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Jerry Lee Harlowe collection

Struggling to find a topic to research for upcoming papers? Maybe you just have a curiosity for military history in Asia, or early photographs depicting trans-Pacific exchanges that took place throughout the late 19th and early 20th centuries? In any case, the newly described Jerry Lee Harlowe collection housed in Special Collections is a must see!

Yung Hsing, Untitled [International Troops, Toasting], circa 1900. Cabinet cards, 6.5 in. x 4.25 in. Jerry Lee Harlowe Collection, P2014-11-012.

The Harlowe collection features an array of often rare cabinet cards, cartes-de-visite, and other photographs and memorabilia that acted as windows for Americans into what was then distant Asian cultures. The majority of these photographs were saved and collected as a result of the U.S. Naval operations, in both China and Japan, when servicemen sent them home, or collected them for albums. Other sources include the prominent missionaries working throughout these areas. Missions produced various images in support of their cause, and as teaching aids for conversion.

For military families, such photographs may have been their first time viewing traditional Asian clothing, modes of transportation, and cityscapes with temples, pagodas and elaborate gardens. Other photographs document the loss of family members, ship mates, and friends.

Elias G. E Dorge, Untitled [Missionary Family in China], circa 1860s – 1920s. Cabinet cards, 6.5 in. x 4.25 in. Jerry Lee Harlowe Collection, P2012-03-010.

Images of missionary workers may have been sent back to their congregations and used to document their work. Many images depicted Bible verses and allegorical scenes, as well as studio portraits showing members dressed in traditional clothing of the area.

The Harlowe collection is rich in memorabilia documenting the aspects of naval life including the Boxer Rebellion, and Naval tours in Asia and Cuba. Some of the personal items included are postcards sent home for Christmas and other cards that highlight the various ships on which sailors were stationed. There is even a rare pamphlet for the Smoker Program. A “Smoker” was an informal gathering for men, and in this situation was for the men of the U.S. Fleet at Tsingtao, China. The event offered wrestling, boxing, and music.

“Marble Boat”, circa 1930s. Color photograph, 15.25 in. x 11 in. Jerry Lee Harlowe Collection, P2012-09-093.

This is only the beginning as the collection also includes snippets of Asian life, industry, and various methods of corporal punishment, as well as controversial racist political satire indicating the period’s instability. Even pirates make an appearance.

“Cochin Chinese Pirates”, circa 1850s. Carte-de-visite, 4 X 2.5 in. Jerry Lee Harlowe Collection, P2017-14-001.

Having spent the majority of 2020 creating metadata and description for this collection, I can attest to the ease in which I’d fall down that rabbit hole I like to call research. These images leave you with a sense of wanting to know more. For example, the photograph of the “Cochin Chinese Pirates” was my favorite photograph. Why, when the very word pirate has illegal, even violent connotations, would they pose for a photograph? As they look towards each other, is that fear in the one man’s eyes or companionship? Other compelling images are the group portraits of troop members from different countries toasting together as comrades, and those of headstones and military cemeteries that no longer exist today. Many of these short clips of memory, precious enough to be recorded, exhibit a sense of humanity we tend to forget as they help to tell a more global history through the photographic record.

“Weihaiwei Cemetery,” circa 1898 to 1930s. Gelatin silver print, 5.5 in x 3.5 in. Jerry Lee Harlowe Collection, P2012-19-109.

Jerry Lee Harlowe is a local historian, writer, and avid collector of historical photographs. He has written and edited several books and articles pertaining to his various historic and local interests including: Monitors: The Men, Machines, and Mystique, which tells the story of this innovative warship, and Vietnam Without a Dream, tales and memories of his time serving in Vietnam. Jerry Harlowe served with the U.S. Air Force at Pleiku Air Base in the Central Highlands of Vietnam. He continues to support groups for orphans of the Central Highlands, and has returned to the area numerous times over the years since in an effort to find his companion’s friends from their tour of duty.  In the collection inventories, Harlowe has included brief notations for most photographs from his private research along with links for future researchers.

If this has sparked your interest, all of the photographs, records, and memorabilia in the Jerry Lee Harlowe collection can be viewed in the Special Collections reading room. The photographs can also be searched using the Special Collections Search bar on our homepage.

This post was written by Special Collections specialist Robin Martin ’08, ancient studies, and M.A. ’17, historical studies. Thank you, Robin!

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Picturing Freedmen’s Schools: Reconstruction Era Photographs from the Ronald Rooks Collection

It should come as no surprise that the period of Reconstruction after the Civil War remains one of the most complicated times in American history. Three separate amendments were added to the constitution, three civil rights acts were passed (although one was later deemed unconstitutional), and innumerable pieces of legislation made their way into committee. These laws primarily served two purposes: firstly, to free enslaved peoples and provide for them assistance, and secondly, to ease tensions between the North and South. One of the most important legislative acts during Reconstruction was the Freedmen’s Bureau Bill, which established a governmental agency within the United States Army to serve as a relief system for formerly enslaved peoples under the thirteenth amendment. The Bureau were to provide clothes, shelter, and supplies to formerly enslaved peoples and to protect them from Southern whites who sought to keep them extrajudicially.

Unknown Photographer. Ex-Slave Children and Mrs. Edwards, c. 1863-1865. UMBC Special Collections, 76-13-001

Another key role of the Bureau was that of education. As enslaved peoples were not allowed formal education, it was essential that, once freed, they had access to some form of learning. Without education, African Americans in the South had no way to develop new trades and skills, and were far more vulnerable to violations of their rights. Teachers from the North volunteered through organizations such as the National Freedman’s Relief Association, Gloucester Freedmen’s Aid Society, and numerous religious-based organizations, to move to the South and operate schools for formerly enslaved peoples, known as Freedmen’s schools.

Unknown Photographer. Three ex-slave children, c.1863-1865. UMBC Special Collections, 76-13-014

Funding for these schools proved a much greater challenge than founding them, however, and nationwide fundraising efforts were established, to varying degrees of effectiveness. One of the most effective means, however, is represented by photographs in the Ronald Rooks Collection, housed in UMBC’s Special Collections. Under direction of the National Freedman’s Relief Association, dozens of photographs of formerly enslaved peoples, especially children, along with their teachers, were made and distributed for sale as cartes de visite across the northern United States with the proceeds supporting the Freedmen’s schools.

Anderson, S. Portrait of a young woman, c. 1863-1865. UMBC Special Collections, 76-13-010

A carte de visite is a small photographic print on a paper mount, designed for a large quantity of production. They were inexpensive and didn’t require any sort of special viewing device, and so they proved incredibly popular during the Civil War and early Reconstruction. They functioned not unlike a calling card or trading card, and so they quickly became a very powerful means of propaganda. Photographs of politicians and celebrities could be distributed widely as cartes de visite, and abolitionists such as Sojourner Truth also used them to fundraise and to spread messages about the horrors of slavery. One of the most important images of the time was that of Gordon, who escaped enslavement and allowed his back to be photographed, showing the extensive scarring from whippings endured from slave owners. This image became infamous when it was distributed as a carte de visite and reproduced in the illustrated news magazine Harper’s Weekly. Printed on the verso of the carte de visite was Gordon’s story, which confronted Northern viewers with the true barbarity of his treatment. Pro-slavery propaganda had convinced many Northerners that enslaved peoples were only mistreated if they were disobedient, but Gordon’s story proved that to be a lie. The image and accompanying text proved to be a powerfully persuasive tool in the abolitionist movement, garnering support for the Union Army’s cause.

Seaver, C. Jr. The Peculiar Institution, c. 1863-1865. UMBC Special Collections, 76-13-002.

Some of the cartes de visite sold in support of the Freedmen’s schools were intended to draw sympathy from philanthropic Northern whites, and none proved more effective than those depicting the so-called white slaves. These were children who were born into slavery, but who appeared to be white. Much of the popularity of these images stemmed from Northern fears that should slavery continue unabated, whites would soon become enslaved alongside blacks. As noted by historian Mary Niall Michell, “their images appealed to Victorian sentiments about white rather than black or ‘colored’ girlhood.” Nonetheless, these images provided an immense amount of fundraising for the schools for Freedmen.

Paxon, Charles. A Slave Girl from New Orleans, c. 1863-1865. UMBC Special Collections, 76-13-015.

Art as propaganda has existed for millennia, but photography and mass production took things to a new level, as clearly demonstrated by the carte de visites of Reconstruction-era America. It is impertinent to say that they single-handedly changed the hearts and minds of northerners, but it is also undeniable that they had an impact on our history.

Post by Ben Rybczynski, former Special Collections intern and Gallery Assistant, written Fall 2020.

Bibliography

Mitchell, Mary Niall. “‘Rosebloom and Pure White,’ or so It Seemed” American Quarterly, Vol. 54, No. 3 (Sep., 2002), pp. 369-410, accessed March 25, 2020, https://www.jstor.org/stable/30042226

Leisenring, Richard. “Philanthropic Photographs: Fundraising during and after the Civil War” Military Images, Vol. 36, No. 2 (SPRING 2018), pp. 44-57, accessed May 28, 2020, https://www.jstor.org/stable/10.2307/26348670

Parment, Robert D. “SCHOOLS FOR THE FREEDMEN”, Negro History Bulletin, Vol. 34, No. 6 (OCTOBER, 1971), pp. 128-132, accessed April 30, 2020, https://www.jstor.org/stable/24766513

Grigsby, Darcy Grimaldo. “Negative-Positive Truths”, Representations, Vol. 113, No. 1 (Winter 2011), pp. 16-38, accessed May 28, 2020, https://www.jstor.org/stable/10.1525/rep.2011.113.1.16