65 (4 of 20)		21	111
Hall, 3/10/65 (5 of 20)		21	112
Hall, 3/10/65 (6 of 20)		21	113
Hall, 3/10/65 (7 of 20)		21	114
Hall, 3/10/65 (8 of 20)		21	115
Hall, 3/10/65 (9 of 20)		21	116
Hall, 3/10/65 (10 of 20)		21	117
Hall, 3/10/65 (11 of 20)		21	118
Hall, 3/10/65 (12 of 20)		21	119
Hall, 3/10/65 (13 of 20)		21	120
Hall, 3/10/65 (14 of 20)		21	121
Hall, 3/10/65 (15 of 20)		21	122
Hall, 3/10/65 (16 of 20)		21	123
Hall, 3/10/65 (17 of 20)		21	124
Hall, 3/10/65 (18 of 20)		21	125
Hall, 3/10/65 (19 of 20)		21	126
Hall, 3/10/65 (20 of 20)		21	127
Hilton, 11/3/65 (1 of 4)		21	128
Hilton, 11/3/65 (2 of 4)		21	129
Hilton, 11/3/65 (3 of 4)		21	130
Hilton, 11/3/65 (4 of 4)		21	131
Hilton, Negatives, etc.		22	1
Hilton, Color Negatives, 11/3/65 (1 of 8)		22	2
Hilton, Color Negatives, 11/3/65 (2 of 8)		22	3
Hilton, Color Negatives, 11/3/65 (3 of 8)		22	4
Hilton, Color Negatives, 11/3/65 (4 of 8)		22	5
Hilton, Color Negatives, 11/3/65 (5 of 8)		22	6
Hilton, Color Negatives, 11/3/65 (6 of 8)		22	7
Hilton, Color Negatives, 11/3/65 (7 of 8)		22	8
Hilton, Color Negatives, 11/3/65 (8 of 8)		22	9
Hoke’s Particles, 9/6/67 (See Oversized Box 33, Folder 7-9)		22	10
Home, 9/7/65		22	11
Hurry, 2/22/66 (1 of 6)		22	12
Hurry, 2/22/66 (2 of 6)		22	13
Hurry, 2/22/66 (3 of 6)		22	14
Hurry, 2/22/66 (4 of 6)		22	15
Hurry, 2/22/66 (5 of 6)		22	16
Hurry, 2/22/66 (6 of 6)		22	17
Hynek, 11/14/65 (1 of 4)		22	18
Hynek, 11/14/65 (2 of 4)		22	19
Hynek, 11/14/65 (3 of 4)		22	20
Hynek, 11/14/65 (4 of 4)		22	21
In Car from St. Luke’s, 5/26/65		22	22
K.O.A., 2/25/67		22	23
K.O.A., Bus Negatives (1 of 5)		22	24
K.O.A., Bus Negatives (2 of 5)		22	25
K.O.A., Bus Negatives (3 of 5)		22	26
K.O.A., Bus Negatives (4 of 5)		22	27
K.O.A., Bus Negatives (5 of 5)		22	28
K.O.A., Bus Prints, 2/25/67 (1 of 10)		22	29
K.O.A., Bus Prints, 2/25/67 (2 of 10)		22	30
K.O.A., Bus Prints, 2/25/67 (3 of 10)		22	31
K.O.A., Bus Prints, 2/25/67 (4 of 10)		22	32
K.O.A., Bus Prints, 2/25/67 (5 of 10)		22	33
K.O.A., Bus Prints, 2/25/67 (6 of 10)		22	34
K.O.A., Bus Prints, 2/25/67 (7 of 10)		22	35
K.O.A., Bus Prints, 2/25/67 (8 of 10)		22	36
K.O.A., Bus Prints, 2/25/67 (9 of 10)		22	37
K.O.A., Bus Prints, 2/25/67 (10 of 10)		22	38
K.O.A., Bus Prints, 2/25/67 (See Oversized Box 33, Folder 10)		22	39
K.O.A., Video Negatives (1 of 2)		22	40
K.O.A., Video Negatives (2 of 2)		22	41
K.O.A., Video Strips and Negatives (1 of 3)		22	42
K.O.A., Video Strips and Negatives (2 of 3)		22	43
K.O.A., Video Strips and Negatives (3 of 3)		22	44
Lehrburger, 3/4/65 (1 of 2)		22	45
Lehrburger, 3/4/65 (2 of 2)		22	46
Lehrburger, 5/13/65 (1 of 5)		22	47
Lehrburger, 5/13/65 (2 of 5)		22	48
Lehrburger, 5/13/65 (3 of 5)		22	49
Lehrburger, 5/13/65 (4 of 5)		22	50
Lehrburger, 5/13/65 (5 of 5)		22	51
Lehrburger, 12/2/65		22	52
Lehrburger, 12/3/65 (1 of 2)		22	53
Lehrburger, 12/3/65 (2 of 2)		22	54
Lehrburger, Old General Store, 5/13/65 (1 of 2)		22	55
Lehrburger, Old General Store, 5/13/65 (2 of 2)		22	56
Liddon and Eller, 12/9/66		22	57
Liddon Central City, 12/9/66 (1 of 9)		22	58
Liddon Central City, 12/9/66 (2 of 9)		22	59
Liddon Central City, 12/9/66 (3 of 9)		22	60
Liddon Central City, 12/9/66 (4 of 9)		22	61
Liddon Central City, 12/9/66 (5 of 9)		22	62
Liddon Central City, 12/9/66 (6 of 9)		22	63
Liddon Central City, 12/9/66 (7 of 9)		22	64
Liddon Central City, 12/9/66 (8 of 9)		22	65
Liddon Central City, 12/9/66 (9 of 9)		22	66
Life on Planet X (1 of 2)		22	67
Life on Planet X (2 of 2)		22	68
Life on Planet X, 5/9/65		22	69
Lightburn, 1/22/65 (1 of 2)		22	70
Lightburn, 1/22/65 (2 of 2)		22	71
M-4031, Evaluation Drawing (1 of 2)		22	72
M-4031, Evaluation Drawing (2 of 2)		22	73
Marie Nelson, 5/25/66 (1 of 6)		22	74
Marie Nelson, 5/25/66 (2 of 6)		22	75
Marie Nelson, 5/25/66 (3 of 6)		22	76
Marie Nelson, 5/25/66 (4 of 6)		22	77
Marie Nelson, 5/25/66 (5 of 6)		22	78
Marie Nelson, 5/25/66 (6 of 6)		22	79
Mars		22	80
Mars Shot, 7/8/65 (1 of 10)		22	81
Mars Shot, 7/8/65 (2 of 10)		22	82
Mars Shot, 7/8/65 (3 of 10)		22	83
Mars Shot, 7/8/65 (4 of 10)		22	84
Mars Shot, 7/8/65 (5 of 10)		22	85
Mars Shot, 7/8/65 (6 of 10)		22	86
Mars Shot, 7/8/65 (7 of 10)		22	87
Mars Shot, 7/8/65 (8 of 10)		22	88
Mars Shot, 7/8/65 (9 of 10)		22	89
Mars Shot, 7/8/65 (10 of 10)		22	90
Martian Landscape, 5/7/65 (1 of 3)		22	91
Martian Landscape, 5/7/65 (2 of 3)		22	92
Martian Landscape, 5/7/65 (3 of 3)		22	93
Martian Landscapes, 5/9/65		22	94
Marx, 1/28/65 (1 of 2)		22	95
Marx, 1/28/65 (2 of 2)		22	96
Marx, 1/18/66 Trashcan, etc.		22	97
Marx, 1/18/66 (1 of 3)		22	98
Marx, 1/18/66 (2 of 3)		22	99
Marx, 1/18/66 (3 of 3)		22	100
Merrill, 11/23/64 (1 of 3)		22	101
Merrill, 11/23/64 (2 of 3)		22	102
Merrill, 11/23/64 (3 of 3)		22	103
Merrill, 1/3/66		22	104
Merrill’s Petals, Contrast, 1/3/66 (1 of 8)		22	105
Merrill’s Petals, Contrast, 1/3/66 (2 of 8)		22	106
Merrill’s Petals, Contrast, 1/3/66 (3 of 8)		22	107
Merrill’s Petals, Contrast, 1/3/66 (4 of 8)		22	108
Merrill’s Petals, Contrast, 1/3/66 (5 of 8)		22	109
Merrill’s Petals, Contrast, 1/3/66 (6 of 8)		22	110
Merrill’s Petals, Contrast, 1/3/66 (7 of 8)		22	111
Merrill’s Petals, Contrast, 1/3/66 (8 of 8)		22	112
Merrill’s Petals Hegs., Contrast, 1/3/66 (1 of 3)		22	113
Merrill’s Petals Hegs., Contrast, 1/3/66 (2 of 3)		22	114
Merrill’s Petals Hegs., Contrast, 1/3/66 (3 of 3)		22	115
Metcalf EEG, 4/14/65 (1 of 6)		22	116
Metcalf EEG, 4/14/65 (2 of 6)		22	117
Metcalf EEG, 4/14/65 (3 of 6)		22	118
Metcalf EEG, 4/14/65 (4 of 6)		22	119
Metcalf EEG, 4/14/65 (5 of 6)		22	120
Metcalf EEG, 4/14/65 (6 of 6)		22	121
Molley, Frey, etc. (1 of 2)		22	122
Molley, Frey, etc. (2 of 2)		22	123
Museum (1 of 2)		22	124
Museum (2 of 2)		22	125
Museum #23, Crouching Man		22	126
Museum Experiment, Microprints (1 of 3)		22	127
Museum Experiment, Microprints (2 of 3)		22	128
Museum Experiment, Microprints (3 of 3)		22	129
Museum of Natural History, 11/3/65 (1 of 3)		22	130
Museum of Natural History, 11/3/65 (2 of 3)		22	131
Museum of Natural History, 11/3/65 (3 of 3)		22	132
Neanderthal, 5/27/67 (1 of 2)		23	1
Neanderthal, 5/27/67 (2 of 2)		23	2
Neanderthal, “Large Digs		23	3
Neanderthal man		23	4
Neanderthal man, #19		23	5
Neanderthal, Gauding Man, #29		23	6
Neanderthal, “Middle Digs” (1 of 2)		23	7
Neanderthal, “Middle Digs” (2 of 2)		23	8
Neanderthal Pictograph		23	9
Neanderthal, “Small Digs”, 5/26/67		23	10
Neanderthal, Ted’s drawing, 5/27/67		23	11
Nile Root & Morris Levine, at Levine Home, 3/2/66 (1 of 4)		23	12
Nile Root & Morris Levine, at Levine Home, 3/2/66 (2 of 4)		23	13
Nile Root & Morris Levine, at Levine Home, 3/2/66 (3 of 4)		23	14
Nile Root & Morris Levine, at Levine Home, 3/2/66 (4 of 4)		23	15
Nuclear Reactor, 2/25/66		23	16
Nuclear Reactor Target Negatives, 2/25/66		23	17
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) (1 of 6)		23	18
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) (2 of 6)		23	19
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) (3 of 6)		23	20
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) (4 of 6)		23	21
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) (5 of 6)		23	22
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) (6 of 6)		23	23
Dr. A. Paige’s Office (4/5/68), Bill Hagel’s House (5/1958) Negatives		23	24
Paley, 11/19/64 (1 of 6)		23	25
Paley, 11/19/64 (2 of 6)		23	26
Paley, 11/19/64 (3 of 6)		23	27
Paley, 11/19/64 (4 of 6)		23	28
Paley, 11/19/64 (5 of 6)		23	29
Paley, 11/19/64 (6 of 6)		23	30
Paley, 3/16/65 (1 of 4)		23	31
Paley, 3/16/65 (2 of 4)		23	32
Paley, 3/16/65 (3 of 4)		23	33
Paley, 3/16/65 (4 of 4)		23	34
Paley, 2/13/66 (1 of 2)		23	35
Paley, 2/13/66 (2 of 2)		23	36
Paley-Frey, EEG Lab, 3/18/65 (1 of 3)		23	37
Paley-Frey, EEG Lab, 3/18/65 (2 of 3)		23	38
Paley-Frey, EEG Lab, 3/18/65 (3 of 3)		23	39
Paley-Frey, EEG Lab, CPH, 3/18/65 (1 of 4)		23	40
Paley-Frey, EEG Lab, CPH, 3/18/65 (2 of 4)		23	41
Paley-Frey, EEG Lab, CPH, 3/18/65 (3 of 4)		23	42
Paley-Frey, EEG Lab, CPH, 3/18/65 (4 of 4)		23	43
Paley, Manned Rocket, 7/6/65		23	44
Paley, Marx, Manned Rocket, 7/6/65 (1 of 3)		23	45
Paley, Marx, Manned Rocket, 7/6/65 (2 of 3)		23	46
Paley, Marx, Manned Rocket, 7/6/65 (3 of 3)		23	47
Paley, Misc. (1 of 6)		23	48
Paley, Misc. (2 of 6)		23	49
Paley, Misc. (3 of 6)		23	50
Paley, Misc. (4 of 6)		23	51
Paley, Misc. (5 of 6)		23	52
Paley, Misc. (6 of 6)		23	53
Phillipson’s, Ted’s Castle, Hokenson’s Granules (See Oversized Box 33, Folder 11-12)		23	54
Polaroid Camera, Interior Shots, 8x10s and prints (See Oversized Box 25)		23	55
Popular Photography, 6/3/67 (1 of 3)		23	56
Popular Photography, 6/3/67 (2 of 3)		23	57
Popular Photography, 6/3/67 (3 of 3)		23	58
Popular Photography, 6/3/67		23	59
Ranch House, 1/30/65		23	60
Reynard, 5/28/65 (1 of 2)		23	61
Reynard, 5/28/65 (2 of 2)		23	62
Reynard, 5/28/65 (1 of 3)		23	63
Reynard, 5/28/65 (2 of 3)		23	64
Reynard, 5/28/65 (3 of 3)		23	65
Rose Hospital Radiology Lab, 11/05/65 (1 of 8)		23	66
Rose Hospital Radiology Lab, 11/05/65 (2 of 8)		23	67
Rose Hospital Radiology Lab, 11/05/65 (3 of 8)		23	68
Rose Hospital Radiology Lab, 11/05/65 (4 of 8)		23	69
Rose Hospital Radiology Lab, 11/05/65 (5 of 8)		23	70
Rose Hospital Radiology Lab, 11/05/65 (6 of 8)		23	71
Rose Hospital Radiology Lab, 11/05/65 (7 of 8)		23	72
Rose Hospital Radiology Lab, 11/05/65 (8 of 8)		23	73
Schwanholz, 6/29/72		23	74
Spirit Photography (See Oversized Box 33, Folder 13-14)		23	75
Spirit Photography, 11×14 Photos (2), with article (See Oversized Box 25)		23	76
Spirit Photography, Gloria Rudolf’s Photos (See Oversized Box 33, Folder 15-17)		23	77
Spoonbending Photos (1 of 3)		23	78
Spoonbending Photos (2 of 3)		23	79
Spoonbending Photos (3 of 3)		23	80
Spoonbending Photos (See Oversized Box 33, Folder 18-20)		23	81
Spoonbending Photos (1 of 2)		23	82
Spoonbending Photos (2 of 2)		23	83
Spoonbending Photos (1 of 2)		23	84
Spoonbending Photos (2 of 2)		23	85
Spoonbending Photos (See Oversized Box 33, Folder 21)		23	86
Spoonbending Photos		23	87
Staggerwing, “6 picture/negatives” (1 of 2)		23	88
Staggerwing, “6 picture/negatives” (2 of 2)		23	89
Staggerwing, 6 picture/negatives, 3/16/65 (See Oversized Box 33, Folder 22)		23	90
Staggerwing, #15, 3/16/65		23	91
Staggerwing, 20B (1 of 2)		23	92
Staggerwing, 20B (2 of 2)		23	93
Staggerwing, #22		23	94
Staggerwing, #26 (1 of 2)		23	95
Staggerwing, #26 (2 of 2)		23	96
Staggerwing, #26 (1 of 2)		23	97
Staggerwing, #26 (2 of 2)		23	98
Staggerwing #33 (1 of 2)		23	99
Staggerwing #33 (2 of 2)		23	100
Staggerwing Echelon, American Heritage (1 of 2)		23	101
Staggerwing Echelon, American Heritage (2 of 2)		23	102
Staggerwing Negatives, 3/16/65 (1 of 3)		23	103
Staggerwing Negatives, 3/16/65 (2 of 3)		23	104
Staggerwing Negatives, 3/16/65 (3 of 3)		23	105
Staggerwing Paley, 3/16/65 (1 of 5)		23	106
Staggerwing Paley, 3/16/65 (2 of 5)		23	107
Staggerwing Paley, 3/16/65 (3 of 5)		23	108
Staggerwing Paley, 3/16/65 (4 of 5)		23	109
Staggerwing Paley, 3/16/65 (5 of 5)		23	110
Staggerwing Protocol, Paley, 3/16/65		23	111
Starrett, 11/25/64		23	112
Starrett, 11/25/64		23	113
Starrett, 11/25/64 (1 of 2)		23	114a
Starrett, 11/25/64 (1 of 2)		23	114b
Starrett, 11/25/64 (2 of 2)		23	115a
Starrett, 11/25/64 (2 of 2)		23	115b
Starrett, 11/25/64 (1 of 2)		23	116
Starrett, 11/25/64 (2 of 2)		23	117
Stevenson and Pratt		23	118
St. Luke’s Radiology, 5/26/65 (1 of 3)		23	119
St. Luke’s Radiology, 5/26/65 (2 of 3)		23	120
St. Luke’s Radiology, 5/26/65 (3 of 3)		23	121
Ted’s “57” Negatives, 9/6/67		23	122
Ted, Hands 3/10/65 (1 of 5)		23	123
Ted, Hands 3/10/65 (2 of 5)		23	124
Ted, Hands 3/10/65 (3 of 5)		23	125
Ted, Hands 3/10/65 (4 of 5)		23	126
Ted, Hands 3/10/65 (5 of 5)		23	127
Ted in Action, black and white prints (1 of 2)		23	128
Ted in Action, black and white prints (2 of 2)		23	129
Ted in Action, negatives		23	130
Ted, St. Luke’s Radiology, and in Auto Returning (1 of 4)		23	131
Ted, St. Luke’s Radiology, and in Auto Returning (2 of 4)		23	132
Ted, St. Luke’s Radiology, and in Auto Returning (3 of 4)		23	133
Ted, St. Luke’s Radiology, and in Auto Returning (4 of 4)		23	134
Ted’s Sketches, Target Photos (See Oversized Box 25)		23	135
Ted’s Target Shot #57, 11/24/65 (1 of 2)		23	136
Ted’s Target Shot #57, 11/24/65 (2 of 2)		23	137
Trafalgar, Woodworks, etc., 7/8/65 (1 of 2)		23	138
Trafalgar, Woodworks, etc., 7/8/65 (2 of 2)		23	139
U.S.S.R., January 1985		23	140
Volk Wormington, 1/20/65 (1 of 8)		23	141
Volk Wormington, 1/20/65 (2 of 8)		23	142
Volk Wormington, 1/20/65 (3 of 8)		23	143
Volk Wormington, 1/20/65 (4 of 8)		23	144
Volk Wormington, 1/20/65 (5 of 8)		23	145
Volk Wormington, 1/20/65 (6 of 8)		23	146
Volk Wormington, 1/20/65 (7 of 8)		23	147
Volk Wormington, 1/20/65 (8 of 8)		23	148
Wadsworter Control, 3/12/65		24	1
Whole Body Counting Rad. Chamber, 2/25/66 (1 of 2)		24	2
Whole Body Counting Rad. Chamber, 2/25/66 (2 of 2)		24	3
Whole Body Counting Rad. Chamber, 2/25/66, negatives		24	4
Work and Stofac, 11/10/65		24	5
Work and Stofac, 11/10/65, (1 of 3), negatives		24	6
Work and Stofac, 11/10/65, (2 of 3), negatives		24	7
Work and Stofac, 11/10/65, (3 of 3)		24	8
Zimet, 11/26/65 (1 of 6)		24	9
Zimet, 11/26/65 (2 of 6)		24	10
Zimet, 11/26/65 (3 of 6)		24	11
Zimet, 11/26/65 (4 of 6)		24	12
Zimet, 11/26/65 (5 of 6)		24	13
Zimet, 11/26/65 (6 of 6)		24	14
Misc., (1 of 7)		24	15
Misc., (2 of 7)		24	16
Misc., (3 of 7)		24	17
Misc., (4 of 7)		24	18
Misc., (5 of 7)		24	19
Misc., (6 of 7)		24	20
Misc., (7 of 7)		24	21
Loose Photographs (1 of 37)		24	22
Loose Photographs (2 of 37)		24	23
Loose Photographs (3 of 37)		24	24
Loose Photographs (4 of 37)		24	25
Loose Photographs (5 of 37)		24	26
Loose Photographs (6 of 37)		24	27
Loose Photographs (7 of 37)		24	28
Loose Photographs (8 of 37) (See Oversized Box 33 Folder 23)		24	29
Loose Photographs (9 of 37)		24	30
Loose Photographs (10 of 37)		24	31
Loose Photographs (11 of 37)		24	32
Loose Photographs (12 of 37)		24	33
Loose Photographs (13 of 37)		24	34
Loose Photographs (14 of 37)		24	35
Loose Photographs (15 of 37)		24	36
Loose Photographs (16 of 37)		24	37
Loose Photographs (17 of 37)		24	38
Loose Photographs (18 of 37)		24	39
Loose Photographs (19 of 37)		24	40
Loose Photographs (20 of 37)		24	41
Loose Photographs (21 of 37)		24	42
Loose Photographs (22 of 37)		24	43
Loose Photographs (23 of 37)		24	44
Loose Photographs (24 of 37)		24	45
Loose Photographs (25 of 37)		24	46
Loose Photographs (26 of 37)		24	47
Loose Photographs (27 of 37)		24	48
Loose Photographs (28 of 37) (see Oversized Box 33 Folder 24)		24	49
Loose Photographs (29 of 37)		24	50
Loose Photographs (30 of 37)		24	51
Loose Photographs (31 of 37)		24	52
Loose Photographs (32 of 37)		24	53
Loose Photographs (33 of 37) (see Oversized Box 33 Folder 25)		24	54
Loose Photographs (34 of 37)		24	55
Loose Photographs (35 of 37)		24	56
Loose Photographs (36 of 37)		24	57
Loose Photographs (37 of 37)		24	58
Color Photographs (1 of 3)		24	59
Color Photographs (2 of 3)		24	60
Color Photographs (3 of 3)		24	61
Color Polaroid Photographs (1 of 7)		24	62
Color Polaroid Photographs (2 of 7)		24	63
Color Polaroid Photographs (3 of 7)		24	64
Color Polaroid Photographs (4 of 7)		24	65
Color Polaroid Photographs (5 of 7)		24	66
Color Polaroid Photographs (6 of 7)		24	67
Color Polaroid Photographs (7 of 7)		24	68
Negatives (1 of 12)		24	69
Negatives (2 of 12)		24	70
Negatives (3 of 12)		24	71
Negatives (4 of 12)		24	72
Negatives (5 of 12)		24	73
Negatives (6 of 12)		24	74
Negatives (7 of 12)		24	75
Negatives (8 of 12)		24	76
Negatives (9 of 12)		24	77
Negatives (10 of 12)		24	78
Negatives (11 of 12)		24	79
Negatives (12 of 12)		24	80

Subseries XI.B. Thoughtographs

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Thoughtographs (1 of 3)		24	81
Thoughtographs (2 of 3)		24	82
Thoughtographs (3 of 3)		24	83
Thoughtographs, Prints and 8X10s		25
Mounted Thoughtographs		26
Mounted Thoughtographs		27
Mounted Thoughtographs		28
Thoughtograph Binder		29
Thoughtograph Binder, (4/4/64 – 3/16/65)		30
Thoughtograph Binder, (3/18/65 – 11/26/65)		31
Thoughtograph Binder, (11/29/65 – 3/27/76)		32

Subseries XI.C. Numbered Photographs

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Figure 1, both editions (1 copy)		33	26
Figure 2, both editions (1 copy)		33	27
Figure 3, both editions (1 copy)		33	28
Figure 4, both editions (1 copy)		33	29
Figure 5, both editions (1 copy)		33	30
Figure 6, both editions (1 copy)		33	31
Figure 7, both editions (1 copy)		33	32
Figure 8, both editions (1 copy)		33	33
Figure 9, both editions (1 copy)		33	34
Figure 10, both editions (1 copy)		33	35
Figure 11, both editions (1 copy)		33	36
Figure 12, both editions (2 copies)		33	37
Figure 13, both editions (1 copy)		33	38
Figure 14, both editions (1 copy)		33	39
Figure 15, both editions (1 copy)		33	40
Figure 16, both editions (1 copy) (See also Box 23 Folder 25)		33	41
Figure 17, both editions (2 copies)		33	42
Figure 18, 2nd edition (2 copies)		33	43
Figure 19, 2nd edition (4 copies)		33	44
Figure 20, 1st edition (1 copy – labeled 22)		33	45
Figure 20, 2nd edition (2 copies)		33	46
Figure 21, 1st edition (1 copy – labeled 23)		33	47
Figure 21, 2nd edition (4 copies)		33	48
Figure 22, 2nd edition (2 copies)		33	49
Figure 23, 2nd edition (2 copies) (See Box 21 Folder 39 for Figure 23, 1st edition)		33	50
Figure 24, 2nd edition (1 copy) (See also Box 21 Folder 81) (See Box 21 Folder 22 for Figure 24, 1st edition)		33	51
Figure 25, 2nd edition (1 copy) (See Box 21 Folder 22 for Figure 25, 1st edition)		33	52
Figure 26, 2nd edition (1 copy) (See Box 21 Folder 21 for Figure 26, 1st edition)		33	53
Figure 27, 2nd edition (2 copies)		33	54
Figure 28, 2nd edition (2 copies)		33	55
Figure 29, 2nd edition (2 copies) (See Box 21 Folder 22 for Figure 29, 1st edition)		33	56
Figure 30, 2nd edition (1 copy)		33	57
Figure 31, 2nd edition (5 copies)		33	58
Figure 32, 2nd edition (2 copies)		33	59
Figure 34, 2nd edition (2 copies)		33	60
Figure 35, 2nd edition (2 copies)		33	61
Figure 36, 2nd edition (See also Figure 54, 1st edition) (3 copies)		33	62
Figure 37, 2nd edition (2 copies) (See also Figure 55, 1st edition)		33	63
Figure 38, 2nd edition (2 copies)		33	64
Figure 39, 2nd edition (2 copies)		33	65
Figure 40, 2nd edition (2 copies) (See also Figure 57, 1st edition)		33	66
Figure 41, 2nd edition (2 copies)		33	67
Figure 42, 2nd edition (1 copy)		33	68
Figure 43, 2nd edition (2 copies)		33	69
Figure 44, 2nd edition (1 copy)		33	70
Figure 45, 2nd edition (2 copies)		33	71
Figure 46, 2nd edition (2 copies)		33	72
Figure 47, 2nd edition (1 copy)		33	73
Figure 48, 2nd edition (3 copies)		33	74
Figure 49, 2nd edition (2 copies)		33	75
Figure 50, 2nd edition (2 copies)		33	76
Figure 51, 2nd edition (2 copies)		33	77
Figure 52, 2nd edition (2 copies)		33	78
Figure 53, 2nd edition (2 copies)		33	79
Figure 54, 1st edition (See also Figure 36, 2nd edition)		33	80
Figure 54, 2nd edition (4 copies) (See also Figure 59, 1st edition)		33	81
Figure 55, 1st edition (See also Figure 37, 2nd edition)		33	82
Figure 55, 2nd edition (2 copies)		33	83
Figure 56, 1st edition (1 copy)		33	84
Figure 56, 2nd edition (2 copies)		33	85
Figure 57, 1st edition (See also Figure 40, 2nd edition)		33	86
Figure 57, 2nd edition (2 copies)		33	87
Figure 58, 2nd edition (3 copies)		33	88
Figure 59, 1st edition (See also Figure 54, 2nd edition)		33	89
Figure 59, 2nd edition (2 copies)		33	90
Figure 60, 2nd edition (2 copies)		33	91
Figure 61, 2nd edition (2 copies)		33	92
Figure 62, 2nd edition (2 copies)		33	93
Figure 63, 2nd edition (3 copies)		33	94
Figure 64, 2nd edition (3 copies)		33	95
Figure 65, 2nd edition (1 copy)		33	96
Figure 66, 2nd edition (2 copies)		33	97
Figure 67, 2nd edition (3 copies)		33	98
Figure 68, 2nd edition (3 copies) (See also Box 21 Folder 22)		33	99
Figure 69, 2nd edition (2 copies)		33	100
Figure 70, 2nd edition (4 copies)		33	101
Figure 71, 2nd edition (2 copies)		33	102
Figure 72, 1st edition (1 copy)		33	103
Figure 72, 2nd edition (2 copies)		33	104
Figure 73, 2nd edition (2 copies)		33	105
Figure 74, 2nd edition (2 copies) (See Box 21 folder 74 for Figure 74, 1st edition)		33	106
Figure 75, 2nd edition (2 copies)		33	107
Figure 76, 2nd edition (1 copy)		33	108
Figure 77, 2nd edition (2 copies)		33	109
Figure 78, 2nd edition (2 copies)		33	110
Figure 79, 2nd edition (2 copies)		33	111
Figure 80-82, 2nd edition (1 copy of each)		33	112
Figure 83, 2nd edition (2 copies)		33	113
Figure 84-86, 2nd edition (1 copy of each)		33	114
Figure 87, 2nd edition (2 copies)		33	115
Figure 88, 2nd edition (4 copies) (See Box 21 Folder 40 for Figure 88, 1st edition)		33	116
Figure 89, 2nd edition (2 copies)		33	117
Figure 90-91, 2nd edition (1 copy of each)		33	118
Figure 92, 1st edition (1 copy)		33	119
Figure 92-95, 2nd edition (1 copy of each)		33	120
Figure 98-100, 2nd edition (1 copy of each)		33	121
Figure 101, 2nd edition (3 copies)		33	122
Figure 102, 2nd edition (2 copies)		33	123
Figure 103, 2nd edition (1 copy)		33	124
Figure 104, 2nd edition (2 copies)		33	125
Figure 105-106, 2nd edition (1 copy of each)		33	126
Figure 107, 2nd edition (2 copies)		33	127
Figure 108, 2nd edition (1 copy)		33	128
Figure 109, 2nd edition (2 copies)		33	129
Figure 110, 2nd edition (2 copies)		33	130
Figure 111, 2nd edition (2 copies)		33	131
Figure 112, 2nd edition (1 copy)		33	132
Figure 113, 2nd edition (2 copies)		33	133
Figure 115, 2nd edition (2 copies)		33	134
Figure 116, 2nd edition (2 copies)		33	135
Figure 117, 2nd edition (4 copies)		33	136
Figure 118, 2nd edition (2 copies)		33	137
Figure 119, 2nd edition (2 copies)		33	138
Figure 120, 2nd edition (2 copies)		33	139
Figure 121, 2nd edition (3 copies)		33	140
Figure 122, 2nd edition (5 copies)		33	141
Figure 123, 2nd edition (2 copies)		33	142
Figure 123, 2nd edition (2 copies)		33	143
Figure 125, 2nd edition (2 copies)		33	144
Figure 126, 2nd edition (2 copies)		33	145
Figure 128, 2nd edition (1 copy)		33	146
Figure 129, 2nd edition (2 copies)		33	147
Figure 130, 2nd edition (2 copies)		33	148
Figure 131, 2nd edition (2 copies)		33	149
Figure 132, 2nd edition (2 copies)		33	150
Figure 133, 2nd edition (1 copy)		33	151
Figure 134, 2nd edition (2 copies)		33	152
Figure 135, 2nd edition (2 copies)		33	153
Figure 136, 2nd edition (1 copy)		33	154
Figure 137, 2nd edition (2 copies)		33	155
Figure 138, 2nd edition (1 copy)		33	156
Figure 139, 2nd edition (3 copies)		33	157
Figure 140, 2nd edition (1 copy)		33	158
Figure 141, 2nd edition (2 copies)		33	159
Figure 142, 2nd edition (2 copies)		33	160
Figure 143, 2nd edition (2 copies)		33	161
Figure 144, 2nd edition (1 copy)		33	162
Figure 145-146, 2nd edition (1 copy of each)		33	163
Figure 147, 2nd edition (2 copies)		33	164
Numbered but unidentified		33	165

Subseries XI.D. Eisenbud’s Private Collection

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Personal Photographs (1 of 37)		24	84
Personal Photographs (2 of 37)		24	85
Personal Photographs (3 of 37)		24	86
Personal Photographs (4 of 37)		24	87
Personal Photographs (5 of 37)		24	88
Personal Photographs (6 of 37)		24	89
Personal Photographs (7 of 37)		24	90
Personal Photographs (8 of 37)		24	91
Personal Photographs (9 of 37)		24	92
Personal Photographs (10 of 37)		24	93
Personal Photographs (11 of 37)		24	94
Personal Photographs (12 of 37)		24	95
Personal Photographs (13 of 37)		24	96
Personal Photographs (14 of 37)		24	97
Personal Photographs (15 of 37)		24	98
Personal Photographs (16 of 37)		24	99
Personal Photographs (17 of 37)		24	100
Personal Photographs (18 of 37)		24	101
Personal Photographs (19 of 37)		24	102
Personal Photographs (20 of 37)		24	103
Personal Photographs (21 of 37)		24	104
Personal Photographs (22 of 37)		24	105
Personal Photographs (23 of 37)		24	106
Personal Photographs (24 of 37)		24	107
Personal Photographs (25 of 37)		24	108
Personal Photographs (26 of 37)		24	109
Personal Photographs (27 of 37)(See Box 33, Folder 166)		24	110
Personal Photographs (28 of 37)		24	111
Personal Photographs (29 of 37)		24	112
Personal Photographs (30 of 37)		24	113
Personal Photographs (31 of 37)		24	114
Personal Photographs (32 of 37)		24	115
Personal Photographs (33 of 37)		24	116
Personal Photographs (34 of 37)		24	117
Personal Photographs (35 of 37)		24	118
Personal Photographs (36 of 37)		24	119
Personal Photographs (37 of 37)		24	120
Negatives (See Box 33, Folders 167 – 169)		24	121
Portraits of Jule Eisenbud (See also (See also Box 20, Disc 18)		33	170

Subseries XI.E. Ted Serios, Personal Photos

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Personal Color Photographs (1 of 2)		24	122
Personal Color Photographs (2 of 2)		24	123
Family Color Photographs		24	124
Ted in Action (8X10s and larger photos)		27

Series XII. Artifacts

Folder Title/Description	Date	Box #	Folder #	Additional Info.
		34	Eisenbud’s Polaroid camera

Oversized Boxes

Folder Title/Description	Date	Box #	Folder #	Additional Info.
Bus and Video Prints, 2/25/67 (From Box 21, Folder 33)		33	1
Dennis de Beau, ‘Free’, 5/13/67 (From Box 21, Folder 57)		33	2
Eisenbud, Museum Group (From Box 21, Folder 60)		33	3
Experiment (Description Included), 9/6/67 (1 of 3) (From Box 21, Folder 78)		33	4
Experiment (Description Included), 9/6/67 (2 of 3) (From Box 21, Folder 78)		33	5
Experiment (Description Included), 9/6/67 (3 of 3) (From Box 21, Folder 78)		33	6
Hoke’s Particles, 9/6/67 (1 of 3) (From Box 21 Folder 10)		33	7
Hoke’s Particles, 9/6/67 (2 of 3) (From Box 21 Folder 10)		33	8
Hoke’s Particles, 9/6/67 (3 of 3) (From Box 21 Folder 10)		33	9
K.O.A., Bus Prints, 2/25/67 (From Box 22, Folder 39)		33	10
Phillipson’s, Ted’s Castle, Hokenson’s Granules (1 of 2) (From Box 23, Folder 11)		33	11
Phillipson’s, Ted’s Castle, Hokenson’s Granules (2 of 2) (From Box 23, Folder 12)		33	12
Spirit Photography (1 of 2) (From Box 23, Folder 75)		33	13
Spirit Photography (2 of 2) (From Box 23, Folder 75)		33	14
Spirit Photography, Gloria Rudolf’s Photos (1 of 3) (From Box 23, Folder 77)		33	15
Spirit Photography, Gloria Rudolf’s Photos (2 of 3) (From Box 23, Folder 77)		33	16
Spirit Photography, Gloria Rudolf’s Photos (3 of 3) (From Box 23, Folder 77)		33	17
Spoonbending Photos (1 of 3) (From Box 23, Folder 81)		33	18
Spoonbending Photos (2 of 3) (From Box 23, Folder 81)		33	19
Spoonbending Photos (3 of 3) (From Box 23, Folder 81)		33	20
Spoonbending Photos (From Box 23, Folder 86)		33	21
Staggerwing, 6 picture develop. process, 3/16/65 (From Box 23, Folder 90)		33	22
Loose Photographs (From Box 23, Folder 29)		33	23
Loose Photographs (From Box 23, Folder 29)		33	24
Loose Photographs (From Box 24, Folder 29)		33	25
See Series XI.3 Numbered Photographs		33	26-165
Eisenbud, Personal Photographs (From Box 23, Folder 112)		33	166
Eisenbud, Negatives (From Box 23, Folder 121)		33	167
Eisenbud, Negatives (From Box 23, Folder 121)		33	168
Eisenbud, Negatives (From Box 23, Folder 121)		33	169