| Title: | Jule Eisenbud collection on Ted Serios and thoughtographic photography |
| Call Number: | Coll023 |
| Creator: | Eisenbud, Jule |
| Dates: | 1931-2001; bulk 1964-1989 |
| Size: | 34 boxes (20 linear feet) |
| Language: | English |
| Abstract: | Contains Dr. Jule Eisenbud's collection of documents from his lifetime of research on a variety of subjects, with the bulk of material relating to his work on Ted Serios, thoughtography, thoughtographic photography, and his book "The World of Ted Serios." Includes an impressive number of correspondence, legal and medical documents, financial documents, experimental data, Eisenbud's clippings, Non-Eisenbud clippings, multimedia, and photographs. |
| Citation: | Jule Eisenbud collection on Ted Serios and thoughtographic photography, Collection 23, Special Collections, University of Maryland, Baltimore County (Baltimore, MD). |
Born in New York City, New York, November 20, 1908, Jule Eisenbud was heavily involved with psychoanalysis and psychology throughout the early stages of his professional career and opened his own private practice in 1938. Eisenbud was a clinical faculty member at the University of Colorado, and an honored member of the American Society for Physical Research and Parapsychology Foundation.
Eisenbud met his main subject, Ted Serios, in 1961 in Chicago. At the time, Serios was an unemployed bellhop who claimed that he had the ability to put images on film with his mind. Although initially skeptical of Serios, a significant number of successful experiments under tightly controlled conditions convinced Eisenbud that Serios's talent was legitimate. Ted Serios's ability, which came to be known as "thoughtography", gained national attention with his appearance on "The Tonight Show" with Johnny Carson and an ongoing challenge between Serios and renowned magician "The Amazing Randi." Eisenbud offered a large sum of money to any magicians who claimed they could duplicate Serios's actions under the same conditions, but he never received a challenge.
The actual process of producing a thoughtograph was fascinating to watch, as Serios often required vast amounts of liquor to get going and became very restless before he could produce an image. Once he was "hot", or ready to produce, Serios placed a paper tube, or "gizmo" on his head (supposedly to channel the paranormal energy), and has a photograph taken of his face from very close range. These 'gizmos', were tube like constructions of varying length, width, and diameter improvized from paper, plastic, or other materials available at the site of the experiment. The fact that Serios uses a "gizmo" in many of his thoughtographs is one of the most criticized parts of the experiment, as many have accused him of placing some sort of micro-lens in the gizmo while the observers looked away. Eisenbud has often countered by ensuring constant close observation of Serios, and examining the gizmo for such a lens before and after shots. The debate and skepticism of the experiments is detailed greatly throughout much of his correspondence, and witness statements as well.
The images that are produced consist of "whities", blackies", and various forms of images, often buildings of various sorts. These images are supposed to relate to randomly selected "target images" chosen without Serios's knowledge beforehand, of which he is asked to determine on his own and create. While some of his thoughtographs have corresponded to the target photos or verbal requests of the observers, the success rate in this regard is generally very low. For example, following a selected target photo of an iron, Serios produced an automobile that was mysteriously shaped like the same iron. In one of his more spectacular feats, Serios produced a clearly distinguishable image of Eisenbud's ranch right on the spot, after Eisenbud's wife Molly suggested that they take a trip there. The majority of the results are "whities" or all white images, and "blackies" or all black images, which are abnormal themselves, as the image produced should have always been Serios. The majority of Serios's successful thoughtographs are of various buildings or landmarks, to which similar photos could often be found in travel books. The images are in various degrees of focus, with many in a "zoomed" in appearance of a small part of a larger image. In addition, many of the images have abnormalities, such as being slightly skewed, turned side-ways, or slight alterations from the corresponding image that could be found to match the thoughtograph.
Serios continued to produce thoughtographs until the late 1960s, at which point, Serios seems to have "lost his ability" to produce. At the peak of Serios's success, Eisenbud published his first book on Ted Serios, titled "The World of Ted Serios," in 1967. Although Serios lost his ability to produce photographs, Eisenbud stood by his conviction that Serios's thoughtography was real, groundbreaking, and deserving of much more attention than it was given. Furthermore, Eisenbud asserted that the Serios thoughtographs were not replicated under the same conditions by any magician or scientist. To this day, whether or not Serios was a fraud is still unclear. However, no one has been able to successfully demonstrate how Serios could have produced such images through any method other than Eisenbud's theory of psychic energy, or 'thoughtography'.
Eisenbud also worked with several other research subjects, including a man who claimed he could bend spoons with his mind, a woman who claimed she could predict cards before they were chosen at random, and another woman who claimed her hand was "possessed" and wrote things on its own. However, Eisenbud's main focus remained on his work with Ted Serios, on which he actively gave speeches, promoted, and defended until his death in March 1999.
Serios's photographs continue to be displayed in various photographic conventions to this day, and at the publishing of this finding aid in 2005, scriptwriter Chris Carter (of X-Files fame) was working on a script for a movie documenting the relationship between Ted Serios and Jule Eisenbud.
Organized into 11 series: Series I. Correspondence, 1931-1999. Series II. Medical and Legal Documents, 1942-1999. Series III. Financial Documents, 1966-1998. Series IV. Experiments, 1964-1988. Series V. Eisenbud Writings, 1937-1995. Series VI. Non-Eisenbud Writings, 1935-1987. Series VII. Awards, 1941-1972. Series VIII. Session Notes, 1936. Series IX. Artwork, 1967, n.d. Series X. Multimedia, 1964-2001. Series XI. Photographs, 1964-1989. Series XII. Artifacts, n.d.
Series I. Correspondence
Series II. Medical and Legal Documents
Series III. Financial Documents
Series IV. Experiments
Series V. Eisenbud Writings
Series VI. Non-Eisenbud Writings
Series VII. Awards
Series VIII. Session Notes
Series IX. Artwork
Series X. Multimedia
Series XI. Photographs
Series XII. Artifacts
The Jule Eisenbud collection on Ted Serios and thoughtographic photography contains Jule Eisenbud's collection of documents from his lifetime of research on a variety of subjects, with the bulk of material relating to his work on Ted Serios. Although the various documents span from as early as the late 1930s until his death in 1999, the bulk of the material is from the 1960s, the years of his most intensive work with Ted Serios. The series have been organized by document type, including impressive numbers of correspondence, legal and medical documents, financial documents, experimental data, Eisenbud's clippings, Non-Eisenbud clippings, multimedia, and photographs.
The first series, Correspondence, is indicative of Eisenbud's dedication as a correspondent. The colleagues he communicated with most include Steven Braude, R.A. McConnell, Emilio Servadio, and Ian Stevenson. This correspondence in particular contains a great deal about Eisenbud's work with Serios and his work in parapsychology. The correspondence between Serios and Eisenbud illustrates the unique relationship between the two, and the tension created by Serios's constant disappearances, periods of inability to produce, alcoholism, and frequent trouble with the law. "Doc", as Serios liked to call Eisenbud, spent a lifetime attempting to keep Serios in line, often bailing him out of tight financial situations and unpleasant circumstances.
The second and third series contain medical, legal, and financial documents relating to both Serios and Eisenbud. Particularly interesting is the legal documentation surrounding Serios, including his frequent arrests and medical expenses. A complete trust fund agreement belonging to Serios is included in the financial documents.
The fourth series contains a vast number of documents pertaining to Eisenbud's experiments, which have been divided between Ted Serios, and all other experiments. These other research projects include work on Susie Cottrell, a woman who believed she could predict cards before they were selected, Masuaki Kiyota, a man who claimed the ability to bend spoons with his mind, and the "handwriting experiments" conducted by a woman who felt her hand was "possessed" and wrote its own poetry, songs, and drawings. Also included is a large number of witness statements pertaining to the experiments with Serios.
Series five and six include Eisenbud's various clippings, and clippings of those of his colleagues. Eisenbud's book "The World of Ted Serios," is included in series five, along with conversation transcripts involving Carl Sagan and the House of Un-American Activities Committee (HUAAC). Also of interest is a screenplay, with the experimentation with Serios as the main plot, created by an unidentified author. Series seven contains Eisenbud's various awards and certificates accumulated throughout his professional career. Series eight contains a set of session notes from the 1930s, apparently created by Eisenbud during one of his psychoanalytic sessions with an unnamed patient. Series nine contains artwork, including unidentifiable drawings, advertisements, and cartoons.
Series ten contains most of the multimedia in the collection, including over 100 filmstrips of various formats, a number of VHS tapes, and DVDs, some of which are not duplicated in the other formats. There are several interviews with Dr. Eisenbud, including one during the last years of his life, discussing his lifetime of research and touching a good deal on his work with Ted Serios. There is also a VHS with coverage of Ted Serios in action creating thoughtographs, which is wonderful in illustrating precisely how the process worked. Experiments with Susie Cottrell (the psychic card reader) fill the majority of the cassettes, with the same experiment continuing over several cassettes. Filmstrips are of various sizes and formats, and may require special projectors to view them.
The final and largest series of the collection, photographs, is divided into five subseries: experimental, thoughtographs, numbered, Eisenbud's private collection, and Ted Serios' personal photographs. The experimental sub-series contains large numbers of photographs produced during the experimental process; the thoughtographs sub-series differs in that it contains selections from the experimental photographs and contains only thoughtographs. The photo binders put together by Jule Eisenbud are of particular interest, as they include captions and dates for a large number of successful thoughtographs. Mounted "thoughtographs" include some of his most famous photos, including those which are often put on display. The numbered sub-series contains photographs included in the two editions of Eisenbud's book, "The World of Ted Serios"; the container list specifies which edition contains the picture. Those photographs listed under Eisenbud's Private Collection are mainly pictures of fertility symbols and statues, an apparent interest of Eisenbud. Photographs labeled as Ted's personal photos show Ted in later years, and include shots of him with family members.
At this time, the only item in the twelfth and final series is Eisenbud's Polaroid camera.
The collection was donated by Eric Eisenbud, son of Jule Eisenbud, arriving in three separate accessions. The first came from Denver Public Library on November 5, 2002, consisting of 14 boxes, including several boxes of books on various subjects in psychology. The second donation was delivered from the home of Eric Eisenbud, arriving in March of 2003 in 10 additional boxes. In August 2008 Eric Eisenbud sent the camera that Eisenbud and Serios used during the experiments as well as 16 DVDs created from film and BetaSP masters. Portraits of Jule Eisenbud, requested by a researcher and located in Series XI.4, were donated by Eric Eisenbud in May 2010; both digital files and prints were provided.
This collection was processed under the supervision of Marcia Peri and completed in October 2005. The Jule Eisenbud Collection on Ted Serios and Thoughtographic Photography arrived with varying degrees of organization. Some correspondence, photographs, and experimental data was kept neatly organized, while the bulk was largely disordered. Whenever possible, original organization was maintained, and documents were simply transferred to archival folders. Due to the large amount of correspondence, only those contacts with at least 15 letters were given their own folder and organized alphabetically. The remainder was organized chronologically.
In the case of photographs, all original negatives and contact prints were kept with the actual shots, and left largely in the organizational manner they arrived in. The images have been arranged alphabetically by subject matter, with the majority of the images pertaining to some aspect of experimentation with Ted. These photographs were left in their original organization with the same titles, and simply transferred to archival folders. The photographs were reprocessed in March 2008 by Lindsey Loeper, Visiting Librarian; this phase of processing addressed preservation concerns and increased access to the numbered photographs used to illustrate Eisenbud’s book, The World of Ted Serios.
Offprints have been organized by date, with no more than two copies of each offprint. Any duplicates beyond a second were deaccessioned. Films have been assigned the original title whenever possible, which is indicated by quotation marks. When the film could not be viewed, or was an audio or video track, and had no title, it was labeled as unidentified. The majority of films were placed in archival film boxes, although those with metal tins in good condition were left in their original containers. Boxes 12 and 13 contain large films, and boxes 13-18 contain smaller films. The remaining containers that could not fit in boxes are notated as "Loose Film Canisters". The oversized VHS cassettes could not be played in a standard VCR, and as a result, the original titles have been maintained whenever available. The set of 'session notes' arrived in a mixed box in one large pile, and as a result of their peculiarity, have been placed in their own series.
Describing Archives: a Content Standard (DACS)
Archives Processing Manual: Description (2015): The processing manual used in Special Collections for all descriptive platforms, including PastPerfect.
Finding aid available.
Finding Aid: http://library.umbc.edu/speccoll/findingaids/coll023.php
No restrictions.
Reproductions allowed for research purposes. Copyright maintained by the creator.
Eisenbud, Jule
Serios, Ted
Eisenbud, Eric
Cottrell, Susie
Kiyota, Masuaki
Randi, James
Eisenbud, Jule -- Archives
Parapsychology
Photography
Psychology
Spirit photography
Date: 1931-1999; bulk 1966-1970
Extent: 2000 items (2.5 linear feet)
Description: Correspondence organized alphabetically by name. Remaining letters have been organized in date order and placed in "General Correspondence". Eisenbud's correspondence with Serios is also included in this series.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| General Corresp. 1931-1959 | 1 | 1 | ||
| General Corresp. 1961-1966 | 1 | 2 | ||
| General Corresp. 1967 | 1 | 3 | ||
| General Corresp. 1968 | 1 | 4 | ||
| General Corresp. 1969-1970 | 1 | 5 | ||
| General Corresp. 1971-1976 | 1 | 6 | ||
| General Corresp. 1977-1982 | 1 | 7 | ||
| General Corresp. 1983-1987 | 1 | 8 | ||
| General Corresp. 1988-1997 | 2 | 1 | ||
| General Corresp. No Dates | 2 | 2 | ||
| American Society for Physical Research | 2 | 3 | ||
| Beloff, John | 2 | 4 | ||
| Braude, Steven | 2 | 5 | ||
| Die Zeit | 2 | 6 | ||
| Fuller, Curtis G. | 2 | 7 | ||
| Giles, Robin | 2 | 8 | ||
| Goldney, Mollie | 2 | 9 | ||
| Grattan Guiness, Ivor | 2 | 10 | ||
| Hongegger, Barbara | 2 | 11 | ||
| Inglis, Brian | 3 | 1 | ||
| Kasahara, Toshio | 3 | 2 | ||
| Kiyota, Masuaki | 3 | 3 | ||
| Long, Joseph K. | 3 | 4 | ||
| McConnell, R.A. | 3 | 5 | ||
| Morris, Freda | 3 | 6 | ||
| Osis, Karlis | 3 | 7 | ||
| Parapsychology Foundation Conference | 3 | 8 | ||
| Phillips, Peter R. | 3 | 9 | ||
| Pratt, J.G. | 3 | 10 | ||
| Randi, James and Morton Schulman | 4 | 1 | ||
| Rhine, J.B. | 4 | 2 | ||
| Rinaldi-Servadio, (R.A.I. TV Affair) | 4 | 3 | ||
| Roll, William G. | 4 | 4 | ||
| Rushton, W.A.H. | 4 | 5 | ||
| Schlesinger, Andrew | 4 | 6 | ||
| Schmeidler, Gertrude | 4 | 7 | ||
| Serios, Ted (8/18/64- 8/21/72) | 4 | 8 | ||
| Serios, Ted (12/1/84- 2/16/99) | 4 | 9 | ||
| Serios, Ted (undated) | 4 | 10 | ||
| Servadio, Emilio | 4 | 11 | ||
| Stevenson, Ian | 4 | 12 | ||
| Stillings, Dennis | 5 | 1 | ||
| Sugleris, Peter | 5 | 2 | ||
| Tart, Charles | 5 | 3 | ||
| Tenhaeff and Croiset | 5 | 4 | ||
| Ullman, Montague | 5 | 5 | ||
| White, Rhea | 5 | 6 |
Date: 1942-1999
Extent: 2 folders
Description: Medical and legal documents include traffic tickets, publishing agreements, affidavits, prison release statements, death certificates, and other medical and legal documentation pertaining to either Eisenbud or Serios.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Jule Eisenbud, Misc. | 5 | 7 | ||
| Ted Serios, Misc. | 5 | 8 |
Date: 1966-1998; bulk 1966-1968
Extent: 3 folders
Description: Financial documents include receipts, bills, pay stubs, and other financial records arranged by recipient.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Jule Eisenbud, Misc. | 5 | 9 | ||
| Ted Serios, Misc. | 5 | 10 | ||
| Ted Serios, Trust Agreement | 5 | 11 |
Date: 1964-1988; bulk 1966-1968
Extent: 800 items (1 linear foot)
Date: 1967, undated
Extent: 12 folders
Description: Experiment files have been organized alphabetically by subject.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Croiset Chair Test | 6 | 1 | ||
| Gold Foil, Butterfly Exp. | 6 | 2 | ||
| Handwriting Experiments | 6 | 3 | ||
| Masuaki Kiyota's Spoonbending | 6 | 4 | ||
| Susie Cottrell | 6 | 5 | ||
| Ted Serios, 1/21/67 | 6 | 6 | ||
| Ted Serios, 2/3/67 | 6 | 7 | ||
| Ted Serios, 2/10/67 | 6 | 8 | ||
| Ted Serios, Audio Experiment/ "Phone Test" ( tape cassette) | 6 | 9 | ||
| Ted Serios, 2/25/67 | 7 | 1 | ||
| Ted Serios, 5/13/67 | 7 | 2 | ||
| Ted Serios, 5/10/68 | 7 | 3 |
Date: 1964-1988, undated
Extent: 5 folders
Description: Includes a large amount of miscellaneous experimental data organized by type of document.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Misc. Data | 7 | 4 | ||
| Misc. Data | 7 | 5 | ||
| Notarized Materials | 7 | 6 | ||
| Witness Statements | 7 | 7 | ||
| Experiment Proposal | 7 | 8 |
Date: 1937-1995
Extent: 1 linear foot
Description: Arranged into two subseries, offprints and clippings.
Date: 1937-1982
Extent: 5 folders (.5 linear feet)
Description: Offprints organized by date. Eisenbud's book, "The World of Ted Serios" is also included in this subseries.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| 1937-1944 | 8 | 1 | ||
| 1946-1949 | 8 | 2 | ||
| 1954-1969 | 8 | 3 | ||
| 1970-1982 | 8 | 4 | ||
| Undated Offprints | 8 | 5 | ||
| The World of Ted Serios (Published Book) | 8 |
Date: 1953-1995
Extent: 400 items (.5 linear feet)
Description: Clippings arranged by format.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Bibliographies | 9 | 1 | ||
| Book Reviews | 9 | 2 | ||
| Conversation Transcripts | 9 | 3 | ||
| Essays | 9 | 4 | ||
| Int. Parapsychology Conference | 9 | 5 | ||
| Lectures | 9 | 6 | ||
| Manuscripts | 9 | 7 | ||
| Meeting Minutes | 9 | 8 | ||
| Miscellaneous | 9 | 9 | ||
| Research Briefs | 9 | 10 |
Date: 1935-1987
Extent: 4 folders (.5 linear feet)
Description: Clippings, Offprints, and Screenplays arranged by document type.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| "Cagliostro" | 10 | 1 | ||
| Miscellaneous | 10 | 2 | ||
| Miscellaneous | 10 | 3 | ||
| Servadio | 10 | 4 | ||
| Screenplays | 11 | 1 |
Date: 1941-1972
Extent: 1 folder
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Awards, Certificates | 11 | 2 |
Date: 1936
Extent: 1 folder
Description: Session notes have some form of original order, and appear to document a psychological evaluation of a subject. Dated February 28 - June 1, 1936.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Session Notes | 11 | 3 |
Date: 1967, undated
Extent: 1 folder
Description: Includes miscellaneous materials, including a drawing by Serios, various lecture advertisements, cartoons, and artwork.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Advertisements, Cartoons, Drawings | 11 | 4 |
Date: 1964-2001, undated
Extent: 10.5 linear feet
Description: Arranged into three subseries: films, videocassettes, and digital media.
Date: 1964-1972, undated
Extent: 120 films (9.5 linear feet)
Description: Films are arranged by box size, with several boxes containing multiple related films. The films were previously stored in boxes 12-18 but were rehoused in Fall 2009.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| KOA Neg Part II | Film 01 | |||
| Museum- Film Backwards | Film 02 | |||
| Eisenbud-Serios, Museum Original | Film 03 | |||
| Museum Broadcast, Neg. | Film 04 | |||
| An Experiment with Croiset, Mag Track | Film 05 | |||
| Paley's Uncut (with Ted) (See also Series X.2 Box 20) | Film 06 | |||
| Ted in Auditorium | Film 07 | |||
| Stoelen Proef, Audio Reel | Film 08 | |||
| Interview with Eisenbud | Film 09 | |||
| Jule Eisenbud and Others with Credits (3 Reels) | Film 10 | |||
| German TV and "Experiment With Ted Serios" Audio Track | Film 11 | |||
| Bill Barker, 1/21/1969, Jule Eisenbud, and Dan Logan | Film 12 | |||
| Copy II of KOA Part II, No Intro | Film 13 | |||
| Eisenbud Lecture at U.C. Davis, Feb. 1971 | Film 14 | |||
| Stoelen Proef, Roll #2" Audio Track | Film 15 | |||
| Interview with James Galvin" and "Ted, 11/7/1964" (2 Reels) | Film 16 | |||
| Serios in Action (2 Reels) | Film 17 | |||
| Interview with Jule Eisenbud (2 Reels) | Film 18 | |||
| Interview with Eisenbud, Bad' | Film 19 | |||
| Serios, Master Film | Film 20 | |||
| Stills, Ted's Photos | Film 21 | |||
| Stills, Ted in Action | Film 22 | |||
| Ted at KOA, 9/5/1967 | Film 23 | |||
| Ted, 1/26/1965 | Film 24 | |||
| Auditorium, 10/19/1964 | Film 25 | |||
| Recording of Croiset Experiment | Film 26 | |||
| KOA Film Clips (3 Reels) | Film 27 | |||
| Serios Stills (2 Reels) | Film 28 | |||
| An Experiment With Croiset, "Merrill with Ted", and "JE trials" (3 Reels) | Film 29 | |||
| Walter Uphoff w/ Jule Eisenbud, at his home, July 6th | Film 30 | |||
| Craig Hearing, 8/10/1972 | Film 31 | |||
| Masuaki Kiyota | Film 32 | |||
| KOA Audio reel | Film 33 | |||
| Camera Clicks (2 Reels) | Film 34 | |||
| Landsburg Throw Outs, Masuaki Kiyota | Film 35 | |||
| KOA Part II, Optical Track Only" | Film 36 | |||
| KOA Reels" (3 Reels) | Film 37 | |||
| KOA Part II | Film 38 | |||
| Trials, Ted, '24 before 16' | Film 39 | |||
| At Paley's, Experiment With Ted, 3/16/1965 (See also Series X.2 Box 20) | Film 40 | |||
| Masuaki Kiyota, Roll #2 | Film 41 | |||
| Psychophysical Research Foundation, Masuaki Kiyota | Film 42 | |||
| Unidentified Audio Reel, Lecture | Film 43 | |||
| Unidentified Audio Reel | Film 44 | |||
| Unidentified Video Track | Film 45 | |||
| Unidentified Video Tracks (2 Reels) | Film 46 | |||
| Unidentified Audio and Video Reels (2 Reels) | Film 47 | |||
| Unidentified Audio Reel | Film 48 | |||
| Unidentified Video Track | Film 49 | |||
| Unidentified Film | Film 50 | |||
| Magnetic KOA, Part II | Film 51 | |||
| Museum View/ Eisenbud Trials | Film 52 | |||
| TV Interview with Jule Eisenbud, 11/16/1964 and 12/08/1964 | Film 53 | |||
| Shots of Pics and Personnel - NG | Film 54 | |||
| Gimmick Experiment at KOA- Positive | Film 55 | |||
| KOA Slow Motion | Film 56 | |||
| Eisenbud at Paley's- Orig. #14 | Film 57 | |||
| Dr. Eisenbud Experiment- Gimmicks, 08/25/1967 | Film 58 | |||
| Croiset- Orig Interview at House | Film 59 | |||
| Trials #20 | Film 60 | |||
| Kulagina | Film 61 | |||
| TV Silent and Reversed | Film 62 | |||
| 1938 Experiment | Film 63 | |||
| NBC Today Show with Randi, 1 of 2 (2 Reels) | Film 64 | |||
| NBC Today Show with Randi, 2 of 2 | Film 65 | |||
| Horizon, the Serios Phenomenon, 12/19/1967 | Film 66 | |||
| BBC TV | Film 67 | |||
| KOA II Negative Sound Compl | Film 68 | |||
| Serios, Small Rolls (8 Reels) | Film 69 | |||
| Serios, A & B Tracks and Mix Log (2 Reels) | Film 70 | |||
| An Experiment with Croiset | Film 71 | |||
| Music/ Voice Track, "Experiment With Croiset" | Film 72 | |||
| An Experiment with Croiset, Video Track | Film 73 | |||
| Randi, The Today Show | Film 74 | |||
| Randi, The Today Show, 11/28/1967 | Film 75 | |||
| Trials with Serios, Good | Film 76 | |||
| Experiments with Ted Serios, Music Track | Film 77 | |||
| German Museum and KOA Video | Film 78 | |||
| German Museum and KOA Video, Part II | Film 79 | |||
| Kulagina, Poor film but much action | Film 80 | |||
| German Museum and KOA Video | Film 81 | |||
| Dr. Eisenbud Experiment #12573 | Film 82 | |||
| Croiset- Amsterdam | Film 83 | |||
| Oliver and Tuck Interviews (2 Reels) | Film 84 | |||
| Experiments, Serios | Film 85 | |||
| Dr. Eisenbud, Complete Interviewing | Film 86 | |||
| Eisenbud Croiset #40150 | Film 87 | |||
| KOA Neg. #39200 | Film 88 | |||
| Experiments with Ted Serios | Film 89 | |||
| Croiset III | Film 90 | |||
| Croiset II | Film 91 | |||
| Experiments with Ted Serios -KOA II | Film 92 | |||
| The Strange World of Ted Serios, KOA #1 | Film 93 | |||
| The Strange World of Ted Serios, KOA #3 | Film 94 | |||
| The Strange World of Ted Serios, KOA | Film 95 | |||
| Rhine, Bender, Osis, Jordan, Jung- Serios 2/3 way through | Film 96 | |||
| Bender, Miamonides, Dean, FRNM, Schmeidler- Grenzen der Vernunft, APC | Film 97 | |||
| Experiments with Ted Serios, Master Mag Mix and Workprint | Film 98 | |||
| KOA II | Film 99 |
Date: 1979, undated
Extent: 1 linear foot
Description: Included is a VHS cassette of Ted in the "thoughtograph" creating process titled "Experiments with Ted".
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| John Updike Story 'The Music School', taped from PBS | 19 | |||
| Experiments with Ted, hosted by J.E. | 19 | |||
| Suzie Cottrell with JE, bad tracking | 19 | |||
| Suzie with JE, Exp. #15, 1/21/79, C.P.H., better quality | 19 | |||
| Suzie Cottrell, Exp. #1-15, 1/21/79 | 19 | |||
| Suzie Cottrell, from mid 15, 1/21/79 | 19 | |||
| Suzie, #1-39, 3/11/79 | 19 | |||
| 3/11/79-3/15/79, #30-75 | 19 | |||
| 3/15/79, #76-82 and "3/17/79, #83-102" | 19 | |||
| 3/17/79, #102 and "3/18/79, #143" | 19 | |||
| Dr. Eisenbud Full Frame Transfer of 16mm | 20 | |||
| Experiments with Ted Serios, Legacy VHS | 20 | |||
| Experiments with Ted Serios, Demo Legacy VHS | 20 | |||
| Experiments with Ted Serios, 33 min" Legacy VHS (white case) | 20 | |||
| Masuaki [Kiyota]" Legacy VHS | 20 | |||
| “Paley’s Uncut (with Ted)” Digital Betacam reproduction (See original, Film Box 6) | 20 | |||
| “At Paley’s, Experiment with Ted” Digital Betacam reproduction (See original, Film Box 40) | 20 |
Date: 1967-2001
Extent: 16 DVDs
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| NBC Today Show with Dr. Jule Eisenbud, Ted Serios, and James Randi [1967] | 20 | Disc 1 | ||
| Experiments with Ted Serios [1967] | 20 | Disc 2 | ||
| KOA-TV (Denver, CO), The Strange World of Ted Serios: The Man with the Camera Brain. From Scope, hosted by Bob Palmer, 1967 | 20 | Disc 3 | ||
| Toronto 2-25-82 and "Randi 2-8-83" | 20 | Disc 4 | ||
| Jule Eisenbud, Esalen June 1984 (Disc 1 of 2) audio only | 20 | Disc 5 | ||
| Jule Eisenbud, Esalen June 1984 (Disc 2 of 2) audio only | 20 | Disc 6 | ||
| Eisenbud on Eisenbud, Lightburn, December 14, 1989 | 20 | Disc 7 | ||
| Interview with Dr. Jule Eisenbud. Filmed at his home in Denver, CO, June 26, 1991, by Patrice Keane and Nancy Sondow. | 20 | Disc 8 | ||
| Interview with Dr. Eisenbud, June 26, 1991 (duplicate) | 20 | Disc 9 | ||
| PSI & Psychology, Onward and Outward with Jule Eisenbud M.D. | 20 | Disc 10 | ||
| Ted Serios, January 14, 2001 (from BetaSP masters) | 20 | Disc 11 | ||
| 8-tape set produced by direct-edit, Reel 1, Cameras A and B (Disc 1 of 4) | 20 | Disc 12 | ||
| 8-tape set produced by direct-edit, Reel 2, Cameras A and B (Disc 2 of 4) | 20 | Disc 13 | ||
| 8-tape set produced by direct-edit, Reel 3, Cameras A and B (Disc 3 of 4) | 20 | Disc 14 | ||
| 8-tape set produced by direct-edit, Reel 4, Cameras A and B (Disc 4 of 4) | 20 | Disc 15 | ||
| Miramax Films, Dr. Eisenbud, tapes 1-3 from a 6-tape set (Disc 1 of 2) | 20 | Disc 16 | ||
| Miramax Films, Dr. Eisenbud, tapes 4-6 from a 6-tape set (Disc 2 of 2) | 20 | Disc 17 | ||
| Portraits of Jule Eisenbud (See also (See also Box 33, Folder 170) | 20 | Disc 18 |
Date: 1964-1989, undated
Extent: 2100 items (3 linear feet)
Description: Arranged into five subseries; experimental photographs, thoughtographs, Eisenbud's private collection, Ted Serios' personal photos, and numbered photos.
Date: 1964-1967, undated
Extent: 1500 items (1.5 linear feet)
Description: Arranged alphabetically by the titles assigned by Eisenbud; those without titles are listed at the end of the series by format.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Alexander, 2/16/66 (1 of 2) | 21 | 1 | ||
| Alexander, 2/16/66 (2 of 2) | 21 | 2 | ||
| Alexander, Flatiron, Auto, Anagram, 2/16/66 (1 of2) | 21 | 3 | ||
| Alexander, Flatiron, Auto, Anagram, 2/16/66 (2 of2) | 21 | 4 | ||
| At Home, 10/17/65 (1 of 3) | 21 | 5 | ||
| At Home, 10/17/65 (2 of 3) | 21 | 6 | ||
| At Home, 10/17/65 (3 of 3) | 21 | 7 | ||
| At Rose, 11/05/65 | 21 | 8 | ||
| Audio Experiment, Phone Photos (1 of 5) | 21 | 9 | ||
| Audio Experiment, Phone Photos (2 of 5) | 21 | 10 | ||
| Audio Experiment, Phone Photos (3 of 5) | 21 | 11 | ||
| Audio Experiment, Phone Photos (4 of 5) | 21 | 12 | ||
| Audio Experiment, Phone Photos (5 of 5) | 21 | 13 | ||
| Barbato, 3/6/65 (1 of 9) | 21 | 14 | ||
| Barbato, 3/6/65 (2 of 9) | 21 | 15 | ||
| Barbato, 3/6/65 (3 of 9) | 21 | 16 | ||
| Barbato, 3/6/65 (4 of 9) | 21 | 17 | ||
| Barbato, 3/6/65 (5 of 9) | 21 | 18 | ||
| Barbato, 3/6/65 (6 of 9) | 21 | 19 | ||
| Barbato, 3/6/65 (7 of 9) | 21 | 20 | ||
| Barbato, 3/6/65 (8 of 9) | 21 | 21 | ||
| Barbato, 3/6/65 (9 of 9) | 21 | 22 | ||
| Before Prendergast, 4/19/66 | 21 | 23 | ||
| Blackies (1 of 5) | 21 | 24 | ||
| Blackies (2 of 5) | 21 | 25 | ||
| Blackies (3 of 5) | 21 | 26 | ||
| Blackies (4 of 5) | 21 | 27 | ||
| Blackies (5 of 5) | 21 | 28 | ||
| Bradley, 11/20/64 (1 of 2) | 21 | 29 | ||
| Bradley, 11/20/64 (2 of 2) | 21 | 30 | ||
| Bradley, 12/1/64 (1 of 2) | 21 | 31 | ||
| Bradley, 12/1/64 (2 of 2) | 21 | 32 | ||
| Bus and Video Prints, 2/25/67 (See Also Oversized Box 33, Folder 1) | 21 | 33 | ||
| Candy Kappmann, 8/8/89 (1 of 2) | 21 | 34 | ||
| Candy Kappmann, 8/8/89 (2 of 2) | 21 | 35 | ||
| Candy, Original Copies, Misc. (1 of 2) | 21 | 36 | ||
| Candy, Original Copies, Misc. (2 of 2) | 21 | 37 | ||
| Chapin, 3/9/65 (1 of 3) | 21 | 38 | ||
| Chapin, 3/9/65 (2 of 3) | 21 | 39 | ||
| Chapin, 3/9/65 (3 of 3) | 21 | 40 | ||
| Cox's Target, Ted's Sketch, 10/20/66 (1 of 3) | 21 | 41 | ||
| Cox's Target, Ted's Sketch, 10/20/66 (2 of 3) | 21 | 42 | ||
| Cox's Target, Ted's Sketch, 10/20/66 (3 of 3) | 21 | 43 | ||
| C.P.H. Audit, 10/4/64 (1 of 7) | 21 | 44 | ||
| C.P.H. Audit, 10/4/64 (2 of 7) | 21 | 45 | Digital images available |
|
| C.P.H. Audit, 10/4/64 (3 of 7) | 21 | 46 | ||
| C.P.H. Audit, 10/4/64 (4 of 7) | 21 | 47 | ||
| C.P.H. Audit, 10/4/64 (5 of 7) | 21 | 48 | ||
| C.P.H. Audit, 10/4/64 (6 of 7) | 21 | 49 | ||
| C.P.H. Audit, 10/4/64 (7 of 7) | 21 | 50 | ||
| C.P.H. Audit, 1/26/65 (1 of 3) | 21 | 51 | ||
| C.P.H. Audit, 1/26/65 (2 of 3) | 21 | 52 | ||
| C.P.H. Audit, 1/26/65 (3 of 3) | 21 | 53 | ||
| Crouching Man | 21 | 54 | ||
| Curtain, 6/15/67 | 21 | 55 | ||
| Dennis de Beau, 'Free', 5/13/67 (See Oversized Box 33, Folder 2) | 21 | 56 | ||
| Denver University, 5/13/67 | 21 | 57 | ||
| Denver University, Evans Lab, 2/10/67 | 21 | 58 | ||
| Denver University, Evans Lab, 2/31/67 | 21 | 59 | ||
| Eisenbud, Museum Group (See Oversized Box 33, Folder 3) | 21 | 60 | ||
| Eisenbud, Water Tower Negative (1 of 4) | 21 | 61 | ||
| Eisenbud, Water Tower Negative (2 of 4) | 21 | 62 | ||
| Eisenbud, Water Tower Negative (3 of 4) | 21 | 63 | ||
| Eisenbud, Water Tower Negative (4 of 4) | 21 | 64 | ||
| Eisenbud/Metcalf, EEG Lab, 4/12-14/65 (1 of 2) | 21 | 65 | ||
| Eisenbud/Metcalf, EEG Lab, 4/12-14/65 (2 of 2) | 21 | 66 | ||
| Eisenbud Ranch, 1/30/65 | 21 | 67 | ||
| Eller-Liddon, Cent. City, 12/9/66 (1 of 2) | 21 | 68 | ||
| Eller-Liddon, Cent. City, 12/9/66 (1 of 2) | 21 | 69 | ||
| Elrick and Hlad, 4/20/65 (1 of 8) | 21 | 70 | ||
| Elrick and Hlad, 4/20/65 (2 of 8) | 21 | 71 | ||
| Elrick and Hlad, 4/20/65 (3 of 8) | 21 | 72 | ||
| Elrick and Hlad, 4/20/65 (4 of 8) | 21 | 73 | ||
| Elrick and Hlad, 4/20/65 (5 of 8) | 21 | 74 | ||
| Elrick and Hlad, 4/20/65 (6 of 8) | 21 | 75 | ||
| Elrick and Hlad, 4/20/65 (7 of 8) | 21 | 76 | ||
| Elrick and Hlad, 4/20/65 (8 of 8) | 21 | 77 | ||
| Experiment (Description Included), 9/6/67 (See Oversized Box 23, Folder 4-) | 21 | 78 | ||
| Frey, 2/1/65 (1 of 2) | 21 | 79 | ||
| Frey, 2/1/65 (2 of 2) | 21 | 80 | ||
| Frey, Marx, Starrett | 21 | 81 | ||
| Frey, Rose Hosp. Rad., 11/29/65 | 21 | 82 | ||
| Galvin, 4/16/65 (1 of 6) | 21 | 83 | ||
| Galvin, 4/16/65 (2 of 6) | 21 | 84 | ||
| Galvin, 4/16/65 (3 of 6) | 21 | 85 | ||
| Galvin, 4/16/65 (4 of 6) | 21 | 86 | ||
| Galvin, 4/16/65 (5 of 6) | 21 | 87 | ||
| Galvin, 4/16/65 (6 of 6) | 21 | 88 | ||
| Ganymede, At Ranch, 7/3/65 | 21 | 89 | ||
| Gersten, 3/13/65 (1 of 18) | 21 | 90 | ||
| Gersten, 3/13/65 (2 of 18) | 21 | 91 | ||
| Gersten, 3/13/65 (3 of 18) | 21 | 92 | ||
| Gersten, 3/13/65 (4 of 18) | 21 | 93 | ||
| Gersten, 3/13/65 (5 of 18) | 21 | 94 | ||
| Gersten, 3/13/65 (6 of 18) | 21 | 95 | ||
| Gersten, 3/13/65 (7 of 18) | 21 | 96 | ||
| Gersten, 3/13/65 (8 of 18) | 21 | 97 | ||
| Gersten, 3/13/65 (9 of 18) | 21 | 98 | ||
| Gersten, 3/13/65 (10 of 18) | 21 | 99 | ||
| Gersten, 3/13/65 (11 of 18) | 21 | 100 | ||
| Gersten, 3/13/65 (12 of 18) | 21 | 101 | ||
| Gersten, 3/13/65 (13 of 18) | 21 | 102 | ||
| Gersten, 3/13/65 (14 of 18) | 21 | 103 | ||
| Gersten, 3/13/65 (15 of 18) | 21 | 104 | ||
| Gersten, 3/13/65 (16 of 18) | 21 | 105 | ||
| Gersten, 3/13/65 (17 of 18) | 21 | 106 | ||
| Gersten, 3/13/65 (18 of 18) | 21 | 107 | ||
| Hall, 3/10/65 (1 of 20) | 21 | 108 | ||
| Hall, 3/10/65 (2 of 20) | 21 | 109 | ||
| Hall, 3/10/65 (3 of 20) | 21 | 110 | ||
| Hall, 3/10/65 (4 of 20) | 21 | 111 | ||
| Hall, 3/10/65 (5 of 20) | 21 | 112 | ||
| Hall, 3/10/65 (6 of 20) | 21 | 113 | ||
| Hall, 3/10/65 (7 of 20) | 21 | 114 | ||
| Hall, 3/10/65 (8 of 20) | 21 | 115 | ||
| Hall, 3/10/65 (9 of 20) | 21 | 116 | ||
| Hall, 3/10/65 (10 of 20) | 21 | 117 | ||
| Hall, 3/10/65 (11 of 20) | 21 | 118 | ||
| Hall, 3/10/65 (12 of 20) | 21 | 119 | ||
| Hall, 3/10/65 (13 of 20) | 21 | 120 | ||
| Hall, 3/10/65 (14 of 20) | 21 | 121 | ||
| Hall, 3/10/65 (15 of 20) | 21 | 122 | ||
| Hall, 3/10/65 (16 of 20) | 21 | 123 | ||
| Hall, 3/10/65 (17 of 20) | 21 | 124 | ||
| Hall, 3/10/65 (18 of 20) | 21 | 125 | ||
| Hall, 3/10/65 (19 of 20) | 21 | 126 | ||
| Hall, 3/10/65 (20 of 20) | 21 | 127 | ||
| Hilton, 11/3/65 (1 of 4) | 21 | 128 | ||
| Hilton, 11/3/65 (2 of 4) | 21 | 129 | ||
| Hilton, 11/3/65 (3 of 4) | 21 | 130 | ||
| Hilton, 11/3/65 (4 of 4) | 21 | 131 | ||
| Hilton, Negatives, etc. | 22 | 1 | ||
| Hilton, Color Negatives, 11/3/65 (1 of 8) | 22 | 2 | ||
| Hilton, Color Negatives, 11/3/65 (2 of 8) | 22 | 3 | ||
| Hilton, Color Negatives, 11/3/65 (3 of 8) | 22 | 4 | ||
| Hilton, Color Negatives, 11/3/65 (4 of 8) | 22 | 5 | ||
| Hilton, Color Negatives, 11/3/65 (5 of 8) | 22 | 6 | ||
| Hilton, Color Negatives, 11/3/65 (6 of 8) | 22 | 7 | ||
| Hilton, Color Negatives, 11/3/65 (7 of 8) | 22 | 8 | ||
| Hilton, Color Negatives, 11/3/65 (8 of 8) | 22 | 9 | ||
| Hoke's Particles, 9/6/67 (See Oversized Box 33, Folder 7-9) | 22 | 10 | ||
| Home, 9/7/65 | 22 | 11 | ||
| Hurry, 2/22/66 (1 of 6) | 22 | 12 | ||
| Hurry, 2/22/66 (2 of 6) | 22 | 13 | ||
| Hurry, 2/22/66 (3 of 6) | 22 | 14 | ||
| Hurry, 2/22/66 (4 of 6) | 22 | 15 | ||
| Hurry, 2/22/66 (5 of 6) | 22 | 16 | ||
| Hurry, 2/22/66 (6 of 6) | 22 | 17 | ||
| Hynek, 11/14/65 (1 of 4) | 22 | 18 | ||
| Hynek, 11/14/65 (2 of 4) | 22 | 19 | ||
| Hynek, 11/14/65 (3 of 4) | 22 | 20 | ||
| Hynek, 11/14/65 (4 of 4) | 22 | 21 | ||
| In Car from St. Luke's, 5/26/65 | 22 | 22 | ||
| K.O.A., 2/25/67 | 22 | 23 | ||
| K.O.A., Bus Negatives (1 of 5) | 22 | 24 | ||
| K.O.A., Bus Negatives (2 of 5) | 22 | 25 | ||
| K.O.A., Bus Negatives (3 of 5) | 22 | 26 | ||
| K.O.A., Bus Negatives (4 of 5) | 22 | 27 | ||
| K.O.A., Bus Negatives (5 of 5) | 22 | 28 | ||
| K.O.A., Bus Prints, 2/25/67 (1 of 10) | 22 | 29 | ||
| K.O.A., Bus Prints, 2/25/67 (2 of 10) | 22 | 30 | ||
| K.O.A., Bus Prints, 2/25/67 (3 of 10) | 22 | 31 | ||
| K.O.A., Bus Prints, 2/25/67 (4 of 10) | 22 | 32 | ||
| K.O.A., Bus Prints, 2/25/67 (5 of 10) | 22 | 33 | ||
| K.O.A., Bus Prints, 2/25/67 (6 of 10) | 22 | 34 | ||
| K.O.A., Bus Prints, 2/25/67 (7 of 10) | 22 | 35 | ||
| K.O.A., Bus Prints, 2/25/67 (8 of 10) | 22 | 36 | ||
| K.O.A., Bus Prints, 2/25/67 (9 of 10) | 22 | 37 | ||
| K.O.A., Bus Prints, 2/25/67 (10 of 10) | 22 | 38 | ||
| K.O.A., Bus Prints, 2/25/67 (See Oversized Box 33, Folder 10) | 22 | 39 | ||
| K.O.A., Video Negatives (1 of 2) | 22 | 40 | ||
| K.O.A., Video Negatives (2 of 2) | 22 | 41 | ||
| K.O.A., Video Strips and Negatives (1 of 3) | 22 | 42 | ||
| K.O.A., Video Strips and Negatives (2 of 3) | 22 | 43 | ||
| K.O.A., Video Strips and Negatives (3 of 3) | 22 | 44 | ||
| Lehrburger, 3/4/65 (1 of 2) | 22 | 45 | ||
| Lehrburger, 3/4/65 (2 of 2) | 22 | 46 | ||
| Lehrburger, 5/13/65 (1 of 5) | 22 | 47 | ||
| Lehrburger, 5/13/65 (2 of 5) | 22 | 48 | ||
| Lehrburger, 5/13/65 (3 of 5) | 22 | 49 | ||
| Lehrburger, 5/13/65 (4 of 5) | 22 | 50 | ||
| Lehrburger, 5/13/65 (5 of 5) | 22 | 51 | ||
| Lehrburger, 12/2/65 | 22 | 52 | ||
| Lehrburger, 12/3/65 (1 of 2) | 22 | 53 | ||
| Lehrburger, 12/3/65 (2 of 2) | 22 | 54 | ||
| Lehrburger, Old General Store, 5/13/65 (1 of 2) | 22 | 55 | ||
| Lehrburger, Old General Store, 5/13/65 (2 of 2) | 22 | 56 | ||
| Liddon and Eller, 12/9/66 | 22 | 57 | ||
| Liddon Central City, 12/9/66 (1 of 9) | 22 | 58 | ||
| Liddon Central City, 12/9/66 (2 of 9) | 22 | 59 | ||
| Liddon Central City, 12/9/66 (3 of 9) | 22 | 60 | ||
| Liddon Central City, 12/9/66 (4 of 9) | 22 | 61 | ||
| Liddon Central City, 12/9/66 (5 of 9) | 22 | 62 | ||
| Liddon Central City, 12/9/66 (6 of 9) | 22 | 63 | ||
| Liddon Central City, 12/9/66 (7 of 9) | 22 | 64 | ||
| Liddon Central City, 12/9/66 (8 of 9) | 22 | 65 | ||
| Liddon Central City, 12/9/66 (9 of 9) | 22 | 66 | ||
| Life on Planet X (1 of 2) | 22 | 67 | ||
| Life on Planet X (2 of 2) | 22 | 68 | ||
| Life on Planet X, 5/9/65 | 22 | 69 | ||
| Lightburn, 1/22/65 (1 of 2) | 22 | 70 | ||
| Lightburn, 1/22/65 (2 of 2) | 22 | 71 | ||
| M-4031, Evaluation Drawing (1 of 2) | 22 | 72 | ||
| M-4031, Evaluation Drawing (2 of 2) | 22 | 73 | ||
| Marie Nelson, 5/25/66 (1 of 6) | 22 | 74 | ||
| Marie Nelson, 5/25/66 (2 of 6) | 22 | 75 | ||
| Marie Nelson, 5/25/66 (3 of 6) | 22 | 76 | ||
| Marie Nelson, 5/25/66 (4 of 6) | 22 | 77 | ||
| Marie Nelson, 5/25/66 (5 of 6) | 22 | 78 | ||
| Marie Nelson, 5/25/66 (6 of 6) | 22 | 79 | ||
| Mars | 22 | 80 | ||
| Mars Shot, 7/8/65 (1 of 10) | 22 | 81 | ||
| Mars Shot, 7/8/65 (2 of 10) | 22 | 82 | ||
| Mars Shot, 7/8/65 (3 of 10) | 22 | 83 | ||
| Mars Shot, 7/8/65 (4 of 10) | 22 | 84 | ||
| Mars Shot, 7/8/65 (5 of 10) | 22 | 85 | ||
| Mars Shot, 7/8/65 (6 of 10) | 22 | 86 | ||
| Mars Shot, 7/8/65 (7 of 10) | 22 | 87 | ||
| Mars Shot, 7/8/65 (8 of 10) | 22 | 88 | ||
| Mars Shot, 7/8/65 (9 of 10) | 22 | 89 | ||
| Mars Shot, 7/8/65 (10 of 10) | 22 | 90 | ||
| Martian Landscape, 5/7/65 (1 of 3) | 22 | 91 | ||
| Martian Landscape, 5/7/65 (2 of 3) | 22 | 92 | ||
| Martian Landscape, 5/7/65 (3 of 3) | 22 | 93 | ||
| Martian Landscapes, 5/9/65 | 22 | 94 | ||
| Marx, 1/28/65 (1 of 2) | 22 | 95 | ||
| Marx, 1/28/65 (2 of 2) | 22 | 96 | ||
| Marx, 1/18/66 Trashcan, etc. | 22 | 97 | ||
| Marx, 1/18/66 (1 of 3) | 22 | 98 | ||
| Marx, 1/18/66 (2 of 3) | 22 | 99 | ||
| Marx, 1/18/66 (3 of 3) | 22 | 100 | ||
| Merrill, 11/23/64 (1 of 3) | 22 | 101 | ||
| Merrill, 11/23/64 (2 of 3) | 22 | 102 | ||
| Merrill, 11/23/64 (3 of 3) | 22 | 103 | ||
| Merrill, 1/3/66 | 22 | 104 | ||
| Merrill's Petals, Contrast, 1/3/66 (1 of 8) | 22 | 105 | ||
| Merrill's Petals, Contrast, 1/3/66 (2 of 8) | 22 | 106 | ||
| Merrill's Petals, Contrast, 1/3/66 (3 of 8) | 22 | 107 | ||
| Merrill's Petals, Contrast, 1/3/66 (4 of 8) | 22 | 108 | ||
| Merrill's Petals, Contrast, 1/3/66 (5 of 8) | 22 | 109 | ||
| Merrill's Petals, Contrast, 1/3/66 (6 of 8) | 22 | 110 | ||
| Merrill's Petals, Contrast, 1/3/66 (7 of 8) | 22 | 111 | ||
| Merrill's Petals, Contrast, 1/3/66 (8 of 8) | 22 | 112 | ||
| Merrill's Petals Hegs., Contrast, 1/3/66 (1 of 3) | 22 | 113 | ||
| Merrill's Petals Hegs., Contrast, 1/3/66 (2 of 3) | 22 | 114 | ||
| Merrill's Petals Hegs., Contrast, 1/3/66 (3 of 3) | 22 | 115 | ||
| Metcalf EEG, 4/14/65 (1 of 6) | 22 | 116 | ||
| Metcalf EEG, 4/14/65 (2 of 6) | 22 | 117 | ||
| Metcalf EEG, 4/14/65 (3 of 6) | 22 | 118 | ||
| Metcalf EEG, 4/14/65 (4 of 6) | 22 | 119 | ||
| Metcalf EEG, 4/14/65 (5 of 6) | 22 | 120 | ||
| Metcalf EEG, 4/14/65 (6 of 6) | 22 | 121 | ||
| Molley, Frey, etc. (1 of 2) | 22 | 122 | ||
| Molley, Frey, etc. (2 of 2) | 22 | 123 | ||
| Museum (1 of 2) | 22 | 124 | ||
| Museum (2 of 2) | 22 | 125 | ||
| Museum #23, Crouching Man | 22 | 126 | ||
| Museum Experiment, Microprints (1 of 3) | 22 | 127 | ||
| Museum Experiment, Microprints (2 of 3) | 22 | 128 | ||
| Museum Experiment, Microprints (3 of 3) | 22 | 129 | ||
| Museum of Natural History, 11/3/65 (1 of 3) | 22 | 130 | ||
| Museum of Natural History, 11/3/65 (2 of 3) | 22 | 131 | ||
| Museum of Natural History, 11/3/65 (3 of 3) | 22 | 132 | ||
| Neanderthal, 5/27/67 (1 of 2) | 23 | 1 | ||
| Neanderthal, 5/27/67 (2 of 2) | 23 | 2 | ||
| Neanderthal, "Large Digs | 23 | 3 | ||
| Neanderthal man | 23 | 4 | ||
| Neanderthal man, #19 | 23 | 5 | ||
| Neanderthal, Gauding Man, #29 | 23 | 6 | ||
| Neanderthal, "Middle Digs" (1 of 2) | 23 | 7 | ||
| Neanderthal, "Middle Digs" (2 of 2) | 23 | 8 | ||
| Neanderthal Pictograph | 23 | 9 | ||
| Neanderthal, "Small Digs", 5/26/67 | 23 | 10 | ||
| Neanderthal, Ted's drawing, 5/27/67 | 23 | 11 | ||
| Nile Root & Morris Levine, at Levine Home, 3/2/66 (1 of 4) | 23 | 12 | ||
| Nile Root & Morris Levine, at Levine Home, 3/2/66 (2 of 4) | 23 | 13 | ||
| Nile Root & Morris Levine, at Levine Home, 3/2/66 (3 of 4) | 23 | 14 | ||
| Nile Root & Morris Levine, at Levine Home, 3/2/66 (4 of 4) | 23 | 15 | ||
| Nuclear Reactor, 2/25/66 | 23 | 16 | ||
| Nuclear Reactor Target Negatives, 2/25/66 | 23 | 17 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) (1 of 6) | 23 | 18 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) (2 of 6) | 23 | 19 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) (3 of 6) | 23 | 20 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) (4 of 6) | 23 | 21 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) (5 of 6) | 23 | 22 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) (6 of 6) | 23 | 23 | ||
| Dr. A. Paige's Office (4/5/68), Bill Hagel's House (5/1958) Negatives | 23 | 24 | ||
| Paley, 11/19/64 (1 of 6) | 23 | 25 | ||
| Paley, 11/19/64 (2 of 6) | 23 | 26 | ||
| Paley, 11/19/64 (3 of 6) | 23 | 27 | ||
| Paley, 11/19/64 (4 of 6) | 23 | 28 | ||
| Paley, 11/19/64 (5 of 6) | 23 | 29 | ||
| Paley, 11/19/64 (6 of 6) | 23 | 30 | ||
| Paley, 3/16/65 (1 of 4) | 23 | 31 | ||
| Paley, 3/16/65 (2 of 4) | 23 | 32 | ||
| Paley, 3/16/65 (3 of 4) | 23 | 33 | ||
| Paley, 3/16/65 (4 of 4) | 23 | 34 | ||
| Paley, 2/13/66 (1 of 2) | 23 | 35 | ||
| Paley, 2/13/66 (2 of 2) | 23 | 36 | ||
| Paley-Frey, EEG Lab, 3/18/65 (1 of 3) | 23 | 37 | ||
| Paley-Frey, EEG Lab, 3/18/65 (2 of 3) | 23 | 38 | ||
| Paley-Frey, EEG Lab, 3/18/65 (3 of 3) | 23 | 39 | ||
| Paley-Frey, EEG Lab, CPH, 3/18/65 (1 of 4) | 23 | 40 | ||
| Paley-Frey, EEG Lab, CPH, 3/18/65 (2 of 4) | 23 | 41 | ||
| Paley-Frey, EEG Lab, CPH, 3/18/65 (3 of 4) | 23 | 42 | ||
| Paley-Frey, EEG Lab, CPH, 3/18/65 (4 of 4) | 23 | 43 | ||
| Paley, Manned Rocket, 7/6/65 | 23 | 44 | ||
| Paley, Marx, Manned Rocket, 7/6/65 (1 of 3) | 23 | 45 | ||
| Paley, Marx, Manned Rocket, 7/6/65 (2 of 3) | 23 | 46 | ||
| Paley, Marx, Manned Rocket, 7/6/65 (3 of 3) | 23 | 47 | ||
| Paley, Misc. (1 of 6) | 23 | 48 | ||
| Paley, Misc. (2 of 6) | 23 | 49 | ||
| Paley, Misc. (3 of 6) | 23 | 50 | ||
| Paley, Misc. (4 of 6) | 23 | 51 | ||
| Paley, Misc. (5 of 6) | 23 | 52 | ||
| Paley, Misc. (6 of 6) | 23 | 53 | ||
| Phillipson's, Ted's Castle, Hokenson's Granules (See Oversized Box 33, Folder 11-12) | 23 | 54 | ||
| Polaroid Camera, Interior Shots, 8x10s and prints (See Oversized Box 25) | 23 | 55 | ||
| Popular Photography, 6/3/67 (1 of 3) | 23 | 56 | ||
| Popular Photography, 6/3/67 (2 of 3) | 23 | 57 | ||
| Popular Photography, 6/3/67 (3 of 3) | 23 | 58 | ||
| Popular Photography, 6/3/67 | 23 | 59 | ||
| Ranch House, 1/30/65 | 23 | 60 | ||
| Reynard, 5/28/65 (1 of 2) | 23 | 61 | ||
| Reynard, 5/28/65 (2 of 2) | 23 | 62 | ||
| Reynard, 5/28/65 (1 of 3) | 23 | 63 | ||
| Reynard, 5/28/65 (2 of 3) | 23 | 64 | ||
| Reynard, 5/28/65 (3 of 3) | 23 | 65 | ||
| Rose Hospital Radiology Lab, 11/05/65 (1 of 8) | 23 | 66 | ||
| Rose Hospital Radiology Lab, 11/05/65 (2 of 8) | 23 | 67 | ||
| Rose Hospital Radiology Lab, 11/05/65 (3 of 8) | 23 | 68 | ||
| Rose Hospital Radiology Lab, 11/05/65 (4 of 8) | 23 | 69 | ||
| Rose Hospital Radiology Lab, 11/05/65 (5 of 8) | 23 | 70 | ||
| Rose Hospital Radiology Lab, 11/05/65 (6 of 8) | 23 | 71 | ||
| Rose Hospital Radiology Lab, 11/05/65 (7 of 8) | 23 | 72 | ||
| Rose Hospital Radiology Lab, 11/05/65 (8 of 8) | 23 | 73 | ||
| Schwanholz, 6/29/72 | 23 | 74 | ||
| Spirit Photography (See Oversized Box 33, Folder 13-14) | 23 | 75 | ||
| Spirit Photography, 11x14 Photos (2), with article (See Oversized Box 25) | 23 | 76 | ||
| Spirit Photography, Gloria Rudolf's Photos (See Oversized Box 33, Folder 15-17) | 23 | 77 | ||
| Spoonbending Photos (1 of 3) | 23 | 78 | ||
| Spoonbending Photos (2 of 3) | 23 | 79 | ||
| Spoonbending Photos (3 of 3) | 23 | 80 | ||
| Spoonbending Photos (See Oversized Box 33, Folder 18-20) | 23 | 81 | ||
| Spoonbending Photos (1 of 2) | 23 | 82 | ||
| Spoonbending Photos (2 of 2) | 23 | 83 | ||
| Spoonbending Photos (1 of 2) | 23 | 84 | ||
| Spoonbending Photos (2 of 2) | 23 | 85 | ||
| Spoonbending Photos (See Oversized Box 33, Folder 21) | 23 | 86 | ||
| Spoonbending Photos | 23 | 87 | ||
| Staggerwing, "6 picture/negatives" (1 of 2) | 23 | 88 | ||
| Staggerwing, "6 picture/negatives" (2 of 2) | 23 | 89 | ||
| Staggerwing, 6 picture/negatives, 3/16/65 (See Oversized Box 33, Folder 22) | 23 | 90 | ||
| Staggerwing, #15, 3/16/65 | 23 | 91 | ||
| Staggerwing, 20B (1 of 2) | 23 | 92 | ||
| Staggerwing, 20B (2 of 2) | 23 | 93 | ||
| Staggerwing, #22 | 23 | 94 | ||
| Staggerwing, #26 (1 of 2) | 23 | 95 | ||
| Staggerwing, #26 (2 of 2) | 23 | 96 | ||
| Staggerwing, #26 (1 of 2) | 23 | 97 | ||
| Staggerwing, #26 (2 of 2) | 23 | 98 | ||
| Staggerwing #33 (1 of 2) | 23 | 99 | ||
| Staggerwing #33 (2 of 2) | 23 | 100 | ||
| Staggerwing Echelon, American Heritage (1 of 2) | 23 | 101 | ||
| Staggerwing Echelon, American Heritage (2 of 2) | 23 | 102 | ||
| Staggerwing Negatives, 3/16/65 (1 of 3) | 23 | 103 | ||
| Staggerwing Negatives, 3/16/65 (2 of 3) | 23 | 104 | ||
| Staggerwing Negatives, 3/16/65 (3 of 3) | 23 | 105 | ||
| Staggerwing Paley, 3/16/65 (1 of 5) | 23 | 106 | ||
| Staggerwing Paley, 3/16/65 (2 of 5) | 23 | 107 | ||
| Staggerwing Paley, 3/16/65 (3 of 5) | 23 | 108 | ||
| Staggerwing Paley, 3/16/65 (4 of 5) | 23 | 109 | ||
| Staggerwing Paley, 3/16/65 (5 of 5) | 23 | 110 | ||
| Staggerwing Protocol, Paley, 3/16/65 | 23 | 111 | ||
| Starrett, 11/25/64 | 23 | 112 | ||
| Starrett, 11/25/64 | 23 | 113 | ||
| Starrett, 11/25/64 (1 of 2) | 23 | 114a | ||
| Starrett, 11/25/64 (1 of 2) | 23 | 114b | ||
| Starrett, 11/25/64 (2 of 2) | 23 | 115a | ||
| Starrett, 11/25/64 (2 of 2) | 23 | 115b | ||
| Starrett, 11/25/64 (1 of 2) | 23 | 116 | ||
| Starrett, 11/25/64 (2 of 2) | 23 | 117 | ||
| Stevenson and Pratt | 23 | 118 | ||
| St. Luke's Radiology, 5/26/65 (1 of 3) | 23 | 119 | ||
| St. Luke's Radiology, 5/26/65 (2 of 3) | 23 | 120 | ||
| St. Luke's Radiology, 5/26/65 (3 of 3) | 23 | 121 | ||
| Ted's "57" Negatives, 9/6/67 | 23 | 122 | ||
| Ted, Hands 3/10/65 (1 of 5) | 23 | 123 | ||
| Ted, Hands 3/10/65 (2 of 5) | 23 | 124 | ||
| Ted, Hands 3/10/65 (3 of 5) | 23 | 125 | ||
| Ted, Hands 3/10/65 (4 of 5) | 23 | 126 | ||
| Ted, Hands 3/10/65 (5 of 5) | 23 | 127 | ||
| Ted in Action, black and white prints (1 of 2) | 23 | 128 | ||
| Ted in Action, black and white prints (2 of 2) | 23 | 129 | ||
| Ted in Action, negatives | 23 | 130 | ||
| Ted, St. Luke's Radiology, and in Auto Returning (1 of 4) | 23 | 131 | ||
| Ted, St. Luke's Radiology, and in Auto Returning (2 of 4) | 23 | 132 | ||
| Ted, St. Luke's Radiology, and in Auto Returning (3 of 4) | 23 | 133 | ||
| Ted, St. Luke's Radiology, and in Auto Returning (4 of 4) | 23 | 134 | ||
| Ted's Sketches, Target Photos (See Oversized Box 25) | 23 | 135 | ||
| Ted's Target Shot #57, 11/24/65 (1 of 2) | 23 | 136 | ||
| Ted's Target Shot #57, 11/24/65 (2 of 2) | 23 | 137 | ||
| Trafalgar, Woodworks, etc., 7/8/65 (1 of 2) | 23 | 138 | ||
| Trafalgar, Woodworks, etc., 7/8/65 (2 of 2) | 23 | 139 | ||
| U.S.S.R., January 1985 | 23 | 140 | ||
| Volk Wormington, 1/20/65 (1 of 8) | 23 | 141 | ||
| Volk Wormington, 1/20/65 (2 of 8) | 23 | 142 | ||
| Volk Wormington, 1/20/65 (3 of 8) | 23 | 143 | ||
| Volk Wormington, 1/20/65 (4 of 8) | 23 | 144 | ||
| Volk Wormington, 1/20/65 (5 of 8) | 23 | 145 | ||
| Volk Wormington, 1/20/65 (6 of 8) | 23 | 146 | ||
| Volk Wormington, 1/20/65 (7 of 8) | 23 | 147 | ||
| Volk Wormington, 1/20/65 (8 of 8) | 23 | 148 | ||
| Wadsworter Control, 3/12/65 | 24 | 1 | ||
| Whole Body Counting Rad. Chamber, 2/25/66 (1 of 2) | 24 | 2 | ||
| Whole Body Counting Rad. Chamber, 2/25/66 (2 of 2) | 24 | 3 | ||
| Whole Body Counting Rad. Chamber, 2/25/66, negatives | 24 | 4 | ||
| Work and Stofac, 11/10/65 | 24 | 5 | ||
| Work and Stofac, 11/10/65, (1 of 3), negatives | 24 | 6 | ||
| Work and Stofac, 11/10/65, (2 of 3), negatives | 24 | 7 | ||
| Work and Stofac, 11/10/65, (3 of 3) | 24 | 8 | ||
| Zimet, 11/26/65 (1 of 6) | 24 | 9 | ||
| Zimet, 11/26/65 (2 of 6) | 24 | 10 | ||
| Zimet, 11/26/65 (3 of 6) | 24 | 11 | ||
| Zimet, 11/26/65 (4 of 6) | 24 | 12 | ||
| Zimet, 11/26/65 (5 of 6) | 24 | 13 | ||
| Zimet, 11/26/65 (6 of 6) | 24 | 14 | ||
| Misc., (1 of 7) | 24 | 15 | ||
| Misc., (2 of 7) | 24 | 16 | ||
| Misc., (3 of 7) | 24 | 17 | ||
| Misc., (4 of 7) | 24 | 18 | ||
| Misc., (5 of 7) | 24 | 19 | ||
| Misc., (6 of 7) | 24 | 20 | ||
| Misc., (7 of 7) | 24 | 21 | ||
| Loose Photographs (1 of 37) | 24 | 22 | ||
| Loose Photographs (2 of 37) | 24 | 23 | ||
| Loose Photographs (3 of 37) | 24 | 24 | ||
| Loose Photographs (4 of 37) | 24 | 25 | ||
| Loose Photographs (5 of 37) | 24 | 26 | ||
| Loose Photographs (6 of 37) | 24 | 27 | ||
| Loose Photographs (7 of 37) | 24 | 28 | ||
| Loose Photographs (8 of 37) (See Oversized Box 33 Folder 23) | 24 | 29 | ||
| Loose Photographs (9 of 37) | 24 | 30 | ||
| Loose Photographs (10 of 37) | 24 | 31 | ||
| Loose Photographs (11 of 37) | 24 | 32 | ||
| Loose Photographs (12 of 37) | 24 | 33 | ||
| Loose Photographs (13 of 37) | 24 | 34 | ||
| Loose Photographs (14 of 37) | 24 | 35 | ||
| Loose Photographs (15 of 37) | 24 | 36 | ||
| Loose Photographs (16 of 37) | 24 | 37 | ||
| Loose Photographs (17 of 37) | 24 | 38 | ||
| Loose Photographs (18 of 37) | 24 | 39 | ||
| Loose Photographs (19 of 37) | 24 | 40 | ||
| Loose Photographs (20 of 37) | 24 | 41 | ||
| Loose Photographs (21 of 37) | 24 | 42 | ||
| Loose Photographs (22 of 37) | 24 | 43 | ||
| Loose Photographs (23 of 37) | 24 | 44 | ||
| Loose Photographs (24 of 37) | 24 | 45 | ||
| Loose Photographs (25 of 37) | 24 | 46 | ||
| Loose Photographs (26 of 37) | 24 | 47 | ||
| Loose Photographs (27 of 37) | 24 | 48 | ||
| Loose Photographs (28 of 37) (see Oversized Box 33 Folder 24) | 24 | 49 | ||
| Loose Photographs (29 of 37) | 24 | 50 | ||
| Loose Photographs (30 of 37) | 24 | 51 | ||
| Loose Photographs (31 of 37) | 24 | 52 | ||
| Loose Photographs (32 of 37) | 24 | 53 | ||
| Loose Photographs (33 of 37) (see Oversized Box 33 Folder 25) | 24 | 54 | ||
| Loose Photographs (34 of 37) | 24 | 55 | ||
| Loose Photographs (35 of 37) | 24 | 56 | ||
| Loose Photographs (36 of 37) | 24 | 57 | ||
| Loose Photographs (37 of 37) | 24 | 58 | ||
| Color Photographs (1 of 3) | 24 | 59 | ||
| Color Photographs (2 of 3) | 24 | 60 | ||
| Color Photographs (3 of 3) | 24 | 61 | ||
| Color Polaroid Photographs (1 of 7) | 24 | 62 | ||
| Color Polaroid Photographs (2 of 7) | 24 | 63 | ||
| Color Polaroid Photographs (3 of 7) | 24 | 64 | ||
| Color Polaroid Photographs (4 of 7) | 24 | 65 | ||
| Color Polaroid Photographs (5 of 7) | 24 | 66 | ||
| Color Polaroid Photographs (6 of 7) | 24 | 67 | ||
| Color Polaroid Photographs (7 of 7) | 24 | 68 | ||
| Negatives (1 of 12) | 24 | 69 | ||
| Negatives (2 of 12) | 24 | 70 | ||
| Negatives (3 of 12) | 24 | 71 | ||
| Negatives (4 of 12) | 24 | 72 | ||
| Negatives (5 of 12) | 24 | 73 | ||
| Negatives (6 of 12) | 24 | 74 | ||
| Negatives (7 of 12) | 24 | 75 | ||
| Negatives (8 of 12) | 24 | 76 | ||
| Negatives (9 of 12) | 24 | 77 | ||
| Negatives (10 of 12) | 24 | 78 | ||
| Negatives (11 of 12) | 24 | 79 | ||
| Negatives (12 of 12) | 24 | 80 |
Date: 1964-1976, undated
Extent: (1.5 linear feet)
Description: This subseries contains 'thoughtographs' that were unlabeled, 20 mounted 'thoughtographs', and three binders of photos with captions left in their original condition.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Thoughtographs (1 of 3) | 24 | 81 | ||
| Thoughtographs (2 of 3) | 24 | 82 | ||
| Thoughtographs (3 of 3) | 24 | 83 | ||
| Thoughtographs, Prints and 8X10s | 25 | |||
| Mounted Thoughtographs | 26 | |||
| Mounted Thoughtographs | 27 | |||
| Mounted Thoughtographs | 28 | |||
| Thoughtograph Binder | 29 | |||
| Thoughtograph Binder, (4/4/64 - 3/16/65) | 30 | Digital image available |
||
| Thoughtograph Binder, (3/18/65 - 11/26/65) | 31 | |||
| Thoughtograph Binder, (11/29/65 - 3/27/76) | 32 | Digital item available |
Date: unknown
Extent: 200 items
Description: The numbered photographs in this Subseries correspond to the figure numbers in Jules Eisenbud's book, "The World of Ted Serios". The edition number is included in the folder title because in some cases the figure numbers differ between the editions. Some photographs have informational tabs attached; the page number included on this tab refers to the second edition. Originals, negatives, and/or duplicates of the photographs are available.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Figure 1, both editions (1 copy) | 33 | 26 | ||
| Figure 2, both editions (1 copy) | 33 | 27 | ||
| Figure 3, both editions (1 copy) | 33 | 28 | ||
| Figure 4, both editions (1 copy) | 33 | 29 | ||
| Figure 5, both editions (1 copy) | 33 | 30 | ||
| Figure 6, both editions (1 copy) | 33 | 31 | ||
| Figure 7, both editions (1 copy) | 33 | 32 | ||
| Figure 8, both editions (1 copy) | 33 | 33 | ||
| Figure 9, both editions (1 copy) | 33 | 34 | ||
| Figure 10, both editions (1 copy) | 33 | 35 | ||
| Figure 11, both editions (1 copy) | 33 | 36 | ||
| Figure 12, both editions (2 copies) | 33 | 37 | ||
| Figure 13, both editions (1 copy) | 33 | 38 | ||
| Figure 14, both editions (1 copy) | 33 | 39 | ||
| Figure 15, both editions (1 copy) | 33 | 40 | ||
| Figure 16, both editions (1 copy) (See also Box 23 Folder 25) | 33 | 41 | ||
| Figure 17, both editions (2 copies) | 33 | 42 | ||
| Figure 18, 2nd edition (2 copies) | 33 | 43 | ||
| Figure 19, 2nd edition (4 copies) | 33 | 44 | ||
| Figure 20, 1st edition (1 copy - labeled 22) | 33 | 45 | ||
| Figure 20, 2nd edition (2 copies) | 33 | 46 | ||
| Figure 21, 1st edition (1 copy - labeled 23) | 33 | 47 | ||
| Figure 21, 2nd edition (4 copies) | 33 | 48 | ||
| Figure 22, 2nd edition (2 copies) | 33 | 49 | ||
| Figure 23, 2nd edition (2 copies) (See Box 21 Folder 39 for Figure 23, 1st edition) | 33 | 50 | ||
| Figure 24, 2nd edition (1 copy) (See also Box 21 Folder 81) (See Box 21 Folder 22 for Figure 24, 1st edition) | 33 | 51 | ||
| Figure 25, 2nd edition (1 copy) (See Box 21 Folder 22 for Figure 25, 1st edition) | 33 | 52 | ||
| Figure 26, 2nd edition (1 copy) (See Box 21 Folder 21 for Figure 26, 1st edition) | 33 | 53 | ||
| Figure 27, 2nd edition (2 copies) | 33 | 54 | ||
| Figure 28, 2nd edition (2 copies) | 33 | 55 | ||
| Figure 29, 2nd edition (2 copies) (See Box 21 Folder 22 for Figure 29, 1st edition) | 33 | 56 | ||
| Figure 30, 2nd edition (1 copy) | 33 | 57 | ||
| Figure 31, 2nd edition (5 copies) | 33 | 58 | ||
| Figure 32, 2nd edition (2 copies) | 33 | 59 | ||
| Figure 34, 2nd edition (2 copies) | 33 | 60 | ||
| Figure 35, 2nd edition (2 copies) | 33 | 61 | ||
| Figure 36, 2nd edition (See also Figure 54, 1st edition) (3 copies) | 33 | 62 | ||
| Figure 37, 2nd edition (2 copies) (See also Figure 55, 1st edition) | 33 | 63 | ||
| Figure 38, 2nd edition (2 copies) | 33 | 64 | ||
| Figure 39, 2nd edition (2 copies) | 33 | 65 | ||
| Figure 40, 2nd edition (2 copies) (See also Figure 57, 1st edition) | 33 | 66 | ||
| Figure 41, 2nd edition (2 copies) | 33 | 67 | ||
| Figure 42, 2nd edition (1 copy) | 33 | 68 | ||
| Figure 43, 2nd edition (2 copies) | 33 | 69 | ||
| Figure 44, 2nd edition (1 copy) | 33 | 70 | ||
| Figure 45, 2nd edition (2 copies) | 33 | 71 | ||
| Figure 46, 2nd edition (2 copies) | 33 | 72 | ||
| Figure 47, 2nd edition (1 copy) | 33 | 73 | ||
| Figure 48, 2nd edition (3 copies) | 33 | 74 | ||
| Figure 49, 2nd edition (2 copies) | 33 | 75 | ||
| Figure 50, 2nd edition (2 copies) | 33 | 76 | ||
| Figure 51, 2nd edition (2 copies) | 33 | 77 | ||
| Figure 52, 2nd edition (2 copies) | 33 | 78 | ||
| Figure 53, 2nd edition (2 copies) | 33 | 79 | ||
| Figure 54, 1st edition (See also Figure 36, 2nd edition) | 33 | 80 | ||
| Figure 54, 2nd edition (4 copies) (See also Figure 59, 1st edition) | 33 | 81 | ||
| Figure 55, 1st edition (See also Figure 37, 2nd edition) | 33 | 82 | ||
| Figure 55, 2nd edition (2 copies) | 33 | 83 | ||
| Figure 56, 1st edition (1 copy) | 33 | 84 | ||
| Figure 56, 2nd edition (2 copies) | 33 | 85 | ||
| Figure 57, 1st edition (See also Figure 40, 2nd edition) | 33 | 86 | ||
| Figure 57, 2nd edition (2 copies) | 33 | 87 | ||
| Figure 58, 2nd edition (3 copies) | 33 | 88 | ||
| Figure 59, 1st edition (See also Figure 54, 2nd edition) | 33 | 89 | ||
| Figure 59, 2nd edition (2 copies) | 33 | 90 | ||
| Figure 60, 2nd edition (2 copies) | 33 | 91 | ||
| Figure 61, 2nd edition (2 copies) | 33 | 92 | ||
| Figure 62, 2nd edition (2 copies) | 33 | 93 | ||
| Figure 63, 2nd edition (3 copies) | 33 | 94 | ||
| Figure 64, 2nd edition (3 copies) | 33 | 95 | ||
| Figure 65, 2nd edition (1 copy) | 33 | 96 | ||
| Figure 66, 2nd edition (2 copies) | 33 | 97 | ||
| Figure 67, 2nd edition (3 copies) | 33 | 98 | ||
| Figure 68, 2nd edition (3 copies) (See also Box 21 Folder 22) | 33 | 99 | ||
| Figure 69, 2nd edition (2 copies) | 33 | 100 | ||
| Figure 70, 2nd edition (4 copies) | 33 | 101 | ||
| Figure 71, 2nd edition (2 copies) | 33 | 102 | ||
| Figure 72, 1st edition (1 copy) | 33 | 103 | ||
| Figure 72, 2nd edition (2 copies) | 33 | 104 | ||
| Figure 73, 2nd edition (2 copies) | 33 | 105 | ||
| Figure 74, 2nd edition (2 copies) (See Box 21 folder 74 for Figure 74, 1st edition) | 33 | 106 | ||
| Figure 75, 2nd edition (2 copies) | 33 | 107 | ||
| Figure 76, 2nd edition (1 copy) | 33 | 108 | ||
| Figure 77, 2nd edition (2 copies) | 33 | 109 | ||
| Figure 78, 2nd edition (2 copies) | 33 | 110 | ||
| Figure 79, 2nd edition (2 copies) | 33 | 111 | ||
| Figure 80-82, 2nd edition (1 copy of each) | 33 | 112 | ||
| Figure 83, 2nd edition (2 copies) | 33 | 113 | ||
| Figure 84-86, 2nd edition (1 copy of each) | 33 | 114 | ||
| Figure 87, 2nd edition (2 copies) | 33 | 115 | ||
| Figure 88, 2nd edition (4 copies) (See Box 21 Folder 40 for Figure 88, 1st edition) | 33 | 116 | ||
| Figure 89, 2nd edition (2 copies) | 33 | 117 | ||
| Figure 90-91, 2nd edition (1 copy of each) | 33 | 118 | ||
| Figure 92, 1st edition (1 copy) | 33 | 119 | ||
| Figure 92-95, 2nd edition (1 copy of each) | 33 | 120 | ||
| Figure 98-100, 2nd edition (1 copy of each) | 33 | 121 | ||
| Figure 101, 2nd edition (3 copies) | 33 | 122 | ||
| Figure 102, 2nd edition (2 copies) | 33 | 123 | ||
| Figure 103, 2nd edition (1 copy) | 33 | 124 | ||
| Figure 104, 2nd edition (2 copies) | 33 | 125 | ||
| Figure 105-106, 2nd edition (1 copy of each) | 33 | 126 | ||
| Figure 107, 2nd edition (2 copies) | 33 | 127 | ||
| Figure 108, 2nd edition (1 copy) | 33 | 128 | ||
| Figure 109, 2nd edition (2 copies) | 33 | 129 | ||
| Figure 110, 2nd edition (2 copies) | 33 | 130 | ||
| Figure 111, 2nd edition (2 copies) | 33 | 131 | ||
| Figure 112, 2nd edition (1 copy) | 33 | 132 | ||
| Figure 113, 2nd edition (2 copies) | 33 | 133 | ||
| Figure 115, 2nd edition (2 copies) | 33 | 134 | ||
| Figure 116, 2nd edition (2 copies) | 33 | 135 | ||
| Figure 117, 2nd edition (4 copies) | 33 | 136 | ||
| Figure 118, 2nd edition (2 copies) | 33 | 137 | ||
| Figure 119, 2nd edition (2 copies) | 33 | 138 | ||
| Figure 120, 2nd edition (2 copies) | 33 | 139 | ||
| Figure 121, 2nd edition (3 copies) | 33 | 140 | ||
| Figure 122, 2nd edition (5 copies) | 33 | 141 | ||
| Figure 123, 2nd edition (2 copies) | 33 | 142 | ||
| Figure 123, 2nd edition (2 copies) | 33 | 143 | ||
| Figure 125, 2nd edition (2 copies) | 33 | 144 | ||
| Figure 126, 2nd edition (2 copies) | 33 | 145 | ||
| Figure 128, 2nd edition (1 copy) | 33 | 146 | ||
| Figure 129, 2nd edition (2 copies) | 33 | 147 | ||
| Figure 130, 2nd edition (2 copies) | 33 | 148 | ||
| Figure 131, 2nd edition (2 copies) | 33 | 149 | ||
| Figure 132, 2nd edition (2 copies) | 33 | 150 | ||
| Figure 133, 2nd edition (1 copy) | 33 | 151 | ||
| Figure 134, 2nd edition (2 copies) | 33 | 152 | ||
| Figure 135, 2nd edition (2 copies) | 33 | 153 | ||
| Figure 136, 2nd edition (1 copy) | 33 | 154 | ||
| Figure 137, 2nd edition (2 copies) | 33 | 155 | Digital item available |
|
| Figure 138, 2nd edition (1 copy) | 33 | 156 | ||
| Figure 139, 2nd edition (3 copies) | 33 | 157 | ||
| Figure 140, 2nd edition (1 copy) | 33 | 158 | ||
| Figure 141, 2nd edition (2 copies) | 33 | 159 | ||
| Figure 142, 2nd edition (2 copies) | 33 | 160 | ||
| Figure 143, 2nd edition (2 copies) | 33 | 161 | ||
| Figure 144, 2nd edition (1 copy) | 33 | 162 | ||
| Figure 145-146, 2nd edition (1 copy of each) | 33 | 163 | ||
| Figure 147, 2nd edition (2 copies) | 33 | 164 | ||
| Numbered but unidentified | 33 | 165 |
Date: undated
Extent: 300 items
Description: These photos are mainly of fertility statues and symbols, and are presumably part of Eisenbud's personal collection.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Personal Photographs (1 of 37) | 24 | 84 | ||
| Personal Photographs (2 of 37) | 24 | 85 | ||
| Personal Photographs (3 of 37) | 24 | 86 | ||
| Personal Photographs (4 of 37) | 24 | 87 | ||
| Personal Photographs (5 of 37) | 24 | 88 | ||
| Personal Photographs (6 of 37) | 24 | 89 | ||
| Personal Photographs (7 of 37) | 24 | 90 | ||
| Personal Photographs (8 of 37) | 24 | 91 | ||
| Personal Photographs (9 of 37) | 24 | 92 | ||
| Personal Photographs (10 of 37) | 24 | 93 | ||
| Personal Photographs (11 of 37) | 24 | 94 | ||
| Personal Photographs (12 of 37) | 24 | 95 | ||
| Personal Photographs (13 of 37) | 24 | 96 | ||
| Personal Photographs (14 of 37) | 24 | 97 | ||
| Personal Photographs (15 of 37) | 24 | 98 | ||
| Personal Photographs (16 of 37) | 24 | 99 | ||
| Personal Photographs (17 of 37) | 24 | 100 | ||
| Personal Photographs (18 of 37) | 24 | 101 | ||
| Personal Photographs (19 of 37) | 24 | 102 | ||
| Personal Photographs (20 of 37) | 24 | 103 | ||
| Personal Photographs (21 of 37) | 24 | 104 | ||
| Personal Photographs (22 of 37) | 24 | 105 | ||
| Personal Photographs (23 of 37) | 24 | 106 | ||
| Personal Photographs (24 of 37) | 24 | 107 | ||
| Personal Photographs (25 of 37) | 24 | 108 | ||
| Personal Photographs (26 of 37) | 24 | 109 | ||
| Personal Photographs (27 of 37)(See Box 33, Folder 166) | 24 | 110 | ||
| Personal Photographs (28 of 37) | 24 | 111 | ||
| Personal Photographs (29 of 37) | 24 | 112 | ||
| Personal Photographs (30 of 37) | 24 | 113 | ||
| Personal Photographs (31 of 37) | 24 | 114 | ||
| Personal Photographs (32 of 37) | 24 | 115 | ||
| Personal Photographs (33 of 37) | 24 | 116 | ||
| Personal Photographs (34 of 37) | 24 | 117 | ||
| Personal Photographs (35 of 37) | 24 | 118 | ||
| Personal Photographs (36 of 37) | 24 | 119 | ||
| Personal Photographs (37 of 37) | 24 | 120 | ||
| Negatives (See Box 33, Folders 167 - 169) | 24 | 121 | ||
| Portraits of Jule Eisenbud (See also (See also Box 20, Disc 18) | 33 | 170 |
Date: undated
Extent: 40 items
Description: These photos include more recent shots of Ted and family members. Also, there are a number of shots of Ted performing experiments.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| Personal Color Photographs (1 of 2) | 24 | 122 | ||
| Personal Color Photographs (2 of 2) | 24 | 123 | ||
| Family Color Photographs | 24 | 124 | ||
| Ted in Action (8X10s and larger photos) | 27 |
Date: undated
Extent: 1 item
Description: Contains Jule Eisenbud’s Polaroid camera, which was used during his experiments with Ted Serios.
| Folder Title/Description | Date | Box # | Folder # | Additional Info. |
| 34 | Eisenbud's Polaroid camera |
